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21	Asyl und Athen : Die Konstruktion kollektiver Identität in der griechischen Tragödie / Grethlein, Jonas, January 2003 (has links) Texte remanié de: Diss.--Freiburg in Breisgau, 2002. / Bibliogr. p. 445-492. Notes bibliogr.
22	The miniature votive vessels from the Sanctuary of Athena Alea at Tegea / Hammond, Leslie January 1998 (has links) Thesis (Ph. D.)--University of Missouri-Columbia, 1998. / Typescript. Vita. Includes bibliographical references (leaves 380-396). Also available on the Internet.
23	Attitudes towards the Past in Antiquity. Creating Identities : Proceedings of an International Conference held at Stockholm University 15-17 May 2009 Alroth, Brita, Scheffer, Charlotte January 2014 (has links) This volume brings together twenty-eight papers from an International conference on attitudes towards the past and the creating of identities in Antiquity. The volume addresses many different approaches to these issues, spanning over many centuries, ranging in time from the Prehistoric periods to the Late Antiquity, and covering large areas, from Britain to Greece and Italy and to Asia Minor and Cyprus. The papers deal with several important problems, such as the use of tradition and memory in shaping an individual or a collective identity, continuity and/or change and the efforts to connect the past with the present. Among the topics discussed are the interpretation of literary texts, e.g. a play by Plautus, the Aeneid, a speech by Lykurgos, poems by Claudian and Prudentius, and of historical texts and inscriptions, e.g. funerary epigrams, and the analysis of the iconography of Roman coins, Etruscan reliefs, Pompeian and Etruscan frescoes and Cypriote sculpture, and of architectural remains of houses, tombs and temples. Other topics are religious festivals, such as the Lupercalia, foundation myths, the image of the emperor on coins and in literature, the significance of intra-urban burials, forgeries connected with the Trojan War, Hippocrates and Roman martyrs. The past identities memory tradition continuity and/or change mythology religious festivals funerary inscriptions forgeries Trojan War Hippocrates Lykurgos Etruscans the François Tomb Athens Rome Pompeii Britain Crete Cyprus Phrygia Capitolia Christian martyrs antiken det förflutna identitet minne tradition kontinuitet och/eller förändring mytologi religiösa festivaler gravinskrifter förfalskningar Trojanska kriget Hippokrates Lykurgos François-graven Athen Rom Pompeji Britannien Kreta Cypern Frygien kristna martyrer
24	Barnskrik i Hades? : Attityder till döda spädbarn i antika Grekland. / Screaming babies in Hades? : Attitudes to dead infants in ancient Greece. Svedlund, Sofie January 2020 (has links) In Homer’s work Iliad, Achilles is harassed in the sleep by the ghost of his friend Patroclus who demands a burial by him to be able to find peace. From this we get an understanding of how important it was for the ancient Greeks that their dead were given a proper burial for the soul to enter Hades and be able to find peace. If the deceased body was not buried, the soul became restless that harassed and had the power to harm the living. Infants belong to the group of individuals that do not appear to have had any consistent way of how to deal with them after they died. Some of them did not receive anything even close to a burial that a deceased adult would have received. Why infants were handled differently in certain contexts and locations is a mystery and begs the question of whether they were not considered to be people when they died and what was required to be considered worthy of a funeral when being dead. The purpose of this study was to investigate whether infants ended up in Hades or not, with the ancient Greeks' view of death and dead bodies as a theoretical starting point. To fulfill the purpose, the following questions were asked; how were dead infants handled? Were they considered to be 'real' individuals? How do the dead infants relate to the notions of becoming restless dead? To be able to answer these questions, I researched material from three different categories of evidence. The discussion has been divided into archaeological, iconographical, and literary sources. There are many different answers to the questions of this thesis as the different sorts of source material indicate diverse answers and attitudes to infants. It all probably depends on the different geographical places, economy, and status in society. These different answers also generate different attitudes to infants and whether they in fact were a real person. But through this thesis I have displayed factors that can support my theory about infants in Hades and that they – in worst case scenario – could end up like restless dead. Mass grave Agora Athens child burials infanticide Hekate Demeter infant-graves infant death Hades Kylindra Messene Eretria Euboia restless dead demons Greek vase-paintings gravestelai Ampharete aoroi amphidromia massgrav aten athen agora infanticid spädbarnsgrav rastlösa döda demoner demoner grekland grekiska demoner grekiska vaser barngravar Antikvetenskap
25	Beethoven's Orchestra at the Romantic Piano: Understanding the Piano Transcriptions of "Marcia alla turca" from Beethoven's The Ruins of Athens by Franz Liszt and Anton Rubinstein Yoon, Jeongmi 08 1900 (has links) The transcriptions of Franz Liszt (1811-1886) and Anton Rubinstein (1829-1894) on Beethoven's "Marcia alla turca" serve as unique examples within the area of transcription since each of these important virtuosos transcribed the movement with drastically different results. Liszt's Capriccio alla turca (1846) is built on Beethoven's thematic materials although it is presented with a greatly embellished accompaniment providing countermelodies, expanded passages, and vigorous rhythmic features. In contrast, Rubinstein's Turkish March (1848) attempts to capture Beethoven's original (1811) as closely as possible adhering to the form and harmonies. Each composer's approach served to showcase new pianistic innovations capturing orchestral sonorities at the piano previously unimagined. This dissertation offers musical insight for two less well-known works from significant pianist-composers which should receive further attention. Additionally, this research provides greater documentation for the compositions of Rubinstein, supplementing the historical accounts of his abilities as a performer. Examination and comparative analysis of each transcription not only illuminates the creative approaches each composer employed in creating his transcription, but also serves pianists wishing to perform these neglected works. Ruins of Athens Marcia alla turca Ludwig van Beethoven Beethoven Capriccio alla turca Turkish march Franz Liszt Liszt Anton Rubinstein Rubinstein piano transcription piano reduction Liszt, Franz, 1811-1886. Rubinstein, Anton, 1829-1894. Arrangement (Music) Academic theses

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