Thesis (Ph.D.)--University of Western Australia, 2007.

This dissertation explains how the Republic of China (ROC), overseas Chinese (huaqiao), and the Philippines, sometimes but not always working with each other, produced and opposed the threat of Chinese communism from the end of World War II to the mid-1970s. It is not a history of US-led anticommunist efforts with respect to the Chinese diaspora, but rather an intra-Asian social and cultural history of anticommunism and nation-building that liberates two close US allies from US-centric historiographies and juxtaposes them with each other and the huaqiao community that they claimed. Three principal arguments flow from this focus on intra-Asian anticommunism. First, I challenge narrowly territorialized understandings of Chinese nationalism by arguing that Taiwan engaged in diasporic nation-building in the Philippines. Whether by helping the Philippine military identify Chinese communists or by mobilizing Philippine huaqiao in support of Taiwan, the ROC carved out a semi-sovereign sphere of influence for itself within a foreign country. It did so through institutions such as schools, the Kuomintang (KMT), and the Philippine-Chinese Anti-Communist League, which functioned transnationally and locally to embed the ROC into Chinese society and connect huaqiao to Taiwan. Through these groups, the ROC shaped the experiences of a national community beyond its territorial boundaries and represented itself as the legitimate “China” in the world. Second, drawing upon political theory, I argue that the anticommunist relationship between the ROC, the Philippines, and the Philippine Chinese constituted a form of what I call shared, non-territorial sovereignty. Nationalist China did not secure influence over Chinese in the Philippines by exerting military or economic pressure, as a neocolonial regime might. Vast disparities in power did not obtain between Manila and Taipei, as they did between them and Washington. Rather, for reasons of law, culture, linguistic incapacity, and ideology, the Philippines selectively outsourced the management of its Chinese residents to the ROC. In turn, both depended on the Chinese being able to govern themselves with state support, coercive and otherwise. The Philippine Chinese, as in colonial times, were thus semi-autonomous actors who participated in the construction of shared sovereignty after World War II by forging ties with states to advance their anticommunist agenda. This three-way relationship provides a framework for thinking about postcolonial sovereignty in East Asia that focuses on relations of relative equality between states and the relative autonomy of the Chinese as a minority population, rather than between dominant and dominated or in terms of territory. Nationalist China and the Philippines’ nation-building projects had profound consequences for the Philippine Chinese. While these peoples were in many respects acted upon by the ROC and Philippine states through legal and coercive means, they by no means lacked agency. Rather, they performed their agency as consensual participants in making anticommunism. In focusing on them, the dissertation shifts from international and transnational history to social and cultural history and the history of civic life. Existing scholarship, whether in the social sciences or Sinophone Studies, largely depicts the postcolonial hua subject as a non-ideological businessman or cultural producer. I argue, by contrast, that the overseas Chinese could be eminently ideological and politically active. From informing on suspected Chinese communists to the ROC and Philippine states to proclaiming their loyalties to the ROC and Chiang Kai-shek, anticommunist social practices enabled Philippine huaqiao to come to terms with being legally disadvantaged and ideologically suspect minorities in their country of residence. Unlike racial and cultural Chineseness, which they could or would not give up, they could and did choose to behave ideologically; and in doing so, they legitimized their community to the Philippine state and Filipino society.

As a contribution to understanding the Chinese immigrants and their community, this study seeks to explore the factors influencing the formation and development of cultural identity among members of the Chinese diaspora in Australia. These include Chinese community life, family and professional networks, media use and its influences, and the changes that have taken place over the past ten years. Chinese communities in Australia are not homogeneous. Although they may all call themselves Chinese, they differ among themselves according to dialect, subdialect, clan and family, all of which are linked to their place of ancestral origin in China, as well as by country of birth outside of China. The degree to which these differences are considered important varies from individual to individual, but a community, whether it is constituted for social or business purposes, always comprises individuals who share one or more of these secondary characteristics in addition to their collective cultural characteristics. The study focuses on Canberra as a case study. First, it examines the similarities and differences within the Chinese diaspora coming from different geographical origins. It uses interviews and narrative analysis to examine the nature of Chinese immigrants and to assess their social, political and cultural context, with the aim to challenge the monolithic view that only one kind of Chinese community exists. It investigates how cultural background and other factors affect the formation and development of people's identity. In addition, as a point of secondary comparison, this study also analyses the differences between the Chinese diaspora in Canberra and Sydney. The aim here is to assess how the different locations and different characteristics of these cities communication networks affect migrants' adaptation to Australian society. Special attention will be given to differences between Dalu ren (the mainland Chinese), who came to Australia after the events of Tiananmen Square in 1989, and the other diasporic Chinese groups in Australia, which include Taiwan ren (Taiwanese), Xianggangren' (Honkongese), Malaixiya hua ren (Malaysian Chinese), and Xinjiapo hua ren (Singaporean Chinese). Since mainland China has had a different political system and the Communist Party replaced much Chinese tradition, people from the mainland have kept the least Chinese cultural traditions. Chinese from other regions try to keep the Chinese tradition as it was. However, the culture in mainland China has already changed. Therefore, the understanding of the Chinese tradition and culture among the Chinese from different regions varies greatly. This thesis explores the changing understanding within the members of the diasporic community of cultural identity. It attempts to show the strong influence of the notion of an original culture on the Chinese diaspora and how these ideas influence the way that diasporic Chinese community members interact within Australian society. It will investigate the changing characteristics, both social and individual, of mainlanders and other groups of Chinese immigrants in the 1990s, in the context of their professional, social and family networks. It will examine areas such as media use, languages and involvement with community development activities, and whether there are significant differences in their acculturation according to their different gender and places of origins. 1 Although Hong Kong has become part of China since 1997, there have, however, been different political and social systems in Hong Kong and the mainland, so this study researches Hong Kong in a separate category for the purpose of exploring differences.

From 1839 to 1911, Guangdong elites, including Qing officials in the province, local gentry, native intellectuals, and so on, made full use of popular culture for political mobilization of the populace. This study examines the relationships of these Guangdong elites with both the Qing state and the common folks in China and the Chinese diaspora from the new perspective of popular culture. To be specific, Guangdong elites of different backgrounds mobilized the populace in the province to resist the British invasion of Qing China during the Opium War, to revolt against the Qing court during the Taiping Rebellion across southern China, and to push for the pro-Qing reforms or anti-Qing revolutionary movements among domestic and overseas Chinese. In this process, popular culture materials like ballads, operas, and comics provided a critical propaganda tool for Guangdong elites to cooperate with, compete with, or confront the Qing government while influencing the common folks. Meanwhile, the populace also expressed their assent, dissent, and adaptation to the elite political mobilization, by creating eulogistic or satiric ballads and tales, or by selecting, adapting, and transmitting certain popular culture materials politicized by Guangdong elites. / Graduate / 2021-07-17

Indiana University-Purdue University Indianapolis (IUPUI) / This study analyzes 21 high and ultra-high-net-worth data points whose entities migrated from mainland China into Southeast Asia, and now, with their descendants, have settled in Singapore. Though removed from China over generations, they still retain a continuum of evolved values that were germinated from Confucian morals, rituals, and values — more popularly recognized as Chineseness. This study investigates these traditions, ethos, and value systems through the lens of philanthropy. The principal results and conclusions are: 1) Due to push and pull factors, millions of Chinese migrants fanned out into the Nanyang (Southeast Asia) from mid-1800s to the late 1900s. The first-generation diasporic Chinese (G1) left China with a sojourner mentality. Hence their early philanthropic action mirrored sojourners’ mindsets and pointed their giving back to China, the motherland. 2) As Chinese diaspora and their ethnic Chinese descendants (G2, G3, G4) eventually settled as nationals into various countries of Southeast Asia, new hybrid Chinese identities emerged. 3) Their Confucian Chinese values were confronted and severely tested – very often remolded and evolved as they assimilated, acculturated, and converged with social norms dictated by local indigenous cultures, and political, social, and economic circumstances of the times. 4) Confucian values — honoring the family name and continuing the ancestral lineage — behest multi-generations to stick together in strength. With self-help and mutual aid philanthropy, they thrived in the Nanyang. Very soon, Chinese diaspora’s economic success propelled them into leadership. As leaders of local communities, their loyalties, generosity, and philanthropic action shifted as new generations, locally born, begin to identify as nationals of these countries and engender gratitude to where they built their wealth. Eventually, generosity to China by follow-on generations pulled back or ceased. 5) In philanthropy, the age-old values of family, ancestry, humility, and benevolence now give younger generations of ethnic Chinese pride and purpose to give outside of the traditional familial lines to create opportunities and transform lives in the communities where they work and live – including public good for the countries where they operate their businesses in Southeast Asia and beyond.

O presente trabalho focaliza os processos de formação da identidade, observados em narrativas da escritora sino-americana Maxine Hong Kingston. Documentando as contradições e a fragmentação do sujeito, procura-se iluminar os vários sentidos de subjetividade presentes em uma pessoa de origem chinesa que vive nos Estados Unidos na época da pós-modernidade. O quadro teórico utilizado na análise desses processos é construído a partir da crítica sobre o romance pósmoderno e dos estudos culturais sobre a diáspora. Focaliza-se o livro de memórias da autora, The woman warrior – memoirs of a girlhood among ghosts, publicado pela primeira vez em 1976. Desde meados do século XVIII, um grande número de imigrantes asiáticos deslocou-se para os Estados Unidos, trazendo consigo seus próprios valores materiais e espirituais e seus distintos padrões de comportamento. A formação das gerações que cresceram nessa encruzilhada de culturas só poderia ser difícil e conflituosa. Esta dissertação procura descobrir, por um lado, como se efetivam os processos de identificação dos sino-americanos, visto que estão sujeitos a dois sistemas de valor diferentes e, por outro, como se articulam os diversos elementos culturais, tanto na constituição da identidade das personagens como na construção do romance. As narrativas de Maxine Hong Kingston revelam processos de hibridização, característicos de um autor diaspórico. / This dissertation deals with the processes of identity formation as observed in the works of the Chinese-American writer Maxine Hong Kingston, especially in her book The woman warrior – memoirs of a girlhood among ghosts, first published in 1976. The different meanings of subjectivity that can take shape in an American of Chinese descent, encompassing an individual’s contradictions and fragmentation, are analyzed. The theoretical framework is based on critics of postmodernism and on cultural studies about diasporas. Since the middle of the eighteenth century a great number of Asian immigrants moved to the United States, taking along with them their different values and behavior patterns. A person growing up in the intersection of cultures has to deal with conflicts and paradoxes, resulting in identities that are contradictory and fragmentary. This dissertation seeks to unravel, on one hand, the processes of identity formation among the Chinese-Americans, faced as they are by two distinct value systems. On the other hand, find out how the different cultural elements are articulated both in the identity formation of the characters and in the construction of the novel. The narratives of Maxine Hong Kingston reveal processes of hybridization, which are characteristic of a diasporic author.

[Truncated abstract] The May 1998 anti-Chinese riots brought to the fore the highly problematic position of the ethnic Chinese in the Indonesian nation. The ethnic Chinese were traumatised by the event, and experienced an identity crisis. They were confronted with the reality that many Indonesians still viewed and treated them as outsiders or foreigners, despite the fact that they had lived in Indonesia for many generations. During Suharto's New Order (1966-1998), the ethnic Chinese had been given the privilege to expand the nation's economy (and their own wealth), but, paradoxically, were marginalised and discriminated against in all social spheres: culture, language, politics, entrance to state-owned universities, public service and public employment. This intentional official discrimination against the Chinese continuously reproduced their

O presente trabalho focaliza os processos de formação da identidade, observados em narrativas da escritora sino-americana Maxine Hong Kingston. Documentando as contradições e a fragmentação do sujeito, procura-se iluminar os vários sentidos de subjetividade presentes em uma pessoa de origem chinesa que vive nos Estados Unidos na época da pós-modernidade. O quadro teórico utilizado na análise desses processos é construído a partir da crítica sobre o romance pósmoderno e dos estudos culturais sobre a diáspora. Focaliza-se o livro de memórias da autora, The woman warrior – memoirs of a girlhood among ghosts, publicado pela primeira vez em 1976. Desde meados do século XVIII, um grande número de imigrantes asiáticos deslocou-se para os Estados Unidos, trazendo consigo seus próprios valores materiais e espirituais e seus distintos padrões de comportamento. A formação das gerações que cresceram nessa encruzilhada de culturas só poderia ser difícil e conflituosa. Esta dissertação procura descobrir, por um lado, como se efetivam os processos de identificação dos sino-americanos, visto que estão sujeitos a dois sistemas de valor diferentes e, por outro, como se articulam os diversos elementos culturais, tanto na constituição da identidade das personagens como na construção do romance. As narrativas de Maxine Hong Kingston revelam processos de hibridização, característicos de um autor diaspórico. / This dissertation deals with the processes of identity formation as observed in the works of the Chinese-American writer Maxine Hong Kingston, especially in her book The woman warrior – memoirs of a girlhood among ghosts, first published in 1976. The different meanings of subjectivity that can take shape in an American of Chinese descent, encompassing an individual’s contradictions and fragmentation, are analyzed. The theoretical framework is based on critics of postmodernism and on cultural studies about diasporas. Since the middle of the eighteenth century a great number of Asian immigrants moved to the United States, taking along with them their different values and behavior patterns. A person growing up in the intersection of cultures has to deal with conflicts and paradoxes, resulting in identities that are contradictory and fragmentary. This dissertation seeks to unravel, on one hand, the processes of identity formation among the Chinese-Americans, faced as they are by two distinct value systems. On the other hand, find out how the different cultural elements are articulated both in the identity formation of the characters and in the construction of the novel. The narratives of Maxine Hong Kingston reveal processes of hybridization, which are characteristic of a diasporic author.

This thesis proposes a new perspective on Malaysian Chinese studies by exploring issues of identity formation refracted through the lens of contestations of war memory, communal history and state-sponsored national history. In multiethnic Malaysia, despite persistent nation-building programs towards inculcating a shared Malaysian national identity, the question as to whether the Chinese are foremost Chinese or Malaysian remains at the heart of Malaysian socio-political debates. Existing scholarship on the Malaysian Chinese is often framed within post-independent development discourses, inevitably juxtaposing the Chinese minority condition against Malay political and cultural supremacy. Similarly, explorations of war memory and history echo familiar Malay-Chinese, dominant-marginalised or national-communal binary tropes. This thesis reveals that prevailing contestations of memory and history are, at their core, struggles for cultural inclusion and belonging. It further maps the overlapping intersections between individual (personal/familial), communal and official histories in the shaping of Malaysian Chinese identities. In tracing the historical trajectory of this community from migrants to its current status as ‘not-quite-citizens,’ the thesis references a longue durée perspective to expose the motif of Otherness embedded within Chinese experience. The distinctiveness of the Japanese occupation of British Malaya between 1941-1945 is prioritised as a historical watershed which compounded the Chinese as a distinct and separate Other. This historical period has also perpetuated simplifying myths of Malay collaboration and Chinese victimhood; these continue to cast their shadows over interethnic relations and influence Chinese representations of self within Malaysian society. In the interstices between Malay-centric national history and marginalised Chinese war memory lie war memory silences. These silences reveal that obfuscation of Malaysia’s wartime past is not only the purview of the state; Chinese complicity is evident in memory-work which selectively (mis)remembers, rejects and rehabilitates war memory. In excavating these silences, the hitherto unexplored issue of intergenerational memory transmission is addressed to discern how reverberations of the wartime past may colour Chinese self-image in the present. The thesis further demonstrates that the marginalisation of Chinese war memory from official historiography complicates the ongoing project of reconciling the Malaysian Chinese to a Malay-dominated nationalist dogma.

The surveillance in China is a topic which has been the subject of extensive scientific studies. First and foremost, the digital surveillance of the population of China has been explained by a number of scholars over the years. Nevertheless, the monitoring of the Chinese diaspora is a research area that has been explained to a limited extent and where the studies of monitoring of the Chinese diaspora in Sweden are not to be found in research for the present study. The purpose of the study is thus to investigate past and present citizens’ relationship to the internet and social media linked to surveillance with the aim of clarifying how the feeling of being monitored contributes to the individual’s application of self-censorship. The method of collecting the empiricism has included six different interviews. The result showed that the Chinese diasporas feeling of being monitored contributes in some cases to self-censorship on social media. The monitoring operator consists partly of state of China, but also the Chinese diasporas community on social media is perceives as a monitoring actor. The conclusions of the study show that the Chinese diaspora largely reflects on the posts before publishing. Self- censorship was also practiced with various reasons and extent on Western and Chinese social media. Horizontal surveillance was fund on both Western and Chinese social media, while state surveillance instead perceived on western social media. A further form of self-censorship emerged where state surveillance as well as surveillance from ideological groups active in the country resulted in deletion of posts upon entry to another country and created the concept of travel censorship.