Thesis--Belgrad. / Added t.p.: Kellia and pyrgoi on the Mount Athos in the Middle Ages. Summary in English. Bibliography: p. [vii]-xii.

Texte remanié de: Diss.--Birmingham, GB--University, 1999. Titre de soutenance : Codex 1582 and Family 1 of the Gospels, the Gospel of Matthew. / Bibliogr. p. 213-216. Index.

This thesis explores the embodied topography of Mount Athos, emphasizing the conditions of liminality – the nature of different kinds of boundaries and intermediate zones within it. Mount Athos is a valuable case study of sacred topography, as it is one of the largest monastic communities and an important pilgrimage destination. Its phenomenological examination in this study highlights the importance of embodiment in the experience of religious places advocating also for a deeper understanding of the boundaries in it. The thesis seeks to convey a more primary insight into the phenomena found there, examining also how ritual and pre-reflective embodied movements explore the topography in a meaningful way. Combining elements of different disciplines (philosophy, theology, anthropology, and architectural history and theory) with primary sources from archives and fieldwork, the thesis constitutes an original contribution to both Athonian studies and sacred topography scholarship. By focusing on the spatial, temporal and aural boundaries and intermediate zones as perceptual phenomena of an embodied topography, it suggests an alternative to the usual art-historical, objectifying examination of the case study. Liminality refers to the intermediate zones between two or more components of a sacred place. It allows the reciprocal communication between them, carrying the character of both departure and return. In using liminality as a focus of investigation, the thesis provides a new understanding of the way religious places are interconnected through cyclical rituals, the strangers’ travel and silent meditation. Following the archetype of the journey, these movements are also studied according to their particular power to “map” places in a more primary way than the modern cartographic method. Starting from the periphery of Athos, the study presents a variety of in-between zones, the passage through which contributes to the sensual realization of a multi-layered meaningful topography. Annual pilgrimages to the peak of the mountain, silent meditation in isolated caves, wandering asceticism and walking along the footpaths provide different ways to narrate the natural landscape of the peninsula. Moreover, ritual choreographies being inscribed in the courtyard and church of a coenobitic monastery, meals and death services ritually perform the place. Through their investigation, this study illuminates important aspects of the topography, such as its multi-sensual aural environment in which silence plays a key role. The analysis concludes that the different liminal zones of Mount Athos are always undergoing a condition of penetration, alteration, and even violation, allowing the integrity of the topography to be enacted.

Estuda a presença do azulejo na arquitetura brasileira desde uma perspectiva histórica e de seu processo produtivo, conferindo particular atenção à obra azulejar do artista plástico Athos Bulcão. O azulejo como material de revestimento percorre a arquitetura brasileira desde suas origens. Forte traço da herança construtiva portuguesa no Brasil, de uso corrente nas edificações coloniais, o azulejo é recuperado no começo do século XX no movimento de formação de uma arquitetura brasileira de caráter nacional, primeiro no neocolonial, e depois pelos modernos. A obra de Athos Bulcão parte dessa retomada e avança em elaborações formais geométrico-abstratas, que atualiza o sentido do azulejo como um protagonista da obra arquitetônica. / This research studies the presence of wall tile in brazilian architecture from a historical point of view and its productive process, granting special attention to Athos Bulcão wall tiles work. The use of wall tiles as a covering material goes back to the origins of brazilian architecture. Strong feature of portuguese architecture inheritance in Brazil, usual in colonial buildings, the use of wall tile recovered at the begin of 20th century with the creation of an authentic brazilian architecture with a strong national character, from the neo colonial style to the modern movement. Athos Bulcão’s work begins with this restart and move forward to the development of geometric abstract forms, bringing wall tiles back as a protagonist in architecture.

Texte remanié de la thése de l'auteur "Turska i Hilandar u XVI i XVII veku" : Filozofski fakultet Beograd : 1999. / Résumé en anglais. "Rečnik osmanskih termina" p. 439-449. Bibliogr. p. 452-471. Index.

Texte remanié de: Magisterarb.--Ludwig-Maximilians Universität zu München, 1993. / Contient des textes turcs en caractères arabes, avec trad. en allemand, et un résumé en grec et en anglais. Bibliogr. p. 107-113. Index.

Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2014-11-17T10:02:38Z No. of bitstreams: 7 Dissertação - Maria Claudia Reis Silva - 2014 (1).pdf: 10436068 bytes, checksum: f7d070cf90787f5bec733a2f3bc21a23 (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (2).pdf: 17303699 bytes, checksum: 2d63e0f25c6e2da4ea352617f1ebe799 (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (3).pdf: 20022038 bytes, checksum: 5febc58b3b408ce42d2c3be8c22b247e (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (4).pdf: 15696350 bytes, checksum: 10d0f26fc548bfe7c7e174be874fc2c6 (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (5).pdf: 14039614 bytes, checksum: 5ac81ec62a808a9a0f625664dcb8f1d6 (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (6).pdf: 15915010 bytes, checksum: 94f52b6f192ce080f934afc385ac66df (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2014-11-18T11:24:39Z (GMT) No. of bitstreams: 7 Dissertação - Maria Claudia Reis Silva - 2014 (1).pdf: 10436068 bytes, checksum: f7d070cf90787f5bec733a2f3bc21a23 (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (2).pdf: 17303699 bytes, checksum: 2d63e0f25c6e2da4ea352617f1ebe799 (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (3).pdf: 20022038 bytes, checksum: 5febc58b3b408ce42d2c3be8c22b247e (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (4).pdf: 15696350 bytes, checksum: 10d0f26fc548bfe7c7e174be874fc2c6 (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (5).pdf: 14039614 bytes, checksum: 5ac81ec62a808a9a0f625664dcb8f1d6 (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (6).pdf: 15915010 bytes, checksum: 94f52b6f192ce080f934afc385ac66df (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2014-11-18T11:24:39Z (GMT). No. of bitstreams: 7 Dissertação - Maria Claudia Reis Silva - 2014 (1).pdf: 10436068 bytes, checksum: f7d070cf90787f5bec733a2f3bc21a23 (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (2).pdf: 17303699 bytes, checksum: 2d63e0f25c6e2da4ea352617f1ebe799 (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (3).pdf: 20022038 bytes, checksum: 5febc58b3b408ce42d2c3be8c22b247e (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (4).pdf: 15696350 bytes, checksum: 10d0f26fc548bfe7c7e174be874fc2c6 (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (5).pdf: 14039614 bytes, checksum: 5ac81ec62a808a9a0f625664dcb8f1d6 (MD5) Dissertação - Maria Claudia Reis Silva - 2014 (6).pdf: 15915010 bytes, checksum: 94f52b6f192ce080f934afc385ac66df (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2014-08-04 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / Known for integrate the art of his tiles to Brasília’s architecture, the plastic artist Athos Bulcão (1918-2008) developed during the first half of the 1950’s decade a series of photomontage. Before presenting surrealistic or classic aspects, each image expresses a narrative in motion that shows the influence of cinema and its montage. Analogous to the moment of photomontages of Jorge de Lima and Alberto da Veiga Guignard, Athos meets modernism more open to photography and experimentation. The present work seeks to understand the production’s context of these images, as well as understand the relation between the photomontages with other Athos Bulcão’s works. For purposes of analysis, the object of the research is limited to the collection of the artist's photomontages based in the Museu de Arte Moderna do Rio de Janeiro. / Conhecido por integrar a arte de seus azulejos à arquitetura de Brasília, o artista plástico Athos Bulcão (1918-2008) desenvolveu durante a primeira metade da década de 1950 uma série de fotomontagens. Antes de apresentarem aspectos surrealistas ou clássicos cada imagem expressa uma narrativa em movimento em que o artista se mostra influenciado pelo cinema e por sua montagem. Análogo ao momento das fotomontagens de Jorge de Lima e de Alberto da Veiga Guignard, Athos Bulcão encontra um cenário artístico mais aberto à fotografia e sua experimentação. O presente trabalho busca compreender o contexto de produção dessas imagens, assim como entender a relação dessas fotomontagens com a obra geral do artista. Para fins de análise, o objeto da pesquisa se limita ao acervo de fotomontagens do artista que se encontra no Museu de Arte Moderna do Rio de Janeiro.

Estuda a presença do azulejo na arquitetura brasileira desde uma perspectiva histórica e de seu processo produtivo, conferindo particular atenção à obra azulejar do artista plástico Athos Bulcão. O azulejo como material de revestimento percorre a arquitetura brasileira desde suas origens. Forte traço da herança construtiva portuguesa no Brasil, de uso corrente nas edificações coloniais, o azulejo é recuperado no começo do século XX no movimento de formação de uma arquitetura brasileira de caráter nacional, primeiro no neocolonial, e depois pelos modernos. A obra de Athos Bulcão parte dessa retomada e avança em elaborações formais geométrico-abstratas, que atualiza o sentido do azulejo como um protagonista da obra arquitetônica. / This research studies the presence of wall tile in brazilian architecture from a historical point of view and its productive process, granting special attention to Athos Bulcão wall tiles work. The use of wall tiles as a covering material goes back to the origins of brazilian architecture. Strong feature of portuguese architecture inheritance in Brazil, usual in colonial buildings, the use of wall tile recovered at the begin of 20th century with the creation of an authentic brazilian architecture with a strong national character, from the neo colonial style to the modern movement. Athos Bulcão’s work begins with this restart and move forward to the development of geometric abstract forms, bringing wall tiles back as a protagonist in architecture.

Dissertação (mestrado)—Universidade de Brasília, Faculdade de Arquitetura e Urbanismo, 2016. / Submitted by Camila Duarte (camiladias@bce.unb.br) on 2017-01-30T12:17:19Z No. of bitstreams: 1 2016_CamilaXavierdaCunha.pdf: 9262438 bytes, checksum: a499230f62a5485bd79bb7cac6f754c6 (MD5) / Approved for entry into archive by Raquel Viana(raquelviana@bce.unb.br) on 2017-03-09T11:29:09Z (GMT) No. of bitstreams: 1 2016_CamilaXavierdaCunha.pdf: 9262438 bytes, checksum: a499230f62a5485bd79bb7cac6f754c6 (MD5) / Made available in DSpace on 2017-03-09T11:29:09Z (GMT). No. of bitstreams: 1 2016_CamilaXavierdaCunha.pdf: 9262438 bytes, checksum: a499230f62a5485bd79bb7cac6f754c6 (MD5) / As criações em azulejos de Athos Bulcão fazem parte do conjunto urbano de Brasília, participando dos ideais da geração modernista que a construiu. O desenvolvimento dos meios de produção industriais e os conceitos funcionalistas em arquitetura, especialmente aqueles presentes na obra de Le Corbusier, junto ao trabalho dos arquitetos brasileiros na década de 30, desencadearam uma série de transformações no repertório brasileiro. Vistas sob a lógica das vanguardas artísticas e arquitetônicas modernas, as inovações técnicas incorporadas possibilitaram o surgimento de expressões plásticas únicas em nossa arquitetura e arte. Nesse sentido, a construção da cidade de Brasília consiste em marco de um momento histórico importante da renovação cultural brasileira, que representa a construção de uma nação desenvolvida a partir da materialização de uma capital planejada de expressão moderna. Neste contexto, esta pesquisa objetiva estudar os painéis de azulejaria do artista Athos Bulcão nas quatro escalas urbanas criadas por Lucio Costa, as suas relações estéticas e espaciais com a arquitetura e os possíveis diálogos com o concretismo e o neoconcretismo, movimentos artísticos de influência construtivista brasileiros. / Athos Bulcão tiles creations are part of Brasilia urbanism and participate of the modernist ideals of the generation who built it. The development of industrial production and functionalist concepts, especially those presented in the work of Le Corbusier, that influenced Brazilian architects in the 30´s, triggered a series of changes in Brazilian architecture. Seen through the logic of artistic and architectural modern avant-gardes, the technical innovations made possible the emergence of unique visual expressions in our architecture and art. In this sense, the construction of Brasilia consists in a mark of an important historical moment in Brazilian cultural renewal. The city represents the construction of a developed nation image trough the materialization of a planned capital of modern expression. In this context, this research pretends to study some of the Athos Bulcão artistic tile panels found at Brasilia urban scales, their possible relations with constructive Brazilian art, called concretism and neoconcretism; and check their aesthetic and spatial interactions with the architecture and the urbanism of the city.

Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, Programa de Pós-Graduação em Arte, 2009. / Submitted by Allan Wanick Motta (allan_wanick@hotmail.com) on 2010-03-01T17:57:14Z No. of bitstreams: 1 2009_BarbaraPintoDuarte_noPW.pdf: 6426870 bytes, checksum: 3241c90c0b450c1591ee75429833f979 (MD5) / Approved for entry into archive by Lucila Saraiva(lucilasaraiva1@gmail.com) on 2010-03-03T00:22:01Z (GMT) No. of bitstreams: 1 2009_BarbaraPintoDuarte_noPW.pdf: 6426870 bytes, checksum: 3241c90c0b450c1591ee75429833f979 (MD5) / Made available in DSpace on 2010-03-03T00:22:01Z (GMT). No. of bitstreams: 1 2009_BarbaraPintoDuarte_noPW.pdf: 6426870 bytes, checksum: 3241c90c0b450c1591ee75429833f979 (MD5) Previous issue date: 2009 / Esta dissertação trata do painel de azulejos do Salão Verde da Câmara dos Deputados, em Brasília. A obra, de autoria de Athos Bulcão, é um exemplo de arte integrada à arquitetura, um conceito relacionado à vertente Construtivista do Modernismo. Aqui se tem por objetivo localizar o painel à História da Arte no Brasil, pelas relações com a Arquitetura Moderna brasileira e com o Concretismo, ambos influenciados pelo Construtivismo. Por outro lado, a obra também é uma ruptura no que diz respeito ao uso do azulejo na arquitetura brasileira e renova questão da planaridade dentro da arte moderna brasileira. _______________________________________________________________________________ ABSTRACT / This dissertation concerns the ceramic tile panel of the Green Salon of the Chamber of Deputies, in Brasilia. The artwork by Athos Bulcão is an example of the integration of art and architecture, a concept connected to the Constructivist tendency within Modernism. The purpose of this dissertation is to locate the panel within the History of Art in Brazil, by its relations with the Brazilian Modern Architecture and Concretism, both of with are influenced by Constructivism. On the other hand, the work is also a rupture within the use of ceramic tiles in Brazilian architecture and renovates the issue of flatness within Brazilian modern art.