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'Il Lume Rinchiuso' The poetics of the 'seconda prattica' Monteverdi's fifth, sixth and seventh books of madrigalsChiarelli, Francesca January 1995 (has links)
No description available.
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Beyond the seconda prattica Claudio Monteverdi and the poetics of genre after Orfeo /Haramaki, Gordon, January 2008 (has links)
Thesis (Ph. D.)--UCLA, 2008. / Vita. Includes bibliographical references (leaves 341-352).
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A comparative study of Monteverdi's L'Orfeo and L'Incoronazione di Poppea /Kennedy, Hazel Beatrice. January 1969 (has links) (PDF)
Thesis (M.A.)--Eastern Illinois University, 1969. / Includes bibliographical references (leaves 109-111).
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The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXIHafar, Matthew Alan 01 December 1992 (has links)
No description available.
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Similarities in the use of dramatic recitative style in the music of Claudio Monteverdi and Giuseppe Verdi with some performance practice issuesMihelcic, Sonja. January 2001 (has links)
Thesis (D.M.A.)--University of North Texas, 2001. / Includes bibliographical references (p. 155-160).
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Die Toccata zu Monteverdis ’Orfeo’Altenburg, Detlef 23 January 2020 (has links)
No description available.
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The Evolution of Violin Technique from Monteverdi to PaganiniXeros, Chris P. (Chris Pete) 01 1900 (has links)
The purpose of this thesis is to show through the presentation and analysis of authoritative information, and opinions drawn from the information and analysis, the development of violin technique from its basic rudiments as an accompanying instrument to the plane of a brilliant solo instrument, a position it still maintains today. This thesis aims to deal exclusively with the technical evolution of the violin. Many books on the history of the violin have been written, but none have dealt exclusively with the technical evolution of this instrument, and it is hoped that the materials in this thesis will constitute a contribution to this field.
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“Divino Claudio” oder Komponist seiner Zeit? Claudio Monteverdis Dixit Dominus-Vertonungen und die Entwicklung des concertato-Stils um die Mitte des SeicentoKoldau, Linda Marie 19 December 2019 (has links)
No description available.
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«Doppelmotivik»: Textinterpretation und musikalische Form. Überlegungen an Monteverdi-Madrigalen mit und ohne GeneralbaßKüster, Konrad 08 January 2020 (has links)
No description available.
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Die fälschlich so genannte ”Marien”-Vesper von Claudio MonteverdiHucke, Helmut 10 January 2020 (has links)
No description available.
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