Esta pesquisa se propõe a realizar uma análise das representações da natureza encontradas nas obras de alguns cronistas e viajantes do Brasil colonial e averiguar seus fundamentos teóricos. / The purpose of this research is to analyse the representations of nature found in the works of some cronists and voyagers during Brazil colonial period and to verify their theoretical bases.

Esta pesquisa se propõe a realizar uma análise das representações da natureza encontradas nas obras de alguns cronistas e viajantes do Brasil colonial e averiguar seus fundamentos teóricos. / The purpose of this research is to analyse the representations of nature found in the works of some cronists and voyagers during Brazil colonial period and to verify their theoretical bases.

The history of Waswahili in Germany before the end of World War II, their life histories and living conditions have not as yet been subject of scientific research. In the period before the colonial occupation of Africa Africans came to Germany in small numbers voluntarily or as victims of violent abduction (Martin 1993). The Germans were interested in the exotic looks of the foreigners, but did not care about their regions of origin. Africa was the unknown black continent, terra incognita, its inhabitants indiscriminately `blacks´ or `negroes´. Their homelands and ethnic or linguistic identities remained obscure, relevant only to a small group of researchers with an early interest in the continent and its peoples. Concerning the so-called Swahili people from Eastern Africa who came to Germany from the colonial period on, one has to keep in mind that until the end of the forties their identities were usually defined by their knowledge of Kiswahili, not by their actual ethnic or linguistic origins. In this article some stories are told about Swahili- speaking people from the former colony of German East Africa, now Tanzania, who came to Germany temporarily or permanently and for different reasons left traces in written records, which help us to reconstruct parts of their biographies.

Iba Ndiaye Diadji, a Senegalese professor of aesthetics, sees water as intrinsic to African ontology. He also argues that water is the most important substance to inspire African artists. (Diadji 2003: 273–275.) Water certainly has a significant role in Swahili poetry, written traditionally by people living on the coast of the Indian Ocean. Swahili poems have used aquatic imagery in expressing different ideas and sensations, in different contexts and times. Water imagery can be found in hundreds of years old Islamic hymns as well as in political poetry written during the colonial German East Africa. This article discusses water imagery in traditional Islamic Swahili poetry.

The history of Waswahili in Germany before the end of World War II, their life histories and living conditions have not as yet been subject of scientific research. In the period before the colonial occupation of Africa Africans came to Germany in small numbers voluntarily or as victims of violent abduction (Martin 1993). The Germans were interested in the exotic looks of the foreigners, but did not care about their regions of origin. Africa was the unknown black continent, terra incognita, its inhabitants indiscriminately `blacks´ or `negroes´. Their homelands and ethnic or linguistic identities remained obscure, relevant only to a small group of researchers with an early interest in the continent and its peoples. Concerning the so-called Swahili people from Eastern Africa who came to Germany from the colonial period on, one has to keep in mind that until the end of the forties their identities were usually defined by their knowledge of Kiswahili, not by their actual ethnic or linguistic origins. In this article some stories are told about Swahili- speaking people from the former colony of German East Africa, now Tanzania, who came to Germany temporarily or permanently and for different reasons left traces in written records, which help us to reconstruct parts of their biographies.

Iba Ndiaye Diadji, a Senegalese professor of aesthetics, sees water as intrinsic to African ontology. He also argues that water is the most important substance to inspire African artists. (Diadji 2003: 273–275.) Water certainly has a significant role in Swahili poetry, written traditionally by people living on the coast of the Indian Ocean. Swahili poems have used aquatic imagery in expressing different ideas and sensations, in different contexts and times. Water imagery can be found in hundreds of years old Islamic hymns as well as in political poetry written during the colonial German East Africa. This article discusses water imagery in traditional Islamic Swahili poetry.