Made available in DSpace on 2016-02-26T14:52:37Z (GMT). No. of bitstreams: 1 LeonardoBrandao_introducao_cap1.pdf: 597655 bytes, checksum: 292302efd29aed170e2b7976e18c957c (MD5) Previous issue date: 2007-01-29 / This work had for objective to argue the practical of skate of street (streetskating) through its representations in the urban space. Leaving of the analysis of a North American videoset of documents, intitled "Dogtown and Z-Boys: Where Everything Started ", a series of pertinent questions to the body, the appropriation of the urban spaces and to the youthful processes of identification was developed. One is about a research on the history of the present time, that hits upon for a period of transformations understood enters the decades of 70 and 80 of the passed century, characterized here as of after-modernity. After to characterize the beginning of the development of skate in the United States, was broken for the analysis of this practical in national territory, using itself for in such a way a series of magazines, letters, depositions and photographs of skate. The association between this activity and the contraculture, as well as with movement of the punk-rock and the cunnings of the cultural industry, had revealed good for a context understanding of this practical cultural / Esta dissertação teve por objetivo discutir a prática do skate de rua (streetskate) através de suas representações no espaço urbano. Partindo da análise de um vídeo-documentário norte-americano, intitulado Dogtown and Z-Boys: Onde Tudo Começou , desenvolveu-se uma série de questões pertinentes à corporeidade, à apropriação dos espaços urbanos e aos processos de identificação juvenis. Trata-se de uma pesquisa sobre a história do tempo presente, que atina para um período de transformações compreendido entre as décadas de 70 e 80 do século passado, caracterizado aqui como o da pós-modernidade. Após analisar o início do desenvolvimento do skate nos Estados Unidos, partiu-se para uma discussão dessa prática em território nacional, utilizando-se para tanto uma série de revistas, cartas, depoimentos e fotografias de skate. A associação entre esta atividade e a contracultura, assim como com o movimento do punk-rock e as artimanhas da indústria cultural, mostraram-se profícuas para melhor qualificar essas representações e apropriações do espaço urbano

Presented diploma thesis is based on seven-months fieldwork in the Danish commune of Christiania. It sustains a heritage of utopian ideas of a contraculture of the 60s on which it has been created. The thesis examines which aspects of utopia are presented here and asks about the character of these utopian visions. It focuses on the question how the dream, that locals wanted to implement, is still presented in their minds, and how they perceive its realization. I used examples of street art, that is plentifully presented here, as a mediator of ideological background of this community. Its symbolism allowed me to approach values, ideas and world-views of people who already have been living in this area for almost forty years. I used the principles of visual anthropology to reveal meanings contained in visual manifestations in a public space. My research is focused only on people who moved to Christiania in 70s that means those who were present here in the times of forming this community, and who were a part of revolting atmosphere of the 60s and of its ideals. Methods used during my fieldwork are a nonparticipant observation, informal, semi-structural and photographic interviews

No description available.

Investigação sobre a noção de \"alquimia do teatro\" a partir da leitura do livro autobiográfico Mare Nostrum - sonhos, viagens e outros caminhos, de Fauzi Arap, realizada como estudo para a criação de uma dramaturgia baseada no depoimento. À partir da narrativa, que contempla o envolvimento do artista numa psicoterapia experimental baseada no uso psiquiátrico do LSD, identifica-se um paralelo entre a trajetória do autor e a dinâmica do mito associado à arte teatral - o mito grego Dioniso - e se reflete sobre as circunstâncias em que se deu a criação de sua obra, com foco no período da contracultura histórica brasileira. Buscando delinear a noção sugerida no capítulo 20 do livro \"o teatro da alquimia e a alquimia do teatro\", discute-se a questão do \"teatro ritual\" e se resgata a qualidade alquímica do mito de Dioniso, esboçando-se a noção de uma \"alquimia dionisíaca\". / Research on the notion of \"theater alchemy\" from reading the autobiographical book Mare Nostrum - dreams, travels and other ways, by Fauzi Arap, carried out as a study for the creation of a dramaturgy based on the testimony. From the narrative, which contemplates the artist\'s involvement in experimental psychotherapy based on the psychiatric use of LSD, a parallel is identified between the trajectory of the author and the dynamics of the myth associated with theatrical art - the Greek myth Dioniso - and is reflected on the circumstances in which the creation of his theatrical work took place, focusing on the period of Brazilian historical counterculture. Seeking to outline the notion suggested in Chapter 20 of the book \"The Theater of Alchemy and the Alchemy of Theater,\" the question of \"ritual theater\" is discussed and the alchemical quality of the Dionysian myth is rescued, outlining the notion of a \"Dionysian alchemy\".

Investigação sobre a noção de \"alquimia do teatro\" a partir da leitura do livro autobiográfico Mare Nostrum - sonhos, viagens e outros caminhos, de Fauzi Arap, realizada como estudo para a criação de uma dramaturgia baseada no depoimento. À partir da narrativa, que contempla o envolvimento do artista numa psicoterapia experimental baseada no uso psiquiátrico do LSD, identifica-se um paralelo entre a trajetória do autor e a dinâmica do mito associado à arte teatral - o mito grego Dioniso - e se reflete sobre as circunstâncias em que se deu a criação de sua obra, com foco no período da contracultura histórica brasileira. Buscando delinear a noção sugerida no capítulo 20 do livro \"o teatro da alquimia e a alquimia do teatro\", discute-se a questão do \"teatro ritual\" e se resgata a qualidade alquímica do mito de Dioniso, esboçando-se a noção de uma \"alquimia dionisíaca\". / Research on the notion of \"theater alchemy\" from reading the autobiographical book Mare Nostrum - dreams, travels and other ways, by Fauzi Arap, carried out as a study for the creation of a dramaturgy based on the testimony. From the narrative, which contemplates the artist\'s involvement in experimental psychotherapy based on the psychiatric use of LSD, a parallel is identified between the trajectory of the author and the dynamics of the myth associated with theatrical art - the Greek myth Dioniso - and is reflected on the circumstances in which the creation of his theatrical work took place, focusing on the period of Brazilian historical counterculture. Seeking to outline the notion suggested in Chapter 20 of the book \"The Theater of Alchemy and the Alchemy of Theater,\" the question of \"ritual theater\" is discussed and the alchemical quality of the Dionysian myth is rescued, outlining the notion of a \"Dionysian alchemy\".

Made available in DSpace on 2014-12-17T15:07:10Z (GMT). No. of bitstreams: 1 CyroRMN_DISSERT.pdf: 1201150 bytes, checksum: da83cec136b84a677f933aaa538417e1 (MD5) Previous issue date: 2014-03-21 / This text aims to study the literary representation of homoaffectivity in short stories of Caio Fernando Abreu in the context of brazilian redemocratization, specifically in the narratives published between 1982 and 1988. To understand the relation between literature and historical context in the tales, we betake, principally, to a notion of Literature and Society, as proposed for Antonio Candido. Relating the narratives of Caio Fernando Abreu with the military dictatorship and the redemocratization processes, as well as a generational project named contraculture, we aim to verify as the search for affection for men that desire others men may be conditioned for specific socio-hystorical conditions, understanding the literary work as a privileged field of representation and comprehension of reality / A presente disserta??o busca estudar a representa??o liter?ria da homoafetividade em contos de Caio Fernando Abreu no contexto de abertura pol?tica brasileira, especificamente nas narrativas publicadas entre 1982 e 1988. Para compreender como se d? a rela??o entre literatura e contexto hist?rico em seus contos, recorremos, principalmente, a uma no??o de Literatura e Sociedade, conforme proposta por Antonio Candido. Relacionando as narrativas de Caio Fernando Abreu com a ditadura militar e o processo de abertura pol?tica, concomitante com o projeto de gera??o representado pela contracultura, buscamos verificar como a busca de afeto por homens que desejam outros homens pode estar condicionada por condi??es s?cio-hist?ricas espec?ficas, compreendendo a obra liter?ria como um espa?o privilegiado de representa??o e compreens?o da realidade