This thesis aims to analyze the films of the Trans New Wave in order to define tropes and motifs of cinematic language and structure. The language of the filmmaking itself presents a different approach from mainstream transgender films, and this changes how certain imagery of transness is contextualized in a larger narrative. In particular, the films of the Trans New Wave operate in contrast to both historical trans films and modern prestige/studio films to deliver more realistic portrayals of trans peoples’ experiences and beliefs. This new language of the Trans New Wave serves to create a more accurate and profound portrayal of the daily lives of trans people, leading to a more enriching experience for trans audiences.

Two studies were performed to examine the effect of salient awareness of transgender individuals on the choices of individuals on dating apps. This study posited that transgender individuals may represent a threat to the sexual and romantic identities of others, and that being reminded of transgender individuals’ existence on dating apps would cause participants to take longer to choose who to connect with, connect with fewer individuals, and make lower judgements of the individuals’ gender and attractiveness. Participant reaction time, choice in potential partners (swipe choices), gender perception, and ratings of attractiveness were compared across a control and threat condition. The threat condition was found to have no significant effect on measured outcomes. Different aspects of romantic and sexual orientation were implicated as mediating reaction time, swipe choices, and attractiveness ratings, where attraction to men or women are associated with slower reaction times when reacting to the face a participant is attracted to, and higher swipe choice scores and attractiveness ratings. In addition, romantic and sexual attraction to nonbinary people was shown to make participants take longer to swipe, swipe on more individuals, and rate all faces more attractive. While there were no significant findings related to the threat condition, high Genderism and Transphobia scores were associated with quicker reaction times, lower swipe choice scores, and lower attractiveness ratings overall. As well, high Right Wing Authoritarianism scores were associated with lower swipe choice scores and lower attractiveness ratings overall. These findings are discussed.

This thesis is concerned with the two AIDS-era novels of Gary Indiana, a long-neglected yet essential literary figure who, as the critic Christian Lorentzen has argued, “connects the twentieth and twenty-first centuries in ways readers and critics are only beginning to apprehend” (xii). Beginning chronologically with a study of Indiana’s first two novels, Horse Crazy (1989) and Gone Tomorrow (1993), this thesis attempts to realize Lorentzen’s call to action, attending particularly to the ways in which Indiana’s novels write the neoliberal subject. More than exploring life under the AIDS crisis and embodying a radical queer approach to narrative, I contend, through the repurposed frame of noir and thematic explorations of kitsch, the novels of Gary Indiana radically interrogate neoliberal subjectivities, offering a remarkably stark vision of interior lives completely colonized by capitalism, commodified subjects incapable of intimacy.

Throughout my time at UCF, I have committed my studies to better understanding my positionality as someone who both benefits and suffers from systems of oppression. I have dedicated my pedagogy and artistry to questioning how I can apply theatre as a tool to resist these systems through my work, as well as wondering how I may communicate my thoughts and concerns to the colleagues I collaborate with as I am to hold myself accountable for my involvement in works that I recognize as being in need of revision in order to resist systems of oppression. I conceptualize that to resist means to intentionally take accountability for one's implicit biases, in order to actively identify how the work we create may resist those biases rather than uphold the oppressions that supports them. In my thesis, I will reflect on how I have applied feminist and queer theories to my work as a director, playwright, and dramaturg, in order to develop a methodology for fostering resistance in the kind of theatre that I partake in. I ask how applying these theories may help me to expand my understanding of what the shows I participate in can accomplish, and what advice theory has to offer about introducing the concept of resistance to rehearsal spaces. My background as an Egyptian American Muslim cisgendered queer woman influences much of the perspective I bring into rehearsal rooms, production meetings, and to my writing as a poet and a playwright. Therefore, this thesis also aims to examine how my lived experiences intersect with the queer and feminist theories I employ in my theatrical practices. I will do this by sharing details about my upbringing, and including poetry related to multiple themes related to the shows reflected on in the following chapters.

<p>In my dissertation, I advance an interpretive perspective that emerges from the politics of the Mad Movement (also known as the Psychiatric Consumer/Survivor/Ex-patient Movement). This movement began in the 1970s in response to patient abuses in the psychiatric system and continues today in various forms. I argue that literary studies, which often reads madness in the reductive terms of psychiatric diagnosis or which renders madness as metaphor, would benefit from mad perspectives; likewise, literary studies has much to offer the nascent field of Mad(ness) Studies in terms of methods for locating the discursive conditions of madness’ emergence. Drawing on Foucault’s work on madness and biopolitics; poststructuralist feminism; Disability Studies; and Mad Movement writings, I concentrate on texts which narrate intersecting experiences of madness, resistance, community and identity: Mary Jane Ward’s The Snake Pit (1947), Sylvia Plath’s The Bell Jar (1963), Susanna Kaysen’s Girl, Interrupted (1994), Claire Allen’s Poppy Shakespeare (2007), Liz Kettle’s Broken Biscuits (2007), Bobby Baker’s Diary Drawings: Mental Illness and Me (2010), Persimmon Blackbridge’s Prozac Highway (2000), Joan Riley’s The Unbelonging (1985) and Helen Oyeyemi’s The Icarus Girl (2004). I further explore mad reading practices through my reading of a blog project I conducted for research purposes in which people with experience of the mental health system reviewed depictions of madness and mental health treatment in literature, film, popular culture and news media. In reading through a mad perspective, I postulate some of the material and ideological effects that establishing mad reading practices and communities might have. I consider how madness is gendered, and how it intersects with other aspects of embodiment such as race, class and sexuality; how narratives of madness elucidate the relationship between psychiatry and colonialism, patriarchy, eugenics and neoliberalism; and how they invite us to question the limits of reason, truth and subjectivity.</p> / Doctor of Philosophy (PhD)

This thesis seeks to explore the commonalities between religion and video games, ultimately making the argument that video games employ religion as a tool to make some deeper commentary on (in this case) American society and culture. This will be done through a detailed analysis of the game play, narrative, and religious elements at work in three different video games, as seen through the lenses of Queer Theory and Civil Religion. Furthermore, it will attempt to show that, just as gamers are struggling with their previously insular community opening up to the outside world, America has also not yet figured out what role video games can fulfill in society. This thesis seeks to provide one possible answer: the potential for video games to become tools of inquiry, sites of disruption, and, like film and books, provide commentary on our values as a society.

Graduate social work students are mandated to be cultural competent to work with lesbian, gay, and bisexual (LGB) clients. This exploratory study examined how best to teach graduate social work students to be culturally competent in working with LGB clients by assessing their perceived competence of attitudes, knowledge and skills as well as their demonstrated competence through case vignettes. The study compared a current pedagogical method of infusing LGB material across the curricula with two types of brief trainings (didactic lecture and experiential) . This mixed methods study utilized a pretest/posttest design to examine the effects of the trainings as well as qualitative responses from the participants. Results offer suggestions as to which pedagogical approach might be most effective in helping social work students gain competence for working with LGB individuals.

The transgender population is makes up about 0.3% of the U.S. population (Gates 2011). The term transgender is both an identity and an umbrella term used to describe people who do not adhere to traditional gender norms (Institute of Medicine 2011). Transgender people experience many barriers to services, negative health outcomes, and discrimination (Fredrikson-Goldsen et al. 2013; Institute of Medicine 2011; Eliason et al. 2009; Hendricks & Testa 2012). Mental health clinics are an important site for understanding transgender peoples' experiences due to being a gatekeeper for other medical services and their role in helping transpeople with issues surrounding coming out, victimization, and discrimination (Grant et al. 2011; Youth Suicide Prevention Program 2011). The mental health field has a contested relationship with the transgender population due to a history of pathologizing gender variance, barriers to accessing services, and insensitivity from mental health providers (American Psychiatric Association 2013; Eliason et al. 2009). I conducted secondary data analysis using the National Transgender Discrimination Survey (2008) in order to understand the relationships between gender non-conforming identities, others' perception of one's gender identity, and discrimination at mental health clinics. Results suggest that there is an association between gender identity, others' perception of one's gender identity, and discrimination. This association depends on which gender identity, the degree to which an individual identifies with each term, and the type of discrimination. Logistic regression results reveal that identity and others' perception are not significant predictors for experiencing discrimination. Rather, income and race are significant predictors for experiencing discrimination at metal health clinics.

Gay actors have a long history with the notion of “straightening up” to remain castable and economically feasible in today’s market. Searching to find answers for young acting students while strengthening their own self worth, I will explore the history of gay actors in film, television and theatre and in society to understand this notion more fully. By interviewing working actors and managers in the business I will explore how I can address this question of “straightening up” to the future generation of actors and analyze how we can face the future with integrity and self-respect.

ABSTRACT Background: Sexual orientation is comprised of distinct components, including sexual identity, sexual attraction and sexual behavior. Lesbian, gay and bisexual adolescents are at an increased risk of experiencing poor health outcomes compared to non-sexual minority youth. Health care professional organizations recommend that health care providers discuss each component of sexual orientation at every adolescent health supervision visits in order to best assess the adolescent's health risks and needs for intervention and education. Objective: This survey assessed the frequency with which nurse practitioners (NPs) in the state of Vermont discussed sexual identity, attraction and behavior with adolescents during annual health supervision visits. Design: A cross sectional study that analyzed descriptive statistics of a small convenience sample of Vermont NPs. Setting and Participants: Attendees of the Vermont Nurse Practitioner Association 2015 annual conference. Participants in the study were licensed, practicing NPs in the state of Vermont responsible for the health supervision of adolescents. Results: Participants were overwhelmingly female (93%), with a median age between 40-49 years old, and a median length of years in practice of six to ten years. Sixty-two percent of respondents specialized in family practice. Respondents reported that they always asked adolescents about the sex of sexual partners at 49% of health supervision visits. Respondents always discussed sexual attraction and sexual identity at 31% and 24% of health supervision visits, respectively. Twenty percent of respondents reported rarely or never discussing sexual attraction, and 38% reported rarely or never discussing sexual identity. Conclusions: The Vermont NPs who participated in this survey were demographically similar to national NP cohorts. Vermont NPs discussed the adolescent's sexual behavior at health supervision visits as frequently as health care providers nationally, and Vermont NPs discussed sexual attraction and sexual identity more frequently than providers nationally. However, Vermont NPs discussed sexual attraction and identity much less frequently than they discussed sexual behavior. Results of this survey illustrate that there is substantial room for improvement regarding the frequency with which Vermont NPs discuss the three components of sexual orientation with adolescents, particularly the components of sexual identity and attraction.