The work deals with the history of the Cistercian Order in Vyšší Brod in the first half of the 20th century. It gives an account of political and religious events of those times and also reminds important milestones from the turn of the 18th and 19th century which influenced the 20th century {--} in particular the religious reforms carried out by Josef II and his closing down some monasteries. Founding the Diocese of České Budějovice counts among the positive acts of this emperor. The work also describes the impact of the two World Wars. Compulsory transfer of Germans after the World War Two and following fourty years lasting religious infringement strongly affected the life of the Cistercian Monastery in Vyšší Brod. Thanks to the newly gained liberty in November 1989 the life in the monastery could be renewed. Two monks came back to the monastery, both survived the time when the communists were in power, the older one also lived through the Nazi totalitarian system. New monastic life candidates came to the monastery, at present there are seven monks living there.

There is almost nothing left for the oldest architecture of the Cistercian monastery in Zlatá Koruna - except for the shape. Apart from the modestly written sources on the architectural history we are fully depend on the results of the formal analysis, on the evaluation of a form which has left. This Master's thesis is going to deal with the medieval parts of inner monastery and their architectural history as well as the rigours which such view includes. The thesis is going to focus on the Chapel of Guardian Angels and spaces of the convent with the monastery church of an Assumption of Virgin Mary in their own context and in the context of wider local production. The mentioned updating is deputized by an investigation of the monastery lapidarium and (primarily) a precise study of Building records (1938-1942). Although their reports were known to older research, there is no sufficient investigation in this case yet. As a result, there are numerous hidden fragments which rediscovery could help to show something more about the architectural history and morphological richness of Zlatá Koruna monastery. Key words: Zlatá Koruna, Goldenkron, Cistercian order, early gothic architecture, Building records, morphology

The goal of this thesis was to analyse the development of abbey in Waldsassen since the end of 14th century to the finish of George's of Podiebrad reign. Author struggled to describe on the basis of analysis of above all unpublished monastic sources, which are deposited in State archive in Amberg, various aspects of life in Waldsassen convent. Apart from the economic base and its changes, which are well covered by amount of sources, also social a political relations to secular power in the Holy Roman Empire - roman rulers and princes are studied. Then the basis deals with contacts of monastery with the Crown of Bohemia and its aristocracy and also with the position of Waldsassen in the Order and its cooperation with other Cistercian monasteries. Matters dealt with the papal throne are not forgetten, too. Detailed analysis was dedicated to parish network and the land register of Waldsassen, which presents the valuable source for former economic relationships and toponyms of "Stiftland" and Upper Palatine. The fourth chapter is also comprehensive, describing Waldsassen during the Hussite wars and eliminates some myths about this period in the region. Closing parts of this thesis are dedicated to the renewal of abbey domain and to the effort, which was invested mutually to maintain good relations...

Radka Těšínská Lomičková: Cistercian and Benedictine Sign Language in the Middle Age Sign language is an important communication phenomenon that has existed for a thousand years. In medieval monasteries signs were used to enable simple communication of messages when rules of silence forbade monks from speaking. This thesis concentrates on a study of sign language communication in Benedictine and Cistercian monasteries during the Middle Ages. In doing so it describes the history of sign language in Europe between the 10th and 15th centuries. Furthermore it shows that sign language was not only used in the center of the order but in the Czech Republic as well. This thesis provides a detailed discussion of sign lexicons which are similar to a monolingual dictionary and are the basic and central source of information about each language. Lexicons contain words and short descriptions of how to make each hand sign. A careful analysis of one particular sign lexicon, called Siquis (which was used in Central Europe in the 15th century), reveals new information about daily life in medieval monasteries. The primary focus of the Siquis lexicon was liturgy, food and drink, utensils, persons, and activities. This thesis concentrates on both singular words and on the description of the signs in the lexicons....

La recherche porte sur l'étude historique et architecturale de l'église de Sainte-Marie-Majeure à Ferentino (province de Frosinone, Italie), l'un des plus importants édifices construits dans le Latium méridional au XIIIe siècle. Le contexte scientifique montre d'énormes désaccords relatifs à la période d'édification et, par conséquent, aux différentes références culturelles ayant inspiré l'architecture de l'église, à partir des abbayes de Fossanova (1208) et Casamari (1217). D'autre part, en raison de la rareté des sources médiévales qui nous sont parvenues, nous ne connaissons pas avec précision la chronologie relative et absolue du bâtiment. Le texte de synthèse, qui est supporté de deux volumes supplémentaires rassemblant les sources iconographiques et toute la documentation écrite (inédite ou non) sur Sainte-Marie-Majeure, se compose de trois parties. Après avoir retracé l'histoire de l'église, depuis ses origines jusqu'aux dernières restaurations, à partir de l'exposé critique de questions historiographiques, l'architecture de l'édifice et ses principales phases de construction sont analysées de manière exhaustive. Enfin, la dernière section contextualise notre étude de cas dans le cadre du renouvellement architectural du Latium méridional et, plus largement, dans l'histoire de l'architecture médiévale, sans se limiter à l'Italie. En sélectionnant tel édifice-clé, constituant un exemplum sous le point de vue architectural, la recherche a spécifié les modalités de réception et de transmission des modèles provenant de la Bourgogne et de l'Ile-de-France à l'architecture religieuse et civile dans la province ecclésiastique de Campagna et Marittima au XIIIe siècle. / My research deals with the historical and architectural study of Santa Maria Maggiore in Ferentino (in the modern province of Frosinone), one of the most important buildings erected in southern Lazio during the thirteenth century. The existing scholarship on the church was out of date and suffered from large gaps that left the history of its construction unexplained. Neither the date of the site‟s foundation nor that of its completion are known because of the lack of medieval documentary sources. Consequently, the main disagreements about Santa Maria Maggiore had concerned the sources of inspiration for its architecture, as scholars generally compared it to the model of the Cistercian abbeys of Fossanova (1208) and Casamari (1217). My dissertation is accompanied by two additional volumes containing the images supporting the text and a catalogue of written sources including unpublished archival documents, and it is divided into three parts. The first traces the entire history of the building and begins with a critical exposition of related historiographical issues. The second section exhaustively analyses the architecture of the church and its building phases by reconciling documentary evidence and visual analysis of the church. The third section contextualizes the design of Santa Maria Maggiore within the territory of southern Lazio and the panorama of "Cistercian" architecture. By taking this exemplary monument as its subject, my research demonstrates the complex reception of architectural models from Burgundy and the Ile-de-France, analysing their subsequent reworkings in thirteenth-century religious and civil architecture in the ecclesiastical province of Campagna and Marittima. / La ricerca affronta lo studio storico-critico della chiesa di Santa Maria Maggiore a Ferentino (FR), uno dei più importanti edifici costruiti nel Lazio meridionale durante il XIII secolo. Nonostante sia stata dichiarata Monumento Nazionale nel 1884, non era mai stata oggetto di uno studio sistematico ed è ancora oggi pressoché inedita. Il contesto scientifico, ormai desueto, soffre di grandi lacune sulle vicende costruttive della fabbrica, di cui non sono note né la data di fondazione né quella di completamento del cantiere a causa della scarsità di fonti documentarie medievali. Di conseguenza, i principali disaccordi hanno riguardato le influenze culturali fonte d‟ispirazione per l‟architettura di Santa Maria Maggiore, troppo genericamente ricondotte al modello delle abbaziali cistercensi di Fossanova (1208) e Casamari (1217). La dissertazione, accompagnata da due volumi supplementari che contengono le immagini di supporto al testo e il repertorio delle fonti documentarie, è suddivisa in tre parti: quella iniziale ripercorre l‟intera storia dell‟edificio a partire dall‟esposizione critica delle questioni storiografiche; la seconda sezione analizza in modo esaustivo l‟architettura della fabbrica e le fasi edilizie riconosciute; la terza parte, infine, contestualizza il caso studio nel quadro del Lazio meridionale e nel panorama dell‟architettura “cistercense”. Estendendo il campo di indagine, il lavoro ha acquisito un valore a scala territoriale poiché la ricostruzione delle vicende edilizie di Santa Maria Maggiore ha permesso l‟istituzione di raffronti con diverse altre architetture coeve sia italiane che francesi, al di là dei due magniloquenti monasteri di Fossanova e Casamari. A questi ultimi, infatti, la storiografia ha attribuito da sempre un ruolo privilegiato nell‟introduzione del linguaggio gotico ultramontano nel territorio a sud di Roma, di cui la chiesa ferentinese rappresenta una derivazione locale. Selezionando tale exemplum, la ricerca ha precisato le modalità di accoglienza dei modelli provenienti dalla Borgogna e dall‟Ilede-France, rintracciando le successive rielaborazioni nell‟edilizia duecentesca sia religiosa che civile nella Provincia ecclesiastica di Campagna e Marittima.

Entre 2008 et 2011, l’inventaire des livres liturgiques de 51 communautés cisterciennes de l’Europe francophone a mis en lumière un fonds unique de Graduels et d’Antiphonaires de choeur, tant manuscrits qu’imprimés, parus entre la Renaissance et le début du XXe siècle. Ces ouvrages constituent le corpus principal de cette thèse dont l’objectif est d’en interroger le contenu au regard de l’histoire de l’Ordre cistercien, mais aussi de l’évolution du chant ecclésiastique. La périodisation est définie en fonction des bornes suivantes : le terminus a quo (1521) correspond à la première impression d’un livre de choeur cistercien et son terminus ad quem (1903) est celui de la publication du dernier ouvrage de ce format au sein de cet Ordre spécifique. L’étude est menée selon trois axes : analyse codicologique ; philologie des traces d’usage introduites au cours des âges ; approche musicologique d’un échantillon d’Offices liturgiques (Office de la Dédicace et Office votif du Sacré-Coeur) / Between 2008 & 2011, a general inventory of the liturgical books of 51 Cistercian communities in Francophone Europe allowed the highlighting of one fund of several 10th of choir graduals and antiphonaries, both manuscripts & printed, from the Renaissance period to the beginning of the XXth century. These works constitute the main body of this thesis aimed to examine the content relating to the history of the Cistercian Order, but also the general evolution of ecclesiastical chant. Periodization of this work is defined according to the following terminals: the terminus a quo (1521) is the first impression of a Cistercian choir book and terminus ad quem (1903) is the publication of the last book of this size in this specific Order. The study is conducted along three axes: codicological analysis; philology traces of use introduced in these books over the ages; musicological approach of a sample of specific liturgical Offices (Office of the Dedication and votive Office of the Sacred-Heart)

The present thesis focuses at analysing the development of the Cistercian monastery in Plasy during the Baroque period, as well the monastery festivities, which belonged among important events of the monastery's everyday life, being an inseparable part of routine within the renewed monastery structure and new sacral foundations. The thesis is structured into five chapters, each analysing a particular part of the present topic. The first chapter maps the spiritual and social development of the Cistercian Order and its activities in the Czech Lands, and describes the specifics of the Order liturgy. The adoration of Our Lady has been an inseparable part of the Cistercian devotion and, as such, has become the topic of one of the chapters of the present thesis. Plasy monastery's abbots, the elected superiors of the order, were closely tied to the renewal of the monastery, applying their artistic ambitions to the reconstruction. The major focus of the whole thesis is set on the linkage of primary sources to the individual aspects of life of the Order, such as the Order liturgy, the issue of the foundation stones, or the apotheosis of the newly built structures by Giovanni Battista Santini-Aichel. The concluding chapter summarizes and evaluates the outcomes of the thesis. The present theses could not have...