No abstract available. / Dissertation (MA)--University of Pretoria, 1976. / gm2014 / Anthropology and Archaeology / Unrestricted

This study endeavours to research the field of literary historiography in general and specifically biographic historiography. In South Africa this genre has a limited tradition. Apart from a few diffused contributions by specialists in technical and other publications, and the essays by Hennie Aucamp in Beeltenis verbode and J.C. Kannemeyer in Getuigskrifte and Ontsyferde stene, very little research has been done in South Africa in this field. Chapter one expounds the research methodology. It briefly states the definition of the problem, as well as the goal orientation and the delimitation of the field of study, actuality, hypotheses and structural development. Chapter two affords the theoretical foundation of literary and more specifically biographic historiography. The concept "biography" is defined. The modern biography and its characteristics and structure are scrutinized in terms of different theoretical criteria. Finally this chapter contem-plates some problems experienced by contemporary biographers. Chapter three is an overview which sets out the history of biographic historiography from the most ancient times, during the Middle Ages, the Renaissance, and the 16th to the 20th century. Biographic historiography in the USA is closely researched. Major achievements and the most important texts which influenced the genre are emphasized. The contributions of notable bio-graphers such as James Boswell and Lytton Strachey are highlighted. Chapter four is the core of this dissertation. Initially it contemplates biographic historiography in South Africa in general. Thereafter it researches literary biographies in depth. The earliest comprehensive literary biography in Afrikaans, Ds. S.J. du Toit in weg en werk by Totius, is discussed. Attention is drawn to Leon Rousseau's biography of Eugène N. Marais, which, in 1974, ushered in the true beginning of this tradition in Afrikaans. Subsequently the biographies of V.E. d'Assonville on Totius and S.J. du Toit are discussed. The major part of this chapter is devoted to the oeuvre of J.C. Kannemeyer, who probably made the most important contribution in this field with his comprehensive biographies on D.J. Opperman, C.J. Langenhoven, and C. Louis Leipoldt. Finally J.C. Steyn's monumental description of the life of N.P. van Wyk Louw, in two volumes, is discussed. The discussion and evaluation of these texts are set out narratively and comparatively. The said biographies are evaluated according to different biographic theories. Chapter five, a concise chapter, evaluates the hypotheses set out at the beginning of this research. Furthermore it is indicated that the field of biographic historiography in South Africa is still not properly exploited. Suggestions for further research are given. South Africa is a multi-ethnic country and contradictory political, cultural, socio-economic and language interests are not uncommon. Biographies could contribute to mutual understanding of these diversities, as manifested in J.C. Steyn's Van Wyk Louw: 'n Lewensverhaal. Perhaps at present research in this field is crucial. / Thesis (MA (Afrikaans))--University of Pretoria, 2003. / Afrikaans / unrestricted

The composer Stefans Grové not only contributed to South African art music but also achieved success in the field of literature. The aim of this study is to investigate the relationship between his prose and his music and determine the influence of word art on meaning in his compositions. The relationship between literature and music is explored as background to the investigation of Grové’s oeuvre. The role of music in Grové’s short stories and sketches is determined. It seems that music is not a significant theme of these tales but rather has a supporting function. In some stories music plays no role at all. However, these narratives do provide a great deal of biographical and cultural information. Word art is an essential part of Grové’s compositions and plays a key role in the determining and communication of meaning. His art reflects the variety of cultures native to South Africa. These cultural influences are manifested in his compositions and are reinforced by the accompanying word art. The need for a comprehensive biography about Grové’s contribution as academic, composer, critic and writer has been identified during the course of this study. / Dissertation (MMus (Music Science))--University of Pretoria, 2007. / Music / MMus / unrestricted