31 |
Athenian Acoustics: A Sonic ExplorationMiller, Nolan W. January 2019 (has links)
No description available.
|
32 |
Nebraska Interstate 80 Bicentennial Sculpture ProjectLierley, Mary A. 08 1900 (has links)
In 1973 , the citizens of Nebraksa embarked upon the Nebraska I-80 Bicentennial Sculpture Project, which provided large roadside sculptures along Interstate 80. A controversial project, referred to as an outdoor sculpture garden, it was completed in 1976 as a lasting commemoration of America's Bicentennial, The sculptures are interspersed for approximately five hundred miles throughout the state and located on alternate sides of the expressway at roadside rest areas.
|
33 |
Ariadne's thread - memory, interconnection and the poetic in contemporary artFries, Katherine. January 2008 (has links)
Thesis (M.V.A.)--University of Sydney, 2009. / Title from title screen (viewed November 26, 2009) Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts, University of Sydney. Degree awarded 2009; thesis submitted 2008. Includes bibliographical references.
|
34 |
Corroded memoriesHull, Aaron Coates. January 2009 (has links)
Thesis (M.A.-Res.)--University of Wollongong, 2009. / Typescript. Includes bibliographical references: leaf 107-115.
|
35 |
Inhabiting space and place : from installation to the clinical setting /Fowler Smith, Juliet. January 2002 (has links)
Thesis (M.S. (Hons.)) -- University of Western Sydney, 2002. / Supervisors: Joan Grounds (primary), Jill Westwood. Bibliography : leaves 46-48.
|
36 |
A preservação de \'instalações de arte\' com ênfase no contexto brasileiro: discussões teóricas e metodológicas / The preservation of \"Art Installations\" with emphasis on the Brazilian context: theoretical and methodological discussionsSehn, Magali Melleu 13 April 2010 (has links)
A abordagem das principais discussões éticas e metodológicas no âmbito da preservação da arte contemporânea constitui o ponto de partida desta tese. O recorte procurou enfatizar a problemática da preservação de algumas modalidades artísticas denominadas atualmente de instalações de arte, evidenciando a produção artística brasileira a partir da década de 80. Tomando como referência o estudo de cinco obras de artistas vivos que, em sua maioria, ainda não estão inseridas no contexto institucional, analisa-se a relevância do registro das intenções desses artistas quanto à preservação, bem como o papel do conservador/restaurador e da comunidade artística. / Tackling the major methodological and ethical issues in the preservation of contemporary art is the starting point for this thesis. The cutting sought to emphasize the issue of preservation of some artistic modalities, currently called art installations, showing the Brazilian artistic production from the 80s. Compared to the study of five works of living artists and, mostly, not yet included in the institutional context, the relevance of the intention records of these artists is examined in terms of the preservation of their works, the role of the conservator-restorer and the artistic community.
|
37 |
A preservação de \'instalações de arte\' com ênfase no contexto brasileiro: discussões teóricas e metodológicas / The preservation of \"Art Installations\" with emphasis on the Brazilian context: theoretical and methodological discussionsMagali Melleu Sehn 13 April 2010 (has links)
A abordagem das principais discussões éticas e metodológicas no âmbito da preservação da arte contemporânea constitui o ponto de partida desta tese. O recorte procurou enfatizar a problemática da preservação de algumas modalidades artísticas denominadas atualmente de instalações de arte, evidenciando a produção artística brasileira a partir da década de 80. Tomando como referência o estudo de cinco obras de artistas vivos que, em sua maioria, ainda não estão inseridas no contexto institucional, analisa-se a relevância do registro das intenções desses artistas quanto à preservação, bem como o papel do conservador/restaurador e da comunidade artística. / Tackling the major methodological and ethical issues in the preservation of contemporary art is the starting point for this thesis. The cutting sought to emphasize the issue of preservation of some artistic modalities, currently called art installations, showing the Brazilian artistic production from the 80s. Compared to the study of five works of living artists and, mostly, not yet included in the institutional context, the relevance of the intention records of these artists is examined in terms of the preservation of their works, the role of the conservator-restorer and the artistic community.
|
38 |
Evergreen : [thesis] submitted in partial fulfillment of the requirements of the degree of Masters [Ie Master] of Fine Arts at Otago Polytechnic School of Art, Dunedin, New Zealand /Muirhead, Anna, January 2008 (has links)
Thesis (M.F.A.)--Otago Polytechnic, 2008. Includes bibliographical references. / Thesis typescript. Supervisors: Adrian Hall, Michele Beevors. Otago Polytechnic department: School of Art. "October 2008." Accompanied by a website of the exhibition of the author's artistic.
|
Page generated in 0.1381 seconds