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We Live in WavesTrachsel, William S. 01 January 2015 (has links)
Composition for orchestra.
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How about hereShank, Joshua, 1980- 03 February 2014 (has links)
The material for this piece is all based around immutable musical objects and how they interact with one another. The opening movement takes various ostinato patterns and has them combine with different bass notes. The second movement attempts to merge three melodic fragments with three different chords and the final movement is a sequence of unchanging passacaglias which overflow into an ecstatic conclusion.
The whole thing reminded me of someone rearranging furniture in a room; the actual pieces don't change but, rather, combine in different ways to make something pleasing. Hence, the title: "How About Here." / text
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Composition of avian, porcine, and bovine erythrocytes and avian liver plasma membranes in vitro incorporation of labeled sugar in erythrocytes.Gillis, Gregory H. January 1978 (has links)
No description available.
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154 |
Folio of compositions and critical commentaryDavidson, Robert, 1965- Unknown Date (has links)
No description available.
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Musical machines driving algorithmic composition with chaotic equations /Continanza, Christopher. January 2008 (has links)
Thesis (M.S.)--Villanova University, 2008. / Computer Science Dept. Includes bibliographical references.
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Winnie-the-Poohsical: a musicalDaranciang, Joshua 20 May 2022 (has links)
Musical numbers for a hypothetical musical based on the Winnie-the-Pooh series by author A.A. Milne. The plot is based on “In Which Piglet Is Entirely Surrounded by Water,” the 9th chapter of the series’ first book, Winnie-the-Pooh, first published in 1926.
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Composition of avian, porcine, and bovine erythrocytes and avian liver plasma membranes in vitro incorporation of labeled sugar in erythrocytes.Gillis, Gregory H. January 1978 (has links)
No description available.
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158 |
The Disciplinary Rhetoric of the 21st Century: The Emergence of Computers and CompositionStuart, Jason Todd 30 July 2010 (has links)
No description available.
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159 |
Symphony No. 1Choi, Jongmoon 05 1900 (has links)
Symphony No. 1 is an orchestral composition for twenty-four instrumental groups without percussion instruments. It was composed with Algorithmic Composition System software, which gives driving forces for composition to the composer through the diverse compositional methods largely based on physical phenomena. The symphony consists of three movements. It lasts about sixteen minutes and twenty-six seconds--five minutes and twenty-two seconds for the first movement, five minutes and forty seconds for the second movement, five minutes and twenty-four seconds for the third movement. Most musical components in the first movement of the symphony are considered embryos, which gradually begin developing through the second and third movements.
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Student and Instructor Perceptions of Students and Writing in First-Year CompositionGoff-Mitchell, Erin N. 20 April 2022 (has links)
No description available.
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