The title of this thesis borrows the notion of ‘wounded space’ from anthropologist and historian Deborah Bird Rose. The work’s central aspiration is to initiate a conversation about the power and fate of physical settings of traumatic events, and, in particular, about the cultural work such places can be seen to perform in the contemporary Western world. My focus is on ‘traumascapes’ places that are traditionally described and understood as haunted. I use the notion of traumascapes as a means of historicising haunting and haunted places and of recognising them as an integral part of our landscapes and lived sociality. (For complete abstract open document)

This thesis examines the career of Arthur Baldwinson (1908-1969), a Sydney-based modernist architect. It argues that Baldwinson was a central figure in the development of a modernist domestic architecture in Australia from the late 1930s until the late 1950s through his practice as well as his activist role in the development of the Australian design reform and arts organisations: the Modern Architecture Research Group (MARS); the Designers for Industry Association of Australia (DIAA); and the Contemporary Art Society (CAS). It is further argued that Baldwinson designed and built two of Sydney's first authentically modernist houses before the 1939-45 War and that his subsequent development and refinement of a regional methodology for modernism in Sydney's domestic architecture is at the centre of the later regionalist styles of the late 1950s and early 1960s currently described as the

Zugl.: Berlin, Techn. Universiẗat, Diss., 2008. / Hergestellt on demand.

Mémoire (M.E.L.)--Université du Québec à Chicoutimi, 1995. / Document électronique également accessible en format PDF. CaQCU

Thesis (Ph. D.)--Catholic University of America, 1932. / At head of title: The Catholic University of America. Bibliography: p. 176-186.

Thesis (Ph. D.)--Catholic University of America, 1932. / At head of title: The Catholic University of America. Bibliography: p. 176-186.

Thesis (Ph. D.)--University of Chicago, Dept. of English Language and Literature, August 2002. / Includes bibliographical references. Also available on the Internet.

Thèse (M.A.)--Université Laval, 1998. / Bibliogr.: f. [143]-145. Publié aussi en version électronique.

Thesis (Ph. D.)--University of Canterbury, 2006. / Typescript (photocopy). Includes bibliographical references (leaves [411]-428).

This work deals with the analysis of selected works by the famous Austrian writer Arthur Schnitzler. For the purpose of zeitgeist illustration the dramas Anatole and Reigen were used. The analysis of the works is preceded by theoretical section with a closer description of the socio-historical situation in Vienna at the turn of the 19th and 20 century. A part of the main section is a short treatise on the importance of one-act plays cycle in the development of the author´s works, dramas analysis and characterization of the characters, on the basis of which the conclusions are drawn about the image of Victorian society, which the author deals with in his works . The last part concludes the analysis and provides an outline description of the image and the zeitgeist as it can be deduced on the basis of both Schnitzler´s dramas compared to socio-historical knowledge of that time.