In Double Exile: A Memoir examines the life of a family of Ghanaian immigrants and their journeys of acculturation, and the impact of the father's spiraling mental health issues on his family. Through the eyes of their daughter, this thesis briefly explores their lives on the right side of the Atlantic, as medical professionals, and then focuses on the life of their daughter born in America on the left side of the Atlantic. As novelist Georges Simenon has said, "I am at home everywhere, and nowhere. I am never a stranger and I never quite belong." This memoir explores this tension between alienation and connection, as a second-generation immigrant grows up navigating between various cultures: to dominant American culture, evangelical Christian/Southern culture, African-American culture, and Ghanaian culture. In an attempt to understand the present, this thesis is a sankofa journey back into the author's history. Spanning over four decades, the memoir uncovers various exilic configurations: exiled from family, from ethnic heritage, from home, and from one's self.

Stories I Told Myself: A Memoir explores the experience of growing up gay in the 1980s. It is one boy's journey toward self-acceptance set against the conservative backdrop of a rural community on California's central coast. The story illuminates the hunger for a life different than the one being lived, and the ever-present sense of being different exacerbated by bullying and unrequited love. It is a narrative of evolving identity, and includes cultural insights and societal context of the time period. The author poses a fundamental question, "How did I make it out of the 80's alive?" and he explores the answer with poignant humor and self-examination. Mr. Crimmins shows that, beyond the constraints of time and place, the process of coming out remains an important and consistent element of the queer experience.

What You Leave Behind is a collection of essays framed by the theme of travel. The essays seek to understand the changeability and the consistency of the self when exposed to new cultures and new environments. They also explore what travel tells us about varying world perspectives, and how much of those varying world perspectives people can hope to understand. Lastly, these true-life stories and ruminations explore how travel shapes relationships: familial, romantic, and platonic. At its core, this thesis strives to reveal how traveling can inform the way people understand themselves, the world around them, and the relationships they have with others, both at home and abroad.

The Prologue Past is a collection of four essays and one novella which explore the past in different fashions. Memory, and the ability to reflect and find meaning in our experiences, is an important cornerstone of engaging the past. Memories are a true anomaly of how our inner-consciousness operates. With each day, the past facilitates a special part of our memory bank which we seldom have any control of. While the abilities of people to recall times, events, places, and experiences differ largely in capacity, we all undoubtedly share universal traits in the manner in which we hold onto our memories. I'm personally fascinated by the notion of unreliable memory or the inability to recall a past event in a concrete moment in time. I'm equally intrigued by what's tied to our most vivid recollections of the past, involving adrenaline and emotion. My exploration of memory-and how it's ascertained and utilized-is based on certain moments in my life presented in these personal stories, which range from childhood endeavors to adult conquests, seemingly linked together through particular themes of fear, loss, and hope.

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Half-Virgin. (Under the direction of Jocelyn Bartkevicius) Half-Virgin is a cross-genre collection of essays, short stories, and poems about the humor, pain, and occasional glory of journeying into adulthood but not quite getting there. The works in this collection seek to create a definition of a term, “half-virgin,” that I coined in the process of writing this thesis. Among the possibilities explored are: an individual who embarks upon sexual activity for the first time and does not achieve orgasm; an individual who has reached orgasm through consensual sexual activity, but has remained uncertain about what he or she is doing; and the curious sensation of being half-child, half-adult. Ultimately, I believe, a “half-virgin” possesses all of these traits. One of the goals of the collection is to scramble the prototypical coming-of-age story into bits and parts and halves. Among the approaches included are earnest memoir (the real and metaphorical costumes a young couple wears on Halloween), character-driven fiction (the life story of Marlow, a college track star who ends up the unwitting inspiration for Super Mario Brothers), and narrative experiments (a tongue-in-cheek creative writing syllabus and a bullet pointed resume of sexual conquests). By exploring the untidy fragments in love, lust, and human connection in these works, Half-Virgin aspires to find wholeness through the jagged adventures of growing up.

Mild to Moderately Severe is an episodic memoir of a boy coming of age as a latch-key kid, living with a working single mother and partly raising himself, as a hearing impaired and depressed young adult, learning to navigate the culture with a strategy of faking it, as a nomad with seven mailing addresses before turning ten. It is an examination of accidental and cultivated loneliness, a narrative of a boy and later a man who is too adept at adapting to different environments, a reflection on relationships and popularity and a need for attention and love that clashes with a need to walk through unfamiliar neighborhoods alone. "Mild to moderately severe" is a diagnosed level of my hearing impairment. It is also the level of clinical depression I'm supposed to have been suffering since I was a preteen. It is also an answer to the question, "How was your day?"

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