The study is an historical investigation exploring the impact of the Carnegie Corporation's philanthropic cultural and educational activities in North America and Australia during the 1940s. The author examines the Carnegie's formation of public values and perceptions using cultural and aesthetic material in order to transmit American ideological ideals with the goal of influencing Australian, Canadian and USA cultural norms. The principal case examined in the paper is the "Art of Australia 1788-1941" exhibition, which toured the USA and Canada during 1941-42. Scrutiny of the exhibition uncovers the role it played in alliance building and the promotion of a range of cultural and political agendas. The investigation deploys a theoretical framework derived from the writings of Tony Bennett. The framework takes the form of a matrix that uses concepts of institutionalized agencies/power and individual agencies/knowledge detailed in a nine-cell matrix composed of propositional statements under the intersecting categories of culture, technologies, ethics, zones, objects, and visualization. The "Art of Australia" Exhibition is a paradigmatic case of the instrumental, cultural application of exhibitions in the interest of the state, using government and non-government, public and private organizations as intermediaries. The analysis reveals the existence of diverse agendas and power/knowledge relationships between governments, corporations and the exhibition. This account highlights the museum as a significant arena for establishing and legitimating social norms and practices whilst steering cultural values. Such actions sponsored by government and entrepreneurial philanthropy are analyzed and interpreted as an early instance of building civic values and promoting the public belief in shared national identity. In this sense the investigation explores the educational mission of the museum and it's supporting agencies in the broadest public context.

Thesis (Ph. D.)--West Virginia University, 2002. / Title from document title page. Document formatted into pages; contains ix, 233, [8] p. : ill., maps. Vita. Includes abstract. Includes bibliographical references (p. 220-228).

Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2006. / Includes bibliographical references (p. 160-168).

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The study is an historical investigation exploring the impact of the Carnegie Corporation's philanthropic cultural and educational activities in North America and Australia during the 1940s. The author examines the Carnegie's formation of public values and perceptions using cultural and aesthetic material in order to transmit American ideological ideals with the goal of influencing Australian, Canadian and USA cultural norms. The principal case examined in the paper is the "Art of Australia 1788-1941" exhibition, which toured the USA and Canada during 1941-42. Scrutiny of the exhibition uncovers the role it played in alliance building and the promotion of a range of cultural and political agendas. The investigation deploys a theoretical framework derived from the writings of Tony Bennett. The framework takes the form of a matrix that uses concepts of institutionalized agencies/power and individual agencies/knowledge detailed in a nine-cell matrix composed of propositional statements under the intersecting categories of culture, technologies, ethics, zones, objects, and visualization. The "Art of Australia" Exhibition is a paradigmatic case of the instrumental, cultural application of exhibitions in the interest of the state, using government and non-government, public and private organizations as intermediaries. The analysis reveals the existence of diverse agendas and power/knowledge relationships between governments, corporations and the exhibition. This account highlights the museum as a significant arena for establishing and legitimating social norms and practices whilst steering cultural values. Such actions sponsored by government and entrepreneurial philanthropy are analyzed and interpreted as an early instance of building civic values and promoting the public belief in shared national identity. In this sense the investigation explores the educational mission of the museum and it's supporting agencies in the broadest public context.

L’objectif de cette étude est de contraindre les déformations au cours du Pléistocène d'une marge active à partir de l’analyse sismo-stratigraphique des sédiments conservés sur la plate-forme et la pente supérieure, le long de la marge centrale d’Equateur. A partir les données de sismique haute résolution et de carottage collectées pendant l'expédition Atacames (2012), plusieurs bassins ont été identifiés. La répartition latérale et de la succession des séquences T-R dans ces bassins montrent une distribution complexe des sédiments dans le temps et l'espace. Ce travail montre que, le long des marges actives, l’analyse sismo-stratigraphique de l’enregistrement des séquences liées aux cycles eustatiques du Pléistocène est un outil très puissant. A l'échelle locale, la subduction de seamounts perturbe et renforce l'effet de déformation régionale de la ride de Carnegie. / The aim of this study is to constrain recent deformation and stratigraphic evolution of an active margin, using sismo-stratigraphic analysis of Pleistocene sediment preserved on the margin shelf and upper slope along of the Central Ecuadorian margin. From the extensive geophysical and sedimentological investigations carried out during the ATACAMES expedition (2012), we are identified serveral basins in the Ecuadorian margin. A detailed analysis of the thickness, the lateral distribution and stacking patterns in these basins show a complex distribution of sediments in time and space. The seismic-sequence stratigraphy analysis related to eustatic cycles of the Pleistocene shows a regional regional unconformity at the base (1782-Ka as minimum age), which can correspond to the signature of the beginning of the Carnegie ridge collision.

This study estimated monthly and annual Net Primary Productivity (NPP), an important indicator of carbon sequestration, in the Conterminous US from 1997 to 2007 using Carnegie-Ames-Stanford Approach. Vegetation condition, temperature, precipitation, photosynthetically active radiation and soil water holding capacity were used as model’s inputs. NPP values were lower than mean annual values during the year 2000 to 2003 which was probably due to extreme drought conditions during these years. Higher NPP per square meter was generally found in Savannah and Subtropical eco-divisions whereas Tropical/Subtropical deserts had the lowest NPP. Southeastern states had the highest NPP per square meter thus, made the highest contribution to the terrestrial carbon sequestration in US. Since the vegetation is one of the main factors in NPP and thus carbon sequestration, the results of this study could help in various environmental policy decisions on forest and cropland management at the state, EPA and federal levels.

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Thesis (Ph. D.)--West Virginia University, 2002. / Thesis originally issued in electronic format. Vita. Includes abstract. Includes bibliographical references (p. 220-228).