Bibliography: leaves 97-99. / This dissertation attempts to demonstrate the role the tongue plays in articulation in brass playing. It briefly examines oral anatomy, physiology and theories on motor learning, and describes the tongue's position in producing English speech sounds. It shows how these positions are used to teach different articulation techniques on the various brass instruments. Articulation styles and (tonguing) exercises, which could aid in the improvement of tongue articulation, are highlighted. It is hoped that these highlights will add insight for both present and future brass teachers.

This study examines what makes a keyed brass instrument, early keyed brass instruments, and keyed brass instruments of today. Focuses on the Cornett, the Serpent, the Basshorn and Russian Bassoon, the Ophicleide, the Horn, the Keyed Trumpet, and the Keyed Bugle.

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References to trumpeters appear in records of the Scottish royal court from the fourteenth and fifteenth centuries. During the reign of James IV, several groups of Italian minstrels came from Bologna to serve the Scottish King. The first group to arrive was a wind band, which was appointed to a permanent place at court. By the reign of James VI this ensemble had evolved into the royal trumpet corps. When James VI ascended to the throne of England and moved to London in 1603, the Scottish royal trumpeters were transferred to the English royal trumpet corps. Gradually, a royal trumpet corps was re-established in Scotland. Solo items for trumpet, performed by one of the royal trumpeters, were included in a concert presented in Edinburgh in 1695, the first concert in Scotland of which details have survived. During the eighteenth century, a number of prominent professional musicians in Edinburgh served as royal trumpeters. Several of these appear not to have played brass instruments other than to fulfil their official duties. A calendar of references to the trumpet, drawn mainly from archival sources, forms a central part of this thesis. Subsequent chapters analyse the material contained in the calendar and consider the deployment of the trumpet in a cultural context. Issues relating to terminology, patronage, repertoire and the symbolism of the trumpet are discussed. The study focuses on the use of the trumpet in royal service and provides the first detailed examination of the role of wind instrumentalists at the Scottish royal court during the sixteenth century. The ceremonial function of the trumpet is considered and, in particular, its use in funeral and judicial ceremonies during the seventeenth century. The role of the trumpet in concerts and the theatre during the eighteenth century, and the relationship between trumpet and horn playing, are examined, as is the function of the royal trumpet corps as a source of patronage for the Edinburgh Musical Society.

Thesis (Ph.D.)--Boston University / The threefold problem was to determine (1) the characteristics of style of English brass ensemble music, (2) the significant stages of the developmental of the brass instruments, and (3) the contribution made by the medium to English musical culture. The methods of historical inquiry were employed for the first part of the study which traces the development of the English brass instruments and ensemble practices. The methodology used for the second half of the dissertation which is devoted to the stylistic analysis of selected English brass compositions, was as follows: The brass music selected was examined on the basis of three aspects of musical style: overall form, internal structure and sonority [TRUNCATED]

Das Werk wurde 2004 für einen Rundfunkgottesdienst der Herrnhuter Brüdergemeine in Dresden komponiert und daselbst aufgeführt. Dauer: 4.20'

published_or_final_version / Mechanical Engineering / Doctoral / Doctor of Philosophy

published_or_final_version / Mechanical Engineering / Doctoral / Doctor of Philosophy