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1	O, quae mutatio rerum : Antikreception och antikbruk hos studentföreningar vid Stockholms universitet Wibacke, Elis January 2020 (has links) The aim of this thesis is to analyse the meaning of instances of classical reception and uses of Antiquity within student clubs and societies at Stockholm University. The analysis is structured around a variety of factors, concerning the names and symbols of local student associations, as well as their social events and theatrical projects. There are notable differences to be found between societies targeting Classics students and those aimed at other student groups. Even though instances of classical reception are present in many different types of student associations, they take on a particular meaning for Classics students, who are more invested in the accuracy of the references than others. The theoretical framework of Swedish scholar Peter Aronsson is used to explain these differences. Furthermore, the study indicates that all student organisations are somewhat dependent on the classical tradition existent within academia. historiebruk antikreception antikbruk den klassiska traditionen studenthistoria universitetshistoria Stockholms universitet studentföreningar Klassiska föreningen spex Antikvetenskap
2	Klassiskt och nordiskt : fornnordiska motiv i bildkonsten 1775-1855 / The classical and the Nordic : Old Norse motifs in art 1775-1855 Hansson, Nora January 2020 (has links) The subject of this master’s thesis is depictions of Old Norse mythology and related motifs in the visual arts during the period 1775–1855. The main question of this research is how the motifs were visualized and how the depictions are related to the classical tradition. Three artworks are objects of detailed study: Johann Heinrich Füssli’s painting Thor Battering the Midgaard serpent (1790), Christoffer Wilhelm Eckersberg’s The death of Balder (1817) and Nils Jacob Blommér’s painting Näcken and the daughters of Ägir (1850). The paintings are compared with literary sources and analyzed in relation to classicism as well as ideas about history and the Old Norse. It is argued that symbols, themes and compositions from the classical tradition, such as the heroic nude, were used by artists to visualize motifs from Old Norse mythology. It is also argued that the depictions, which by previous scholars have been considered primarily classical, are in fact characterized by a resistance against likeness with the Olympic gods and antique costume. Old Norse mythology iconography Thor battering the Midgaard serpent The death of Balder Näcken and the daughters of Ägir classicism the classical tradition Fornnordisk mytologi ikonografi Tors kamp med Midgårdsormen Balders död Näcken och Ägirs döttrar klassicism den klassiska traditionen Art History Konstvetenskap

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O, quae mutatio rerum : Antikreception och antikbruk hos studentföreningar vid Stockholms universitet

Klassiskt och nordiskt : fornnordiska motiv i bildkonsten 1775-1855 / The classical and the Nordic : Old Norse motifs in art 1775-1855