The purpose of the diploma thesis "Duty of care, skill and dilligence in Czech court case law" is to analyze the approach of Czech courts case law to the selected issues related to the duty of care, skill and dilligence and to evaluate it with regard to the interpretation of legal regulation, doctrinal interpretation, theoretical and historical knowledge. The thesis consists of two main chapters which deals with research of two actual questions selected to the purpose of the thesis. The first chapter deals with the question whether the duty of care, skill and dilligence can be considered as an objective or subjective standard, i.e. according to which standard should the actions of persons who are obliged to act with the duty of care should be measured. Based on the performed analysis, the author's own opinion on the issue is expressed and subsequently the approach of the Supreme Court of the Czech Republic in its individual decisions is evaluated. The concept of care as a subjective sharpening of the objective standard is critically evaluated. The second chapter is devoted to the issue of the nature of the duty of care, specifically the question of whether it can be considered lawful or contractual with regard to changes in the law of liability after the recodification of civil law. Its solution...

The dissertation titled "Protection of property rights in the decision-making practice of courts in the Czech Republic" gives a holistic view of the decisions of courts of general judicial system and the Constitutional Court of the Czech Republic in matters relating to the conditions, manner, and limits of the property rights protection. The topic is understood as an interpretation of various institutes in which the courts' decisions claims the most, and as a summary of judgments reflecting every single institute. The dissertation captures the judicial decision-making practice, taking into account the state of the legislation in force until 31 December 2013. The empirical part of the dissertation which corresponds to the selected assignment is preceded by a necessary interpretation of theoretical, doctrinal and historical bases of the topic. The dissertation also reminds the in time-varying insight into the nature, meaning and object of property rights and on the level and ways of protection in the Roman law jurisprudence and civil codes that directly affected the courts application practice in the territory of the present-day Czech Republic. An interpretation of privatization and restitution process that took place in our society after 1989 is an important link between the theoretical and the...

This dissertation creates a background for studying white women in the Transvaal between 1877 and 1899. Legal documents are used as primary sources, as they are invaluable for researching women’s history, in that they provide a new perspective. When writing women’s history, it must be grounded in theory, as, especially when it comes to history in court cases, concepts like ‘history as performance’ and ‘occasionalism’ are significant. Of course, an eye must also firmly be held on concepts such as ‘gender’ and ‘deconstruction’, since it dictates how one should approach one’s sources. A history of the Transvaal is necessary, for when studying the court cases one must be able to position the women within a framework of their lives, and what type of living they made. Therefore, part of the dissertation is a political, but also social and economic, history of the Transvaal, written with specifically white women in mind. Sources for the socio-economic historical framework include literary accounts and secondary works on the period. The framework for the court cases further includes creating a legal stage on which to position women, which is accomplished by using legal sources like law reports, but also laws and resolutions. It is only once a detailed framework has been created that one can scrutinise court cases for issues surrounding white Transvaal women’s legal position, and agency. AFRIKAANS : Hierdie verhandeling skep die agtergrond vir ‘n studie van wit vroue in Transvaal tussen 1877 en 1899. Regsdokumente word as primêre bronne gebruik, aangesien dit van onskatbare waarde is in die ondersoek van vrouegeskiedenis, deurdat dit ‘n nuwe perspektief bied. Die skryf van vrouegeskiedenis moet in teorie gegrond wees, aangesien konsepte soos ‘history as a performance’ en ‘occasionalism’ belangrik is, veral wanneer dit kom by geskiedenis in hofsake. ‘n Ferm blik moet natuurlik ook gehou word op konsepte soos ‘gender’ en ‘dekonstruksie’ aangesien dit bepaal hoe die bronne benader moet word. ‘n Geskiedenis van Transvaal is nodig, want dit moet moontlik wees om vroue te posisioneeer binne die raamwerk van hulle lewens en die tipe bestaan wat hulle gevoer het. ‘n Gedeelte van die verhandeling behels derhalwe ‘n politieke, maar ook ‘n sosiale en ekonomiese geskiedenis van Transvaal, geskryf spesifiek met wit vroue in gedagte. Bronne vir die sosio-ekonomiese historiese raamwerk sluit verder in die skep van ‘n regsverhoog waarop die vroue geposisioneer kan word. Dit word daargestel deur gebruik te maak van regsbronne soos wetsverslae, asook wette en besluite. Eers wanneer so ‘n uitvoerige raamwerk gekonstrueer is, kan die hofsake bestudeer word vir kwessies rondom wit Transvaalse vroue se regsposisie, en hulle betrokkenheid by hulle eie agenda. Copyright / Dissertation (MHCS)--University of Pretoria, 2009. / Historical and Heritage Studies / unrestricted

The Abstract This diploma thesis discusses three lawsuits at the period of normalization, when participants were sued and later sentenced for provocation and denigration of the Czechoslovak Socialistic Republic and its representatives during their theatre activity or improvisation with theatrical elements. The first from three lawsuits had been taking place during 1971 and 1972 in Ostrava. There was a parody of the novel called Son polka by Valentin Katajev put on stage in the Waterloo Theatre in 1969. The production was banned after several repetitions. Some participants were involved in producing the Tramp magazine which was unwanted and watched by the state authority. There was and editorial board organized by this magazine like a tramp party where besides other songs Son polka's songs were sung. Shortly after those events the members from the Waterloo Theatre: Petr Podhrázký, Ivan Binar, Josef Frais, Petr Ullmann, Edvard Schiffauer a Tomáš Sláma were arrested and sentenced to jail. The second case took place in Kroměříž in 1974. A group of friends led by an amateur puppeteer Emil Hauptmann had staged an improvised presentation during the Hostýn pilgrimage. Playing the puppets Emil Hauptmann committed lots of utterances which were considered as provocations according to an actual penal code and that is...