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Tobias Eniccelius, Friedrich Meister, Nikolaus Hanff; ein Beitrag zur Geschichte der evangelischen Frühkantate in Schleswig-Holstein ...Schilling, Hans, January 1934 (has links)
Inaug.-Diss.--Kiel. / Lebenslauf. "Literaturverzeichnis": p. 5.
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Two scenes from Beowulf ; and, selections from the Tesserae/Tesseract cycle /Brock, Nathan. Brock, Nathan. Brock, Nathan. Brock, Nathan. January 2007 (has links)
Thesis (Ph. D.)--University of California, San Diego, 2007. / Selections from a cantata for TBarB soloists, large chorus, chamber orchestra, and percussion ensemble, and three pieces from a projected cycle for soprano, flute, and string trio. Words to Beowulf adapted by the composer from Seamus Heaney's translation; also printed as text preceding score on p. 6-30. Words to Tesserae/Tesseract use poem by the composer, both as text and as the source of additional phonemes used by the singer. Vita. Accompanying disc is recorded DVD-R and contains complete text of dissertation, all scores, and master-quality and CD-quality audio tracks.
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A interpretação de recitativos em cantatas sacras de G. P. Telemann sob uma perspetiva historicaHoller, Marcos Tadeu 15 February 1995 (has links)
Orientadores: Helena Jank, Dorotea Kerr / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-07-20T21:04:39Z (GMT). No. of bitstreams: 1
Holler_MarcosTadeu_M.pdf: 4958477 bytes, checksum: 3076180d8d6ccb6a32b8b2633c3ac9c3 (MD5)
Previous issue date: 1995 / Resumo: Não informado / Abstract: Not informed. / Mestrado / Mestre em Artes
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Old Wine in New Bottles: Felix Mendelssoohn-Bartholdy’s Chorale Cantatas – J.S. Bach’s Models Become “Romanticized”Yoo, Esther S. 03 October 2006 (has links)
No description available.
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John Harbison’s Simple Daylight: A Textual and Musical AnalysisDuggins Pender, Amy 23 September 2011 (has links)
No description available.
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A Recital historical and pedagogical notes / Jauchzet dem Herrn, alle WeltBrunner, Richard D, Telemann, Georg Philipp, 1681-1767. Jauchzet dem Herrn, alle Welt (Cantata) January 2010 (has links)
Title from accompanying document. / Digitized by Kansas Correctional Industries
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The cantatas of Domenico Cimarosa (1749-1801) / by Margaret R. Bakker-KingBakker-King, Margaret R. January 1988 (has links)
Bibliography: v. 2, leaves 174-194 / 2 v. : ill., facsims, music ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, 1991
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Original compositions for young musicians吳俊凱, Ng, Chun Hoi, Daniel. January 1993 (has links)
published_or_final_version / Music / Master / Master of Philosophy
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A STUDY OF J.S. BACH’S SACRED AND SECULAR VOCAL WORKS INFLUENCED BY POPULAR STYLIZED DANCE OF THE FRENCH BAROQUE COURT: A PERFORMER’S GUIDENapier, Dione J. 01 January 2014 (has links)
Among the existing body of literature on J.S. Bach’s massive compositional output, a scarce percentage of this research is dedicated specifically to the study of French Baroque court dances and their influence on Bach’s solo vocal repertoire. This study presents secular and sacred solo vocal works by J.S. Bach that were influenced by popular French court dances of the eighteenth century. The study explores musical and dance traits extracted from some of the most popular French Baroque court dances and incorporated into solo vocal repertoire. The intent of this paper is to provide a resource from a performer’s perspective that serves as an informative guide for vocalists, vocal coaches, and voice instructors. It includes biographical information about J.S. Bach, an historical overview of five of the most popular eighteenth-century French court dances, and it features five solo vocal works by Bach whose conception was influenced by French Baroque court dances. The overall goal of this study is to inform the reader about the influences and relationships between French Baroque dance and solo vocal works by J.S. Bach. This study is unique in that it is limited only to those solo vocal works which share a relationship with eighteenth-century French court dances.
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Rameau's "Le Berger Fidèle": An Analysis for PerformanceLoe, Lillian Lucille 12 1900 (has links)
It is assumed that the performer of Le Berger Fidele will be capable of a more accurate performance and a more historically authoritative interpretation if he thoroughly understands all musical aspects of the cantata. Due to the lack of written directions from earlier composers, it is important that the performer research the period, composer, and composition to insure a more accurate, interpretive performance. The first chapter delves into the life and works of Rameau. The second chapter follows the development of the French solo cantata from the beginning of the art song to its culmination. Ornaments peculiar to French cantata are discussed in the third chapter. In Chapter IV each pair of recitative and aria is examined and analyzed according to form, harmony, rhythm, melody (including phrasing), dynamics and ornaments, and instrumentation. The cantata is built up in a succession of three arias. Each aria is da capo in form and is preceded by a recitative and an instrumental introduction. Each air is concluded with an instrumental postlude.
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