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11	Lowly who prevail : vistas to the work of Hjalmar Bergman / Bock, Sigge. January 1990 (has links) Akademisk avhandling--Lettres--Uppsala, 1990. / Bibliogr. p. 183-194. Bergman, Hjalmar,
12	Two problems in the theory of Toeplitz operators on the Bergman space / Yousef, Abdelrahman F. January 2009 (has links) Dissertation (Ph.D.)--University of Toledo, 2009. / Typescript. "Submitted as partial fulfillment of the requirements for the Doctor of Philosophy Degree in Mathematics." Bibliography: leaves 57-59. Bergman spaces. Toeplitz operators.
13	Verda er ei scene : Teatralitet og teaterreferansar i Fanny och Alexander av Ingmar Bergman / The World is a Stage : Theatricality and theater references in Fanny and Alexander by Ingmar Bergman Hilmo, Svein January 2014 (has links) No description available. teatralitet teater Bergman film
14	Scenography in action : space, time and movement in theatre productions by Ingmar Bergman / Holdar, Magdalena, January 2005 (has links) Diss. Stockholm : Stockholms universitet, 2005.
15	Synthetic Approaches To Fluorinated Ten-Membered Enediyne Obali, Derya 30 August 2010 (has links) No description available. Chemistry Bergman reaction enediyne
16	Boundary behavior of the Bergman kernel function on strongly pseudoconvex domains with respect to weighted Lebesgue measure Kennell, Lauren R. 01 August 2005 (has links) No description available. Mathematics Bergman kernel Bergman projection scaling weighted Bergman kernel weighted Bergman projection
17	Ingmar Bergman och musiken : En audiovisuell analys av Såsom i en spegel, Tystnaden, Persona och Vargtimmen Landström, Petra January 2010 (has links) The research on Ingmar Bergman is comprehensive, however, there is one aspect of his artistry that has been regrettably neglected – his use of music. Music always played a huge part in Bergman’s life, and it was also a great source of inspiration. The music was a structural component in the creating process and he often referred to his films as pieces of music and his actors as musical instruments. Moreover, music frequently played a thematic part in the plot. The purpose of this essay is to examine what function music actually has in a selection of Bergman’s films. To do this I have closely analyzed sequences in which music is performed in four different films from the sixties; Through a Glass Darkly (1961), The Silence (1963), Persona (1966) and Hour of the Wolf (1968). The basis of the discussion lies in the film sound research, mainly that of Claudia Gorbman and Royal S. Brown. The conclusion of this analysis is that Bergman’s use of music is quite extraordinary, particularly in creating a certain feeling of time and space differentiated from the rest of the story. The music has an apparent intrinsic value of its own, and consequently, it is a narrative instrument in itself. Ingmar Bergman music film music Ingmar Bergman musik filmmusik
18	Boundary behavior of the Bergman kernel function on strongly pseudoconvex domains with respect to weighted Lebesgue measure Kennell, Lauren R. January 2005 (has links) Thesis (Ph. D.)--Ohio State University, 2005. / Title from first page of PDF file. Document formatted into pages; contains vii, 79 p. Includes bibliographical references (p. 79). Available online via OhioLINK's ETD Center
19	The Bergman kernel of fat Hartogs triangles Edholm, Luke David 22 November 2016 (has links) No description available. Mathematics Bergman theory, complex analysis
20	Lp and Sobolev Regularity of Weighted Bergman Projections Zeytuncu, Yunus Ergin 30 July 2010 (has links) No description available. Mathematics Bergman projection Inflation principle

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