Komárov is partially isolated city part with fragmented formally colourful structure and also a picture and character with high percentage of empty or degraded areas. Continuity on logistic knot, good transportation connection, planned and implemented squeeze out of major road and with that connected easing of current street net require new city planning of the whole area and therefore allows subsequent transformation of the area by way of overwritingand individualized intervention. This final thesis will be focused on examples of solving the substance of the city, by method of approaches and on stressing out the skeleton of public space with allocation of objects with symbolic structure. Content of this thesis City planning study of the area Komárov centre, stressing out of the symbolic skeleton and structure and the skeleton of public space with addition of related objects Architecture proposal of objects complementary to a structure and picture of area Program of new interventions and conversions of existing and preserved objects

Das Projekt „Kunst und Kultur in der polarisierten Stadt“ (KupoS) nahm die in den letzten Jahren offenbar werdenden gesamtgesellschaftlichen Polarisierungstendenzen zum Anlass, um die Rolle von Kunst und Kultur im gesellschaftlichen Verständigungsprozess zu untersuchen. Die Stadt Dresden wurde im Sinne eines 'Polarisierungslabors' ins Zentrum der Analyse gerückt, weil sich hier medial verstärkte Prozesse des Übergangs von individuellem Benachteiligungserleben zu kollektivem öffentlichen Protest in verdichteter Form realisiert und in antagonistische Positionen zum Zusammenhang von Herkunft und Zugehörigkeit sedimentiert haben. In einem methodenpluralen Forschungsdesign wurden erstens mögliche Veränderungen in den Kooperationsstrukturen und der Themensetzung im Längsschnitt anhand ausgewählter Ereignisse und Veranstaltungsreihen in der Zeit von 2014 – 2017 untersucht. Zweitens wurde am Beispiel der Ausstellung „Rassismus. Die Erfindung von Menschenrassen“ im Deut-schem Hygienemuseum Dresden (DHMD) der institutionelle Umgang mit konfliktträchtigen Themen sowie die wechselseitige Beeinflussung von künstlerisch-kulturellem Handeln und konkurrierenden Diskursposition innerhalb der Stadtgesell-schaft untersucht. Die vorliegende Studie trägt dazu bei, Funktionslogiken und -dynamiken von Polarisierung im künstlerisch-kulturellen Feld zu verstehen, sowie die Möglichkeiten und Grenzen des Dialogs auszuloten. Sie beleuchtet zudem die Rolle des Publikums in Polarisierungsprozessen. KupoS leistet damit nicht nur einen empirischen Beitrag zur Bestimmung der Potentiale und Grenzen von Kunst und Kultur als kohäsionsstiftende Vermittlungsinstanzen der Gesellschaft. Die Studie versteht sich auch als Beitrag zur theoretischen Fundierung soziologischer Polarisierungsforschung.:1 Einleitung 5 2 Ziele und Fragestellungen 9 3. Forschungsdesign 11 3.1 Vorgehen im Teilprojekt 1 (TP1) 11 3.2 Vorgehen im Teilprojekt 2 (TP2) 13 3.3 Forschungs-Praxistransfer 17 4 Wie Polarisierung funktioniert: Ergebnisse der Begriffsarbeit 18 5. Wie Polarisierung in der Kulturstadt Dresden funktioniert: Empirische Ergebnisse 22 5.1. Konstellationen in der polarisierten Stadt 22 5.1.1 13. Februar - Der Dresdner Erinnerungsstreit 23 5.1.2 Interkulturelle Tage 26 5.1.3 Der Dresdner Bilderstreit 28 5.1.4 Der Dresdner Literaturstreit 29 5.1.5 Lässt sich über Tabus streiten? Die Ausstellung „Rassismus. Die Erfindung von Menschenrassen“ im DHDM 30 5.1.6 Polarisierung innerhalb der Institutionen 31 5.2. Publikum in der polarisierten Stadt 32 5.2.1 Bedeutung des Publikums im kulturellen Feld 32 5.2.2 Intervenierende Publika (in) der Polarisierung: Der Dresdner Bilderstreit und die Ausstellung „Rassismus. Die Erfindung von Menschenrassen“ 33 5.3 (Wissens)Vermittlung in der polarisierten Stadt – Ein Fallbeispiel 38 5.4. Dialog in der polarisierten Stadt 41 5.4.1 Kunst- und Kulturinstitutionen zwischen Dialograum und Echokammer 41 5.4.2 Formate öffentlicher Auseinandersetzung 42 6 Fazit und Desiderate 46 7 Abbildungs- und Tabellenverzeichnis 48 8 Literatur 49 9 Anhang 54

O objetivo deste estudo é, a partir da delimitação de um espaço central de São Paulo compreendido simbólica e rizomaticamente entre a Via Elevada Presidente João Goulart (Minhocão, no Centro) e o Largo da Batata (Pinheiros, Zona Oeste), investigar como se comportam determinadas ações culturais institucionais e não institucionais circunscritas nessa centralidade que promovem a conexão entre a cultura e a produção da cidade, operando numa tensão contínua entre o consenso e o dissenso e na tensão entre as noções de público e de privado na cidade, num movimento que se dá por esforços intencionais -- muitas vezes por razões econômicas --, mas também pelo inesperado e pelo encontro fortuito com o simbólico nas brechas e contrabrechas da cidade. Deseja-se, com esta reflexão, contribuir para o pensamento de novos caminhos para a Ciência da Informação e a Política Cultural, em que a promoção do diálogo entre os recursos culturais da cidade e seus atores sociais se dê a partir de conexões móveis e muitas vezes imprevistas, que partem do que é próprio do tenso e do instável, sim, mas em busca do que é comum e que projete outros futuros em que o fortuito, o desejo e a necessidade não estejam tão apartados. / The main objective of this thesis is to examine the impact of certain institutional and non-institutional cultural actions circumscribed in the central region of the city of São Paulo --understood symbolically and rhizomatically between the elevated highway President João Goulart (\"Minhocão\", in the downtown district) and the Largo da Batata, in the Pinheiros district, in the western zone of the capital. Such organizations promote the connection between culture and the production of the city. They operate in a continuous tension between consensus and dissent and between the notions of public and private in the city, in a movement that occurs by intentional efforts --often for economic reasons. We will investigate the unexpected and fortuitous clashes with the symbolic in the breachs and in the counterbreachs of the city. We want to contribute to the thinking of new paths for Cultural Policy and Information Science, in which the promotion of dialogue between the city\'s cultural resources and its social actors occurs on improbable connections and many unforeseen times. Constantly starting from the shock and the unstable, yes, but always in search of what is common and projecting other futures in which desire and need are not so far apart. We want to contribute to the thinking of new paths for Information Science and Cultural Policy, in which the promotion of dialogue between the city\"s cultural resources and its social actors occurs on improbable connections and many unforeseen times. Constantly starting from the shock and the unstable, yes, but always in search of what is common and projecting other futures in which the fortuitous, desire and need are not so far apart.

O objetivo deste estudo é, a partir da delimitação de um espaço central de São Paulo compreendido simbólica e rizomaticamente entre a Via Elevada Presidente João Goulart (Minhocão, no Centro) e o Largo da Batata (Pinheiros, Zona Oeste), investigar como se comportam determinadas ações culturais institucionais e não institucionais circunscritas nessa centralidade que promovem a conexão entre a cultura e a produção da cidade, operando numa tensão contínua entre o consenso e o dissenso e na tensão entre as noções de público e de privado na cidade, num movimento que se dá por esforços intencionais -- muitas vezes por razões econômicas --, mas também pelo inesperado e pelo encontro fortuito com o simbólico nas brechas e contrabrechas da cidade. Deseja-se, com esta reflexão, contribuir para o pensamento de novos caminhos para a Ciência da Informação e a Política Cultural, em que a promoção do diálogo entre os recursos culturais da cidade e seus atores sociais se dê a partir de conexões móveis e muitas vezes imprevistas, que partem do que é próprio do tenso e do instável, sim, mas em busca do que é comum e que projete outros futuros em que o fortuito, o desejo e a necessidade não estejam tão apartados. / The main objective of this thesis is to examine the impact of certain institutional and non-institutional cultural actions circumscribed in the central region of the city of São Paulo --understood symbolically and rhizomatically between the elevated highway President João Goulart (\"Minhocão\", in the downtown district) and the Largo da Batata, in the Pinheiros district, in the western zone of the capital. Such organizations promote the connection between culture and the production of the city. They operate in a continuous tension between consensus and dissent and between the notions of public and private in the city, in a movement that occurs by intentional efforts --often for economic reasons. We will investigate the unexpected and fortuitous clashes with the symbolic in the breachs and in the counterbreachs of the city. We want to contribute to the thinking of new paths for Cultural Policy and Information Science, in which the promotion of dialogue between the city\'s cultural resources and its social actors occurs on improbable connections and many unforeseen times. Constantly starting from the shock and the unstable, yes, but always in search of what is common and projecting other futures in which desire and need are not so far apart. We want to contribute to the thinking of new paths for Information Science and Cultural Policy, in which the promotion of dialogue between the city\"s cultural resources and its social actors occurs on improbable connections and many unforeseen times. Constantly starting from the shock and the unstable, yes, but always in search of what is common and projecting other futures in which the fortuitous, desire and need are not so far apart.

This case study examines the factors that shaped the identity and landscape of a small island-urban-village between the north and south forks of the Middle River and north of an urban area in Broward County, Florida. The purpose of the study is to understand how Wilton Manors was transformed from a “whites only” enclave to the contemporary upscale, diverse, and third gayest city in the U.S. by positing that a dichotomy for urban places exists between their exchange value as seen by Logan and Molotch and the use value produced through everyday activity according to Lefebvre. Qualitative methods were used to gather evidence for reaching conclusions about the relationship among the worldview of residents, the tension between exchange value and use value in the restructuration of the city, and the transformation of Wilton Manors at the end of the 1990s. Semi-structured, in-depth interviews were conducted with 21 contemporary participants. In addition, thirteen taped CDs of selected members of founding families, previously taped in the 1970s, were analyzed using a grounded theory approach. My findings indicate that Wilton Manors’ residents share a common worldview which incorporates social inclusion as a use value, and individual agency in the community. This shared worldview can be traced to selected city pioneers whose civic mindedness helped shape city identity and laid the foundation for future restructuration. Currently, residents’ quality of life reflected in the city’s use value is more significant than exchange value as a primary force in the decisions that are made about the city’s development. With innovative ideas, buildings emulating the new urban mixed-use design, and a reputation as the third gayest city in the United States, Wilton Manors reflects a worldview where residents protect use value as primary over market value in the decisions they make that shape their city but not without contestation.