1 |
A comparative study of three Chinese translations of Emily Bronte's Wuthering HeightsTam, Ieok Lin January 2009 (has links)
University of Macau / Faculty of Social Sciences and Humanities / Department of English
|
2 |
O corpo político e o corpo elétrico: mecanismos de poder e linhas de fuga em o morro dos ventos uivantes e Mrs. DallowayGraça, Eduardo Gerdiel Batista 29 May 2017 (has links)
Submitted by Fabiano Vassallo (fabianovassallo2127@gmail.com) on 2017-05-03T18:56:30Z
No. of bitstreams: 2
license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
eduardo graca dissertacao mestadoOKOK2.pdf: 595408 bytes, checksum: 6e6751f6eea0075617111a0afc57394b (MD5) / Approved for entry into archive by Josimara Dias Brumatti (bcgdigital@ndc.uff.br) on 2017-05-29T17:45:30Z (GMT) No. of bitstreams: 2
license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
eduardo graca dissertacao mestadoOKOK2.pdf: 595408 bytes, checksum: 6e6751f6eea0075617111a0afc57394b (MD5) / Made available in DSpace on 2017-05-29T17:45:30Z (GMT). No. of bitstreams: 2
license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
eduardo graca dissertacao mestadoOKOK2.pdf: 595408 bytes, checksum: 6e6751f6eea0075617111a0afc57394b (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O objetivo desta dissertação é a abordagem das relações entre os conceitos de mecanismos de
poder e de linhas de fuga – concebidos nas obras dos filósofos Michel Foucault e Gilles
Deleuze, respectivamente - e os romances de Emily Brontë e Virginia Woolf que intitulam
nosso trabalho. Os mecanismos de poder, segundo Foucault, seriam os dispositivos políticos e
filosóficos instalados na sociedade e no pensamento com o intuito de conduzir as relações de
conhecimento, as disposições, e os desejos humanos à afirmação e à conservação das relações
de poder vigentes. Interessados somente na manutenção das estruturas hegemônicas, os
mecanismos de poder investiriam no cultivo de nossas potências tristes e servis para subjugarnos aos desígnios dominantes, dirigindo-nos, assim, ora à adequação compulsória e à
reafirmação espontânea dos regimes hegemônicos, ora ao desespero, à loucura e à morte. As
linhas de fuga deleuzianas constituiriam movimentos de ruptura com tais regimes dominantes,
que possibilitariam novas relações com a sociedade, com a subjetividade, com a linguagem e
com o pensamento; o cultivo de potências ativas e criadoras; e, afinal, a emergência de uma
vida estética. Analisando os materiais narrativos de O morro dos ventos uivantes e Mrs.
Dalloway observamos como tanto os jogos narrativos dos dois romances quanto os próprios
enredos e personagens narrados se engajam nestas mesmas discussões a respeito do confronto
entre forças conservadoras e libertárias, do cultivo de potências diminutivas e aumentativas, e
da produção de corpos servis e elétricos / The aim of this dissertation is an approach of the relations between the concepts of
mechanisms of power and lines of flight – conceived in the works of Michel Foucault and
Gilles Deleuze, respectively – and the novels by Emily Brontë and Virginia Woolf that entitle
our work. Mechanisms of power, according to Foucault, would be the political and
philosophical devices installed in our society and in our thought with the intent of driving our
relations with knowledge, our disposition and our desire towards the affirmation and
conservation of established relations of power. Interested only in the maintenance of
hegemonic structures, mechanisms of power would invest on the cultivation of our sad and
servile potencies to submit us to the dominant designs, driving us either to compulsory
adequacy and to the spontaneous reassurance of hegemonic regimens, or to despair, insanity
and death. The deleuzian lines of flight would consist in rupturing movements with such
dominant regimens, that would enable new relations with society, subjectivity, language and
with thought; the cultivation of active and creative potencies; and the eventual emergency of a
aesthetic life. Analyzing the narrative materials of Wuthering Heights and Mrs. Dalloway we
observe that both the narrative strategies of the novels and their plots and characters engage
on these same discussions about the confrontation between conservative and libertarian
forces; the cultivation of diminutive and augmentative potencies; and the production of servile
and electric bodies
|
3 |
Narration in the novels of selected nineteenth-century women writers : Jane Austen, The Bronte Sisters, and Elizabeth GaskellTownsend, Rosemary 06 1900 (has links)
In this studyi apply a feminist-narratological grid to
the works under discussion. I show how narration is used as
strategy to highlight issues of concern to women, hereby
attempting to make a contribution in the relatively new field
of feminist narratology.
Chapter One provides an analysis of Pride and Prejudice
as an example of a feminist statement by Jane Austen. The use
of omniscient narration and its ironic possibilities are
offset against the central characters' perceptions, presented
by means of free indirect style.
Chapter Two examines The Tenant of Wildfell Hall as a
critique of Wuthering Heights, both in its use of narrative
frames and in its at times moralistic comment. The third and
fourth chapters focus on Charlotte Bronte. Her ambivalences
about the situation of women, be they writers, narrators or
characters, are explored. These are seen to be revealed in her
narrative strategies, particularly in her attainment of
closure, or its lack.
Chapter Five explores the increasing sophistication of
the narrative techniques of Elizabeth Gaskell, whose early
work Mary Barton is shown to have narrative inconsistencies as
opposed to her more complex last novel Wives and Daughters.
Finally, I conclude that while the authors under
discussion use divergent methods, certain commonalities
prevail. Among these are the presentation of alternatives
women have within their constraining circumstances and the
recognition of their moral accountability for the choices they
make. / English Studies / D. Litt. et Phil. (English)
|
4 |
Narration in the novels of selected nineteenth-century women writers : Jane Austen, The Bronte Sisters, and Elizabeth GaskellTownsend, Rosemary 06 1900 (has links)
In this studyi apply a feminist-narratological grid to
the works under discussion. I show how narration is used as
strategy to highlight issues of concern to women, hereby
attempting to make a contribution in the relatively new field
of feminist narratology.
Chapter One provides an analysis of Pride and Prejudice
as an example of a feminist statement by Jane Austen. The use
of omniscient narration and its ironic possibilities are
offset against the central characters' perceptions, presented
by means of free indirect style.
Chapter Two examines The Tenant of Wildfell Hall as a
critique of Wuthering Heights, both in its use of narrative
frames and in its at times moralistic comment. The third and
fourth chapters focus on Charlotte Bronte. Her ambivalences
about the situation of women, be they writers, narrators or
characters, are explored. These are seen to be revealed in her
narrative strategies, particularly in her attainment of
closure, or its lack.
Chapter Five explores the increasing sophistication of
the narrative techniques of Elizabeth Gaskell, whose early
work Mary Barton is shown to have narrative inconsistencies as
opposed to her more complex last novel Wives and Daughters.
Finally, I conclude that while the authors under
discussion use divergent methods, certain commonalities
prevail. Among these are the presentation of alternatives
women have within their constraining circumstances and the
recognition of their moral accountability for the choices they
make. / English Studies / D. Litt. et Phil. (English)
|
Page generated in 0.1018 seconds