No description available.

The primary goal of this study was to evaluate the effectiveness of a program being run by the Bedford Police Department’s Repeat Victimization Unit on domestic violence and mental health and mental retardation. The study sought to determine whether the program was effective in reducing instances of repeat victimization in domestic violence and MHMR victims. Additionally the program investigated whether or not the program was effective at reducing victimization severity, and which demographic could be identified as the most victimized. Participants consisted of 157 domestic violence and MHMR victims in the city of Bedford, Tx between November 11, 2012 to July 30, 2013. Findings indicate that levels of repeat victimization for domestic violence and MHMR are relatively low regardless of whether the victim received services through the repeat victimization program or not. Additionally the severity of these repeat victimizations remains relatively constant regardless of whether services were received through the program or not. Implications and findings are discussed.

Transverse zones cross strike of thrust-belt structures as large-scale alignments of cross-strike structures. The Transylvania fault zone is a set of discontinuous right-lateral transverse faults striking at about 270º across Appalachian thrust-belt structures along 40º N latitude in Pennsylvania. Near Everett, Pennsylvania, the Breezewood fault terminates with the Ashcom thrust fault. The Everett Gap fault terminates westward with the Hartley thrust fault. Farther west, the Bedford fault extends westward to terminate against the Wills Mountain thrust fault. The rocks, deformed during the Alleghanian orogeny, are semi-independently deformed on opposite sides of the transverse fault, indicating fault movement during folding and thrusting. Palinspastic restorations of cross sections on either side of the fault zone are used to compare transverse fault displacement. The difference in shortening corresponds to the amount of displacement on either side of the transverse fault. The palinspastic restoration indicates a difference in the amount of shortening that will balance farther to the west in the Appalachian Plateau province.

Thesis (B. Arch.)--Roger Williams University, 2009. / Title from title page screen (viewed on June 21, 2010) Includes bibliographical references. Also available in print.

Thesis (M.A.)--Cincinnati Christian Seminary, 1985. / Abstract. Includes bibliographies.

No description available.

Actif de ca. 1420 à ca. 1450-1460, le Maître de la « Légende dorée » de Munich est, comme le Maître de Dunois, une personnalité issue de l'atelier de Bedford. Miniaturiste ayant surtout exercé à Paris, son œuvre témoigne aussi d'ancrages provinciaux, normands et ligériens notamment. Ce travail s'appuie sur un catalogue de 48 manuscrits, dont 41 livres d'heures. L'étude vise à dégager des spécificités iconographiques et stylistiques du Maître. Parmi les premières se notent l'intérêt marqué pour l'ornementation et le souci du détail, ainsi des auréoles ouvragées, voûtes aux nervures festonnées, livres et meubles. Trait iconographique saillant de l'œuvre tant par sa fréquence que par sa nouveauté, les épis de blé aux crèches font l'objet d'une étude attentive, du fait du sens dont ils sont porteurs et du possible lien entre ce motif et la spiritualité contemporaine, notamment la Dévotion Moderne. Stylistiquement, le Maître de la « Légende dorée » de Munich se caractérise par des lèvres aux commissures tombantes, des arcades sourcilières marquées au trait, dont il use aussi abondamment pour souligner carnations et contours d'objets, et par une palette riche et contrastée. Calendriers et décors marginaux ont également servi à des rapprochements pour aboutir à des regroupements chronologiques au sein du corpus. Inspiré, directement ou via des modèles puisés au sein de l'atelier Bedford, par les Limbourg, le Maître d'Egerton et la peinture septentrionale, le Maître de la « Légende dorée » de Munich a collaboré, comme maître d’œuvre ou peintre de quelques miniatures, avec d'autres artistes, documentés ou non. Il a pu travailler pour des commanditaires aussi bien anglais que français. / As the Dunois Master, the Munich « Golden Legend » Master, fl. from ca. 1420 to ca. 1450-1460, is one artistic figure originating from the Bedford workshop. This miniaturist was active mostly in Paris, but his work also shows connections with provinces like Normandy and the Loire valley. This paper is based on a 48-manuscript catalogue, among which are 41 books of hours. The study aims at bringing out the iconographic and stylistic Master's salient features. Among the first, one notes a deep interest in details and ornaments, which is to be found in finely wrought haloes, vaults with festooned ribs, books and furniture. Within the corpus, ears of wheat in cribs are noteworthy due to both their frequency and novelty. They are subject to deep insight due to the meaning they bear, and to the possible relationship between this motif and the contemporary spirituality, especially the Modern Devotion. Stylistically, typical of the Munich « Golden Legend » Master are falling lip-corners, eyebrow arches marked with line, which he also largely uses to underline flesh tones and object outlines. His range of colours is varied and full of contrasts. Calendars and marginal decoration have also been used to compare manuscripts, in order to build chronological groupings within the corpus. The Munich « Golden Legend » Master has been, either directly or via models available inside the Bedford workshop, influenced by the Limbourgs, the Egerton Master and northern painting. He cooperated, being the chief illuminator or simply helping by painting a few miniatures, with other artists, whether documented or not, and may have worked for both English and French patrons.

Thesis (Ph. D.)--Boston College, 1999. / Includes bibliographical references (p. 221-229) and index.

Thesis (Ph. D.)--Columbia University, 1942. / Published also as Studies in history, economics, and public law, ed. by the Faculty of political science of Columbia university. No. 507. Vita. Includes bibliographical references.

Extract: “Forest Patch on LYNEDOCH farm, Baviaans River Valley, Bedford. This small patch of what can best be described as Woodland/ Forest by virtue of its hybrid condition as influenced by man's chopping activities down the years, lies at the head of what is called Grootkloof on this farm, and is the last patch of such forest up this otherwise dry valley in which the lower slopes receive a much lower precipitation than the upper heights under which the patch of forest persists by virtue of the extra moisture it receives from passing cloud. The forest patch is 27 km NW of Bedford town, and at about 1 000 m a.s.l.”