This thesis will explore the regeneration and transmission of Indigenous people’s knowledge systems and practices in our communities today. The Omushkegowuk Cree teaching of awuwanainithukik (living an authentic Cree way of life by following our ancestors values and beliefs) is used as a foundation for creating pathways of resurgence. A family’s journey of reciprocal ceremonial regeneration will be used as a case in point to reveal how Indigenous people can create meaningful and transformational changes within their minds and hearts when they begin to take action according to their ancestral teachings. The challenges Indigenous people encounter on their path of cultural regeneration will be discussed in light of the current religious, economic, political and psychological issues colonialism has inflicted upon our communities. By living according to the teaching of awuwanainithukik Indigenous people can regenerate their authentic ways of being in the world despite of the historical and continuing effects of colonialism. / Graduate

This thesis explores self determination through the lens of Cree First Nation members located in northeastern Alberta, Canada. The researcher utilizes the talking circle to explore how Cree leaders define self determination. Four prominent themes; 1) identity and western influences 2) personal transformation 3) searching for nehiyaw pimatsowin and 4) commitment and responsibility evolve from the stories shared. Cree spirituality and the need to involve ‘self’ in ceremony proves to be the foundation upon which Cree self determination is founded. This thesis moves towards, “Learning Self Determination Through the Sacred Embedded Teachings and Responsibilities given to Cree Women by the Creator”. / Graduate

Thesis (M.A.) - Carleton University, 2005. / Includes bibliographical references (p. 120-128). Also available in electronic format on the Internet.

Engaging in Cree ceremonies, in one manner, is a legal act. It is also a gendered act as well. Thus, ceremony is one avenue to seek both legal and gendered transformations. The transformational processes this thesis contemplates are the protocols (or rules of procedure) involved in Cree sweat lodge (matotisân) and pipe (ospwakân) ceremonies. Some of these protocols are gendered in nature, in that they set out different actions based upon sex or gender. Looking at gender is a necessary part of our continuing work with Indigenous legal orders. Further, engaging in ceremony as legal practice offers one avenue in addressing the potentials for inequality that gendered protocols bring about. While this research does not seek a definitive resolution to some critical discourses about gendered protocols, it focuses on their legal nature to explore processes of change that reaffirm the sanctity of Cree ceremonial spaces while opening up these spaces for radical dissent. This research asks: (1) What are the processes for changing the gendered nature of protocols in Cree ceremonies, and as result changing Cree law? (2) What are the barriers within Cree social practices that prevent ceremonial change? (3) What are the potential dangers Cree spiritual and legal practices changing? In order to maintain the integrity of the knowledge systems resident in Cree ceremonies, to uphold our obligations to the relations involved in the ceremonies, and to avoid potentials for violence in our deconstructions or transformation, an ethos of deep relationality should inform our processes of change. This means seeking out methods of change that are already resident within ceremonial structures, and ensuring reciprocity when we actively seek transformations by upholding obligations resident in nehiyaw piimatisiwin (Cree way of life/being). / Graduate

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This study investigates the importance of traditional hunting knowledge to Cree identity and experience. My fieldwork was conducted in Wemindji, James Bay, Quebec, with Cree trappers and on the interactions of scientific researchers and Cree trappers. I explore the connections between these interactions and wider relationships of the Crees with histories of extractive development and the State. The misrecognition or negation of Cree authority in development discourse and outcomes has contributed to subsistence practices and traditional hunting knowledge becoming politically and emotionally charged signifiers. I argue that subsistence practices and traditional hunting knowledge have come to encode cultural difference and the assertion of authority in relation to struggles for recognition of Cree authority over their traditional territories.

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This study examines the foundation of contemporary Cree performance, tracing its existence to traditional Cree narratives. Contained within traditional Cree stories is the trickster, Wasakaychak. These oral stories are shared collectively, providing the community with relevant cultural knowledge. The thesis concludes that contemporary Cree playwrights and performers such as Shirley Cheechoo and Margo Kane maintain the roles of traditional storytellers because their work informs its audience about the history of the land and also comments on the state of the community. This study further demonstrates how the mythological character, Wasakaychak, remains an active part of Cree society by examining his significance within Tomson Highway's plays, The Rez Sisters and Dry Lips Oughta Move to kapuskasing. / v, 107 leaves ; 28 cm.