No description available.

Thesis--Catholic University of America, 1978. / Includes bibliographical references (p. [167]-170).

Esta tese de doutorado, intitulada “Edgar Allan Poe e Charles Baudelaire:trajetórias e maturidade estética e poética", teve por objetivo analisar e interpretar, dentro de uma perspectiva comparativa, o percurso feito por Poe e Baudelaire desde suas obras iniciais, até atingirem uma maturidade estética e poética. Tomando por base a visão de Antoine Compagnon em seu Le Démon de la Théorie (1998) obra que retoma algumas teorias críticas, como a do círculo hermenêutico proposto por Schleiermacher (2001) e Gadamer (1999), a dos polissistemas e, dentro dela, a da tradução como transcriação e ferramenta ideológica, a da intertextualidade proposta por Kristeva (apud ALLEN, 2000) a partir de suas leituras de Freud e Bakhtin, a da morte do autor único e conseqüente criação de pluralidade de autores-leitores de Barthes (apud ALLEN, 2000) e a de sincronia e diacronia de Saussure, esta tese procurou mostrar, ao longo da análise detalhada de poemas, contos, poemas em prosa, ensaios, resenhas, artigos, anotações, peças teatrais de Poe e Baudelaire, como os mesmos foram elaborando e re-elaborando suas teorias estéticas e poéticas. A comparação entre as obras de ambos permitiu estabelecer trajetórias, teorias críticas, temas, opções formais, posicionamentos semelhantes, portanto, um diálogo entre ambos e dentro da produção individual dos autores aqui estudados.Além disso, um olhar mais detalhado em termos diacrônicos e sincrônicos pôde demonstrar uma preocupação com uma liberação formal, com gradativa busca por um discurso fragmentário ( busca essa presente em Marginalia, A Chapter of Suggestions, Fifty Suggestions e Mon Coeur Mis à Nu, obras que constituem o corpus desta tese), que pudesse captar um pensamento igualmente fragmentário, precursor, talvez, da estética pós-moderna, em pleno século XIX. / This doctoral dissertation, entitled “Edgar Allan Poe e Charles Baudelaire: trajetórias e maturidade estética e poética", aimed at both analysing and interpreting, from a comparative point of view, the literary path taken by Poe and Baudelaire, a path initiated in their early works and pursued toward their aesthetic and poetic late works. This dissertation based itself on the view of Antoine Compagnon in his Le Démon de la Théorie (1998), a book reviewing some recent critical theories on literature, linguistics and art: Schleiermacher´s and Gadamer´s hermeneutic circle (2001 and 1999 respectively), the theory of polisystems, and within it, that of translation as transcriation and an ideological tool, Kristeva´s theory of intertextuality as a reinterpretation of Freud and Bakhtin (apud ALLEN, 2000), Barthes´ theory of the death of a unique author and consequent generation of a plurality of author-readers (apud ALLEN, 2000), and, finally, Saussure´s diachronic and synchronic readings of language. Therefore, this dissertation attempted at showing, through a detailed analysis of Poe´s and Baudelaire´s poems, tales, prose poems, essays, reviews, articles, notes, and theater plays, how these authors underwent the process of developing their aesthetic and poetic theories, never missing out on the perspective offered by all the theories above mentioned. The comparison of the works of both writers allowed for the perception of a similarity of paths, critical theories, themes, formal options, and perspectives; therefore, it permitted the understanding of the existence of a dialogue built among the works of both authors as well as another one found within the individual collected works of the authors studied in this dissertation. Furthermore, a deeper look into their works, both synchronically and diachronically, demonstrated a preoccupation with a formal liberation, with a progressive search for a fragmentary discourse (this search may be traced both in Marginalia, A Chapter of Suggestions, Fifty Suggestions and Mon Coeur Mis à Nu, works forming the corpus of this dissertation), capable of apprehending and expressing thoughts equally fragmentary; thus, this discourse may be regarded, perhaps, as the forerunner of the post-modern aesthetics, in the 19th century.

The topic of this diploma thesis is the search for a feminine ideal in Gainsbourg's and Baudelaire's works. The image of an ideal woman is apparent in the works of both authors. In Gainsbourg's case, we partly dealt with the image in our bachelor thesis Lolita in Serge Gainsbourg's life and works. We try to follow up on the study. The first part of this thesis deals with Gainsbourg, especially his relationship with women. The second part treats of Baudelaire and his perception of a perfect woman. In the third part, we present selected Gainsbourg's texts, and on their basis we define the author's perception of the feminine beauty. Analogously, the fourth part deals with the analysis of Baudelaire's poetry. In the fifth part, we marginally mention also the works of other authors, where we can see a similar search for a feminine ideal. Keywords : Gainsbourg, Baudelaire, woman, ideal, myth

Texte remanié de: Thèse de doctorat--Littérature générale et comparée--Paris 3, 2005. Titre de soutenance : Les poètes hongrois du début du XXe siècle, traducteurs des symbolistes français : esquisse d'une théorie de la traduction. / Bibliogr. p. 301-313. Index.

Th.--Lett.--Université de Neuchâtel, 1983. / Bibliogr. pp. 255-265.

Thesis (M.M.)--Bowling Green State University, 2009. / Document formatted into pages; contains 1 score (vi, 13 p.). For soprano, viola, percussion (vibraphone, bass drum, 18" suspended cymbal, log drum, tam tam, rain stick, USB pedal) and live electronics. The verse is the poem, Correspondence, by Charles Baudelaire. Includes bibliographical references.

Esta tese de doutorado, intitulada “Edgar Allan Poe e Charles Baudelaire:trajetórias e maturidade estética e poética”, teve por objetivo analisar e interpretar, dentro de uma perspectiva comparativa, o percurso feito por Poe e Baudelaire desde suas obras iniciais, até atingirem uma maturidade estética e poética. Tomando por base a visão de Antoine Compagnon em seu Le Démon de la Théorie (1998) obra que retoma algumas teorias críticas, como a do círculo hermenêutico proposto por Schleiermacher (2001) e Gadamer (1999), a dos polissistemas e, dentro dela, a da tradução como transcriação e ferramenta ideológica, a da intertextualidade proposta por Kristeva (apud ALLEN, 2000) a partir de suas leituras de Freud e Bakhtin, a da morte do autor único e conseqüente criação de pluralidade de autores-leitores de Barthes (apud ALLEN, 2000) e a de sincronia e diacronia de Saussure, esta tese procurou mostrar, ao longo da análise detalhada de poemas, contos, poemas em prosa, ensaios, resenhas, artigos, anotações, peças teatrais de Poe e Baudelaire, como os mesmos foram elaborando e re-elaborando suas teorias estéticas e poéticas. A comparação entre as obras de ambos permitiu estabelecer trajetórias, teorias críticas, temas, opções formais, posicionamentos semelhantes, portanto, um diálogo entre ambos e dentro da produção individual dos autores aqui estudados.Além disso, um olhar mais detalhado em termos diacrônicos e sincrônicos pôde demonstrar uma preocupação com uma liberação formal, com gradativa busca por um discurso fragmentário ( busca essa presente em Marginalia, A Chapter of Suggestions, Fifty Suggestions e Mon Coeur Mis à Nu, obras que constituem o corpus desta tese), que pudesse captar um pensamento igualmente fragmentário, precursor, talvez, da estética pós-moderna, em pleno século XIX. / This doctoral dissertation, entitled “Edgar Allan Poe e Charles Baudelaire: trajetórias e maturidade estética e poética”, aimed at both analysing and interpreting, from a comparative point of view, the literary path taken by Poe and Baudelaire, a path initiated in their early works and pursued toward their aesthetic and poetic late works. This dissertation based itself on the view of Antoine Compagnon in his Le Démon de la Théorie (1998), a book reviewing some recent critical theories on literature, linguistics and art: Schleiermacher´s and Gadamer´s hermeneutic circle (2001 and 1999 respectively), the theory of polisystems, and within it, that of translation as transcriation and an ideological tool, Kristeva´s theory of intertextuality as a reinterpretation of Freud and Bakhtin (apud ALLEN, 2000), Barthes´ theory of the death of a unique author and consequent generation of a plurality of author-readers (apud ALLEN, 2000), and, finally, Saussure´s diachronic and synchronic readings of language. Therefore, this dissertation attempted at showing, through a detailed analysis of Poe´s and Baudelaire´s poems, tales, prose poems, essays, reviews, articles, notes, and theater plays, how these authors underwent the process of developing their aesthetic and poetic theories, never missing out on the perspective offered by all the theories above mentioned. The comparison of the works of both writers allowed for the perception of a similarity of paths, critical theories, themes, formal options, and perspectives; therefore, it permitted the understanding of the existence of a dialogue built among the works of both authors as well as another one found within the individual collected works of the authors studied in this dissertation. Furthermore, a deeper look into their works, both synchronically and diachronically, demonstrated a preoccupation with a formal liberation, with a progressive search for a fragmentary discourse (this search may be traced both in Marginalia, A Chapter of Suggestions, Fifty Suggestions and Mon Coeur Mis à Nu, works forming the corpus of this dissertation), capable of apprehending and expressing thoughts equally fragmentary; thus, this discourse may be regarded, perhaps, as the forerunner of the post-modern aesthetics, in the 19th century.

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Reproduction de : Thèse de doctorat : Lettres modernes : Lille 3 : 2006. / Résumés en français et en anglais. Titre provenant de l'écran-titre. Bibliographie p. 448-467. Notes bibliogr. Index.