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Bad Bitch, White Witch : A Study of the Crossover Star Personas of Supermodel-Actors Devon Aoki and Abbey LeeForsenberg, Aléks J. January 2023 (has links)
While it is very common for supermodels to make the occasional foray into cinematic performance, and some of them manage to turn these forays into full-time careers in acting, it is very rare that supermodel-actors are afforded any academic attention. This thesis seeks to change this through a case study of two supermodel-actors: Devon Aoki and Abbey Lee. Using a methodology that combines extratextual contextualization with close analysis of image and film materials, and grounded in a perspective that centers the body, it analyzes Aoki and Lee’s careers as they cross over from one form of stardom to another. The focus of the analysis lies in the way that the bodily capital which is the basis of their modelling work also informs their acting personas as they are shaped through their on-screen work, publicity and reception. Furthermore, the thesis applies the concept of niche stardom, adapted from Diane Negra, to illustrate how Aoki and Lee inhabit a stardom which is specific to certain audiences with specific values and tastes. The analysis finds that there is a significant overlap between Aoki and Lee’s modelling and acting personas, and that this overlap is channeled through the representations of their bodies which, are the sites of heterogeneous discourses of gender, sexuality and race.
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アメリカのテレビドラマにおけるアジア系女性像 : 1970年代から2000年代の関係性の変遷を中心に / アメリカ ノ テレビ ドラマ ニオケル アジアケイ ジョセイゾウ : 1970ネンダイ カラ 2000ネンダイ ノ カンケイセイ ノ ヘンセン オ チュウシン ニ俣野 裕美, Yumi Matano 03 March 2016 (has links)
本論は、1970年代から2000年代のアメリカのテレビドラマにおけるアジア系女性の表象を分析したものである。作中でアジア系女性が築く他の人物との関係性に焦点を当て、その変遷を各時代背景とともに論じた。70年代のアジア系女性は、既存の体制を維持、強化する関係性を築いていたが、2000年代にはアジアに対する抑圧の片鱗が見られつつも、アジア系女性が主体性を発揮できる関係を構築していた。終章では、こうした表象の変遷に影響を及ぼした一つの要因として、メディア表象の改善を求めるアジア系活動団体の歴史について考察している。 / This dissertation examines how US television series represented Asian women from the 1970s to the 2000s. By focusing on the relationships of Asian women with other characters, it analyzes why representational transitions occurred in relation to the socio-cultural context of each program. In the 1970s, Asian women's relationship with other characters reflected and even seemed to support the existing social hegemonic structure. In the 2000s, “Asian” roles remained underprivileged, but they demonstrated more autonomy in their relationships with others. In the last chapter, I introduce the history of Asian American media organizations, one of the factors that brought about these transitions over the years. / 博士(メディア学) / Doctor of Philosophy in Media Studies / 同志社大学 / Doshisha University
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American Society, Stereotypical Roles, and Asian Characters in M*A*S*HStevens, Ashley Marie 21 April 2016 (has links)
No description available.
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