In this paper, the limitations of the six-string classical guitar in terms of chordal possibilities and range are discussed, and ways are presented to overcome those limitations. The study describes some of the problems and limitations that the author experiences when composing for the instrument he plays. Moreover, some solutions that partly overcome these issues are presented and discussed. The presented solutions are drawn from the literature as well as developed through personal insights. In addition, conclusions regarding the practical usage of the presented solutions are drawn from the personal experiences of the author when incorporating them in two short compositions composed for this specific study.