Global ETD Search

1	Rethinking Baudry's apparatus theory in light of DVD technology Bielecki, Paul M. January 2007 (has links) Thesis (M.A.)--Ohio University, June, 2007. / Title from PDF t.p. Includes bibliographical references.
2	Question-learn-test-feedback pattern to test emerging software construction paradigms Baudry, Benoit 10 December 2010 (has links) (PDF) This habilitation introduces the question-learn-test-feedback pattern that resulted from a series of investigations in the domains of software testing and modular software construction. The contributions to these fields are of various natures, but are all fundamentally related through two major assumptions: software construction paradigms have to constantly evolve in order to deal with the increasingly complex requirements that software-intensive systems have to meet; a tester's perspective can support this evolution through the development of effective testing techniques and new empirical knowledge about these paradigms. Abstraction, modularity and separation of concerns have been advocated as key factors for rigorous software engineering for a long time. These principles have been incarnated by various software construction paradigms such as object-oriented programming and design, model-driven development and aspect-oriented modeling. These paradigms evolve in order to deal with the increasing number of heterogeneous requirements, the large number of variations and the need for adaptation that software-intensive systems have to integrate. The work presented here is about the integration of effective testing techniques in these paradigms and how this led us towards a more precise understanding of these paradigms. A major discovery in our work is that we could follow a systematic pattern when investigating these paradigms to integrate error detection capabilities. First, we have to question these paradigms about the new assumptions they introduce on software systems. When answering these questions we can can perform the following actions: learn through rigorous evaluation of hypotheses about these paradigms; test software systems developed in these new paradigms; provide feedback to the paradigms in the form of new construction techniques that improve testability. We capture these four facets for the investigation of software construction paradigms in the question-learn-test-feedback pattern (QLTF). This habilitation reports on investigations in three software construction techniques: object-oriented programming and design, aspect-oriented programming, model transformations. Each investigation is synthesized around the question-learn-test-feedback pattern. TRISKELL HDR BAUDRY IDM
3	Rethinking Baudry's Apparatus Theory In Light Of DVD Technology Bielecki, Paul M. 02 August 2007 (has links) No description available. Fine Arts DVD Technology Film Viewing Apparatus Theory Jean-Louis Baudry Robert Rodriguez Sin City
4	Dynamismes et structures de la perception dans l'œuvre de Charles Ferdinand Ramuz / Dynamisms and structures of perception in the work of Charles Ferdinand Ramuz Keresztes-Kila, Noemi 29 November 2013 (has links) Cette thèse a comme but de resituer l’œuvre de l’auteur suisse romand, Charles Ferdinand Ramuz dans le contexte français où elle a été souvent mal accueillie, plus particulièrement à l’époque contemporaine à sa création même. Afin de pouvoir situer les questionnements et les hypothèses, elle dresse un panorama des différents aspects de la réception de l’œuvre en question (malentendus, interprétations linguistiques, esthétiques et narratologiques). Ce travail souhaite s’inscrire dans le renouveau critique qui s’est fait jour dans les années soixante. Il étudie les stratégies d’expression et les techniques narratives qui rendraient possible une « langue-image » et une esthétique de la perception phénoménologico-cinématographique. Il consacre une attention particulière à l’usage ramuzien du pronom on ainsi qu’à la mise en œuvre des effets cinématographiques. L’analyse détaillée de ces constantes de l’écriture ramuzienne permettent non seulement de redéfinir les enjeux d’un regard détaché, objectif et de redécouvir le foyer perceptif comme doté de conscience et de cognition, mais aussi de poser une question qui peut paraître bouleversante : l’écriture de cet écrivain vaudois, mettrait-elle en œuvre ce que la création romanesque associée à la mouvance du Nouveau Roman définit et théorise trente ans plus tard ? / The aim of the present thesis is to resituate the work of the Swiss writer Charles Ferdinand Ramuz in the French context in which it was frequently badly received, namely in the contemporary age of its creation. In order to situate the questions and hypotheses, the thesis will provide a panorama of the different aspects of the work’s reception in question (misunderstandings, linguistic, aesthetic and narratological interpretations). This study aims to follow in the lines of the Critical Renewal which appeared in the sixties. It will study the strategies of expression and the narrative techniques that would allow a «language-image» and an aesthetics of the phenomenological-cinematographic perception. It will focus especially on Ramuz’ usage of “on” (we) as well as on the realization of the cinematographic effects. The detailed analysis of these constants in Ramuz’ writing make it possible not only to redefine the challenges of a detached and objective view and to rediscover the perceptive focus as if it was provided with conscience and cognition but also to raise a seemingly upsetting question: may it be possible that the writing of this Vaud writer already accomplishes what the Romanesque creation in association with the movement of the New Novel (Nouveau Roman) defines and theorises thirty years later ? Perception Mouvement CInéma Nouveau Roman Narration On Langue-image Foyer perceptif Conscience Objectivité Subjectivité Image Vécu Phénoménologie Point de vue Observateur Charles Ferdinand Ramuz Alain Robbe-Grillet Jean-Louis Baudry Perception Movement Cinema New novel Narration Language-image Perceptual focus Conscience Objectivity Subjectivity Image Lived Phenomenology Point of view Observator Charles Ferdinand Ramuz Alain Robbe-Grillet Jean-Louis Baudry
5	Döden som en politisk resurs : En semiotisk och historiskt kontextuell analys av Jacques-Louis Davids, Paul-Jacques-Aimé Baudrys och Jean-Joseph Weerts’ respektive gestaltningar av Marats död mellan åren 1793-1880 / Death as a political resource : A semiotic and historical contextual analysis of Jacques-Louis David’s, Paul-Jacques-Aimé Baudry’s, Jean-Joseph Weerts’ respective representations of Marat’s death between the years 1793-1880 Cujic, Bianka January 2023 (has links) This essay examines whether it is possible to ascertain which ideologies and values prevailed in France at the time of the creation of Jacques-Louis David’s, Paul-Jacques-Aimé Baudry’s and Jean- Joseph Weerts’ respective oil paintings La Mort de Marat, Charlotte Corday and L’Assassinat de Marat. The analysis is based on an semiotic method in order to find out from historical and cultural contexts whether variations in the artworks’ depictions of the death of the French revolutionary Jean-Paul Marat convey different messages. By using mourning and suffering from a theoretical perspective, the essay discusses how the visualization of these emotional expressions has been used as a political resource to influence viewers. The conclusion of the analysis is that the way images depict suffering or the absence of suffering can be used to unnoticeably convey an ideological message which then becomes part of the collective memory. / Denna uppsats undersöker huruvida det går att utröna vilka ideologier och värderingar som rådde i Frankrike vid uppkomsten av Jacques-Louis Davids, Paul-Jacques-Aimé Baudrys och Jean-Joseph Weerts’ respektive oljemålning La Mort de Marat, Charlotte Corday och L’Assassinat de Marat. Analysen utgår från en bildsemiotisk metod för att utifrån historiska och kulturella kontexter få fram huruvida variationer i verkens gestaltningar av den franske revolutionären Jean-Paul Marats död förmedlar olika budskap. Med sörjande och lidande ur ett teoretiskt perspektiv diskuteras i uppsatsen hur visualiseringen av dessa känslouttryck har använts som en politisk resurs för att påverka betraktare. I analysen framkommer det att hur bilder gestaltar lidande eller frånvaron av lidande kan användas för att obemärkt föra fram ett ideologiskt budskap som därefter blir en del av det kollektiva minnet. Jean-Paul Marat Charlotte Corday Jacques-Louis David Paul-Jacques-Aimé Baudry Jean-Joseph Weerts France 1789–1880 Mourning Pain Political Resource Semiotics. Jean-Paul Marat Charlotte Corday Jacques-Louis David Paul-Jacques-Aimé Baudry Jean-Joseph Weerts Frankrike 1789–1880 Sörjande Lidande Politisk Resurs Semiotik. Humanities and the Arts Humaniora och konst Arts Konst Art History Konstvetenskap

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