Thesis--Leiden. / Bibliography: p. [308]-312.

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Thesis (M.A.)--Trinity International University, Deerfield, Ill., 1999. / Abstract. Includes bibliographical references (leaves 126-131).

Version abrégée de: Thesis--Faculty of the department of philosophy--University Park--Pennsylvania state university, 1902? / Notes bibliogr.

This study argues that nationalism is concerned not only with relations and differences between rival nations, but is also related to questions of class, power, and representation within nations. It explores the development of a conservative form of nationalism in England which, following Edmund Burke's Reflections on the Late Revolution in France (1790), elaborates a defence of the hegemony of the aristocracy, in response to the increasing economic and cultural power of the middle class, born of the rapid growth of commercial and industrial economy. Literature is central in the development of this nationalism, and writings by Coleridge, Wordsworth, Scott, Disraeli, and more briefly, Dickens are considered. There are two distinct images of nationhood in England in the period. These are on the one hand a vision of nationhood which links the nation to the existence of a public, a residual aristocratic ideal of the nation which is defined within the terms of the discourse of civic humanism, and on the other hand a vision of England which identifies English nationhood with rural society, village community, and the private and domestic space of the home; an ideal of the nation which emerges in relation to commercial and industrial culture, and which becomes identified with the middle class. These two ideals of nationhood become the focus of a struggle of representations between aristocracy and middle class. The tensions which this struggle between these conflicting images of the English nation creates are explored, considering their implications for the politics and representation of national, class, and gender identities. This study demonstrates that debates about the movement from a landbased pre-industrial to an industrial society are framed within a broader debate about the nature and meanings of Englishness and English nationhood. The relationship of this nationalism to developing discourses of imperialism is also explored.

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Using these books as a springboard, and Coleridge's Aids to Reflection as the most important primary source, this thesis will explore in depth the most pertinent matters of the Christian Faith as discussed by Coleridge, with particular reference to the role of emotion in his religious thought.

The problem with which this study is concerned is analysis of the criticism of Samuel Taylor Coleridge's "Kubla Khan." This poem, one of the poet's most widely anthologized poems, has been the subject of forty-five articles. The poem has also been treated extensively in a number of books. The criticism is divided into three categories: psychological, literary, and archetypal.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1971. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.