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Balladry and Ballad-Collecting in Appalachia: An IntroductionOlson, Ted S. 01 January 2019 (has links)
Excerpt: Among the most enduring artifacts (along with certain lined-out hymns that are traceable back to sixteenth-century British churches) from the early days of European settlement in Appalachia, ballads are still in everyday use in some regional households and among certain performers, if largely outside the purview of the popular music industry. Even if reduced in range and frequency of performance from their heyday during the preindustrial and early industrial eras, ballads remain relevant today, as they are gems of compact storytelling that communicate thematically timeless narratives.
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Living Stories : An Investigation of the Perpetuation and Importance of Folk Ballads in the North Carolina Blue Ridge MountainsMartinez, Andy A. January 2019 (has links)
No description available.
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Balladspår i modern svensk litteratur : Intertextuella influenserSchrevelius, Ally January 2008 (has links)
<p>The purpose of this study is to investigate the distribution of medieval ballads as semiotics of intertextuality in modern Swedish literature, here represented by August Strindberg, Erik Axel Karlfeldt, Kerstin Ekman and Katarina Frostenson. They are famous authors from different epochs, ranging from the period called “the modern breakthrough” in the 1880s until the postmodernism of the present time. My aim is to expose their attraction to medieval balladry, and their different ways of using form, language and style from this old poetry in poems, prose and plays, explicit as well as implicit.</p>
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Balladspår i modern svensk litteratur : Intertextuella influenserSchrevelius, Ally January 2008 (has links)
The purpose of this study is to investigate the distribution of medieval ballads as semiotics of intertextuality in modern Swedish literature, here represented by August Strindberg, Erik Axel Karlfeldt, Kerstin Ekman and Katarina Frostenson. They are famous authors from different epochs, ranging from the period called “the modern breakthrough” in the 1880s until the postmodernism of the present time. My aim is to expose their attraction to medieval balladry, and their different ways of using form, language and style from this old poetry in poems, prose and plays, explicit as well as implicit.
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