雍城作為秦都達300年之久，對秦政治、軍事、經濟、文化、宗教等方面的發展都發揮了很大的作用。此時期的秦文化既繼承了之前的西北、周文化傳統，又吸收了三晉、巴蜀、楚等地的文化特色，文化內涵漸趨豐富。前人對雍城的研究雖多，可是大多著重考古挖掘與都城結構兩方面，而較少從文化交流的角度分析相關議題。本文以前人研究為基礎，結合文獻與考古材料，先從「點」的層面開始，探討雍城所反映的春秋戰國之際，秦國的上層文化面貌。進而從「點」擴展至「線」的層面，縱向討論西周、春秋、戰國時期秦文化的演變，以及橫向考析天水、寶雞、西安地區不同等級的秦墓所反映的文化面貌。文中透過全面的整合與分析前人研究成果、文獻及考古材料，了解到秦國雖透過政治與軍事擴張而與「他者」文化接觸，但其文化發展卻沒有排他性。因此，秦國與「他者」的文化交流模式屬許倬雲所說的「傳播和擴散型」。 / The city of Yong（雍城） was the capital of Qin state（秦國） for 300 years. During this period, Qin had experienced a great development from the area of politic, military, religion, culture to economy. This thesis deals mainly with the development of Qin's culture, and holds the opinion that Qin culture became sophisticated gradually with numerous cultural elements from the surrounding ethnic groups. Qin culture as a cultural complex, it inherited the traditions of Zhou（周）, and absorbed cultural elements from the Northwest, Southwest and the Central Plain（中原）. Archaeological researches on the city of Yong in the past fifty years have great achievements on Qin’s early history, however, there is no consensus in regard to some aspects of the early Qin culture, such as the palace structure of the city of Yong. By investigating the documents and unearthed relics, including tombs, pottery and bronze vessels, this thesis examines the characteristics and changes of Qin culture during Western Zhou and Eastern Zhou periods, and analyzes the process and pattern of cultural communication between Qin and the Other. / Detailed summary in vernacular field only. / 林淑娟. / "2013年7月". / "2013 nian 7 yue". / Thesis (Ph.D.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves 189-216). / Abstract in Chinese and English. / Lin Shujuan. / Chapter 序章 --- 緒論 --- p.頁1 / Chapter 甲、 --- 解題 / Chapter （一） --- 「秦早期」與「雍城時期」 / Chapter （二） --- 「文化」：群體、社會的生活方式 / Chapter （三） --- 文化交流與相融：「自我」與「他者」的相互作用 / Chapter 乙、 --- 前人研究綜述 / Chapter （一） --- 半個世紀的雍城考古成果 / Chapter （二） --- 秦早期中、小型墓研究概況 / Chapter （三） --- 秦早期器物研究綜述 / Chapter 丙、 --- 研究目的及各章重點 / Chapter （一） --- 研究目的 / Chapter （二） --- 各章重點 / Chapter 第一章 --- 論九都八遷：秦早期的「都」、「城」與「邑」 --- p.頁23 / Chapter 甲、 --- 論九都八遷：秦歷世所居之地的爭議 / Chapter （一） --- 奠基之都：犬丘、西犬丘 / Chapter （二） --- 因文而異：西垂與西界 / Chapter （三） --- 一地多稱：汧渭之會、汧渭之間、秦 / Chapter （四） --- 遷汧之議：《史記正義》的誤載 / Chapter 乙、 --- 釋「都」、「城」與「邑」 / Chapter （一） --- 「都」與「邑」：處宗廟與否 / Chapter （二） --- 「城」與「城市」：軍事、經濟功能之差別 / Chapter （三） --- 秦早期的「都」、「城」與「邑」 / Chapter 丙、 --- 靈公、獻公居地的爭議 / Chapter 第二章 --- 定都雍城：雍城的結構佈局（上篇） --- p.頁50 / Chapter 甲、 --- 定都雍城原因探究 / Chapter （一） --- 關中：沃野千里的地理優勢 / Chapter （二） --- 雍城與大鄭宮：前人經營的成果 / Chapter 乙、 --- 雍城的城郭制度 / Chapter （一） --- 城郭之制：城以衛君，郭以守民 / Chapter （二） --- 雍城與咸陽：由郭至城 / Chapter 丙、 --- 〈考工記〉與東周列國都城 / Chapter （一） --- 〈考工記〉所反映的周禮精神 / Chapter （二） --- 理想與現實：東周列國都城之營建 / Chapter 第三章 --- 定都雍城：雍城的結構佈局（下篇） --- p.頁79 / Chapter 甲、 --- 離宮別苑相望：雍城的宮殿遺址 / Chapter （一） --- 馬家莊三號建築遺址 / Chapter （二） --- 姚家崗宮殿區及鐵溝、高王寺宮殿區 / Chapter （三） --- 城郊宮殿遺址 / Chapter 乙、 --- 昭穆之制：雍城的宗廟建築 / Chapter （一） --- 五廟、七廟之爭 / Chapter （二） --- 馬家莊一號建築遺址的三廟之制 / Chapter （三） --- 《儀禮》與雍城的宗廟結構 / Chapter 丙、 --- 雍城秦公陵園區 / Chapter （一） --- 分邦墓之地域：雍城陵園區的兆域 / Chapter （二） --- 大墓墓主身份考析 / Chapter 第四章 --- 周秦文化的「融合」：秦公墓與中、小型墓的比較 --- p.頁112 / Chapter 甲、 --- 秦公一號大墓的形制與葬俗 / Chapter （一） --- 天子之墓制：黃腸題湊 / Chapter （二） --- 秦國的人殉制度 / Chapter 乙、 --- 秦早期墓葬的出土與分布：天水、寶雞與西安 / Chapter （一） --- 天水、寶雞、西安地區的秦墓 / Chapter （二） --- 由西而東：秦國中、小型墓的分布 / Chapter 丙、 --- 秦中、小型墓的特色：屈肢葬、西首 / Chapter （一） --- 秦早期墓葬的分級 / Chapter （二） --- 秦公墓與中、小型墓的比較 / Chapter 丁、 --- 秦早期墓葬的文化元素 / Chapter （一） --- 屈肢葬的兩個體系：仰身屈肢與側身屈肢 / Chapter （二） --- 秦墓中腰坑、殉狗來源的爭議 / Chapter （三） --- 西北地區的葬俗：西首 / Chapter 第五章 --- 秦早期文化特色及演變：以青銅器、陶器為中心 --- p.頁141 / Chapter 甲、 --- 由簡至繁：墓葬器物的組合及演變 / Chapter （一） --- 從日用陶器到禮器：隨葬品類型的轉變 / Chapter （二） --- 文化交流與器物組合的多樣性 / Chapter 乙、 --- 陶器的文化成分：以鬲、罐、盆、豆為例 / Chapter （一） --- 聯襠鬲、袋足鬲 / Chapter （二） --- 圓肩罐、大喇叭口罐 / Chapter （三） --- 深腹盆 / Chapter （四） --- 喇叭圈足豆 / Chapter 丙、 --- 秦早期器物的器形、紋飾及文化元素 / Chapter （一） --- 青銅禮器與周文化 / Chapter （二） --- 銅鍑、銅劍與北方文化 / Chapter （三） --- 雙耳器、袋足鬲與西北地區文化 / Chapter （四） --- 帶蓋器與三晉文化 / Chapter （五） --- 陶釜、銅劍、銅鍪與巴蜀文化 / Chapter 終章 --- 結語 --- p.頁177 / Chapter 附錄一： --- 秦國世系圖 --- p.頁182 / Chapter 附錄二： --- 兩周時期秦國東向發展圖 --- p.頁183 / Chapter 附錄三： --- 天水、寶雞及西安地區出土秦早期墓葬列表 --- p.頁185 / p.頁189

No description available.

Thesis (M.S.)--Central Connecticut State University, 2001. / Thesis advisor: Gavro Altman. " ... in partial fulfillment of the requirements for the degree of Master of Science in International Studies." Includes bibliographical references (leaf [73]). Also available via the World Wide Web.

Thesis (Ph.D.)--Brown University, 2008. / Vita. Advisor: Amy G. Remensnyder. Includes bibliographical references (leaves 236-257).

Inaug.-diss.--Erlangen. / Lebenslauf. "Literatur-angaben": p. [v]-vi.

Thesis (M.A.)--University of Hong Kong, 2001. / Includes bibliographical references (leaves 63-66).

Thesis (Ph. D.) Individualized in Human Ecology--University of Maine, 2001. / Includes vita. Includes bibliographical references (leaves 359-375).

The Best PhD Thesis in the Faculties of Architecture, Arts, Business & Economics, Education, Law and Social Sciences (University of Hong Kong), Li Ka Shing Prize, 2009-2010. / published_or_final_version / Comparative Literature / Doctoral / Doctor of Philosophy

No description available.

This thesis examines the recent development of the policy discourses of creativity in England and Korea. It aims to analyse the values that the word „creativity‟ represents in policy terms, challenge their underlying assumptions, and explore how the idea of creativity has been implicated in each country‟s cultural policy formations. It also provides a critical examination of the similarities and differences between the two countries. In so doing, this thesis attempts to challenge the absence of cultural policy research on creativity and provide a meaningful scholarly contribution to the existing field of cultural policy studies. In order to provide a comprehensive and critical analysis of the emergence and development of the creativity discourses in England and Korea, the study employs a social scientific method of relational thinking that draws on Pierre Bourdieu‟s field theory. By challenging the existing tradition of cultural policy discussion that is either implicitly or explicitly informed by a dichotomous thinking between intrinsic and instrumental values of culture, the study proposes a new critical approach to understanding and examining the complex dynamics of cultural policy issues surrounding the idea of creativity in policy terms. Based on the Bourdieusian heuristic tool of relational thinking, the thesis explores how the idea of creativity has become politically reconstructed so as to serve specific interests, values and dispositions that correspond to a particular political position, rather than a recognised field of cultural or creative practices. By closely examining the policy contexts of the government‟s creative education initiatives Creative Partnerships in England and Korea Arts and Culture Education Service in Korea, the thesis suggests that there are distinctive parallels between the English and Korean cases; not simply in the developmental trajectory of creativity discourses, but also in the broader aspect that relates to the shaping of cultural policy formations and recent paradigm shifts in cultural policy thinking. The study examines the extent to which these commonalities can be interpreted as an instance of „policy convergence‟ between the two countries.