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The Enduring Mythological Role of the Anonymous Source Deep ThroatHamilton, Shana Lyris 02 October 2006 (has links) (PDF)
Deep Throat is one of the most famous anonymous newspaper sources in American journalism. He is known for helping Washington Post reporters Bob Woodward and Carl Bernstein uncover the Watergate scandal that led to President Richard Nixon's impeachment and resignation in 1974. Deep Throat's identity was a source of curiosity until he was revealed in 2005 as the former number two figure at the FBI, William Mark Felt. This thesis will show that, despite Felt's notoriety, Deep Throat was not an indispensable part of Woodward and Bernstein's Watergate coverage, speaking with Woodward 16 times about Watergate during the reporters' coverage. Deep Throat was important to the Watergate story because he kept it alive. Deep Throat inspired numerous publications, which all served to create his mythic status. Many attempted to guess his true identity, although Woodward and Bernstein refused to confirm most guesses. An enduring Deep Throat legacy is that his nickname has become synonymous with deep background - a source that cannot be quoted or named. There was no clear consensus as to how people felt about Felt's role as Deep Throat. There were many negative and positive reactions when he revealed himself. His family sided with him; Nixon associates were unhappy with him. However, more than 30 years after the Watergate scandal, Deep Throat was still big news. No matter what people thought about him, they paid attention and they knew the story.
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Zobrazení aféry Watergate ve filmu: Porovnání hraných a dokumentárních děl / The depiction of the Watergate scandal in the movies: Comparison of feature films and documentariesVerem, Anja January 2021 (has links)
The diploma thesis The depiction of the Watergate scandal in the movies: Comparison of feature films and documentaries focuses on portrayal of journalists and the Watergate scandal on film. It illustrates this on examples of specific feature films and documentaries, which have been made about this topic. These particular movies are All the President's Men (1976), Frost/Nixon (2008), Watergate (2018), Our Nixon (2013) a Nixon by Nixon: In His Own Words (2014). In the first part of the thesis summarises the general history of the portrayal of journalists and media on film. It also contains the introduction of the key players in the Watergate scandal, which are Richard Nixon, Bob Woodward and Carl Bernstein. Furthermore, this part also describes the history of the newspaper The Washington Post and the Watergate scandal itself. The next part focuses on defining the basic terms used in the thesis, such as for example feature film, documentary, investigative journalist etc. The third and the last part, then concentrates on comparing and analysing the six aforementioned chosen films with the help of comparative method, which should lead to the final results. The primary question, in which this thesis focuses, is how (and if) the portrayal of the Watergate scandal differentiates in feature films and...
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Den gode, den onde, den fulle : En narrativ analys av journalister på vita dukenSvensson, Gustav, Jerner, August January 2015 (has links)
This study highlights the stereotypical depictions of journalists in film using a narrative analysis of four major Hollywood productions, starting with All the President’s Men from 1976 through The Girl with the Dragon Tattoo from 2011. Its purpose is to highlight traits given to journalists in the movies and re-occuring themes in the portrayal of the media and the journalistic occupation. Differences and commonalities between the films are concluded in a discussion of ethics, personalities and the media’s self image. The paper can be seen as a contribution to the paradigm in which journalism in the movies is perceived at the moment. It offers a wide explanation to how the image of the journalist is conveyed to the public, an image that differs from how real life journalists go about in daily work life. This is essential, since most people never get to experience journalistic work in reality – but solely from popular culture – which distorts the perception of the media as the fourth estate.
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