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Thesis (doctoral)--Université de Caen. / Includes bibliographical references (p. 851-875) and indexes.

Thesis (doctoral)--Université de Caen. / Includes bibliographical references (p. 851-875) and indexes.

This thesis focuses on Swedish soldiers and their crimes against God within the Swedish army. In the late seventeenth century, the Swedish army reformed. Earlier wars had proven the old military system of enrolment and jurisdiction ineffective, stressing the fact that new articles of war were needed. In the new statutory framework no less than the first 22 articles determine the conditions of religion and its practice, proclaiming apostasy and heresy as the worst crimes within the army. Nonetheless, research has shown an over-representation of soldiers, or former soldiers committing these types of crimes, addressing the origin of these crimes to the military profession and the military environment. However, the knowledge about this is limited, and how the military adjudication dealt with these matters is highly neglected. By using the theoretical concepts of place and space (in Swedish plats and rum) alongside a theoretical culture perspective, this study aims to examine the contents of military legislation and how the military adjudicated these crimes, and will show that crimes, such as making a deal with the Devil, was a part of the military culture.

Abstract As members of a family, siblings act important roles for their family prosperity in both literary works as well as the real world. Conventionally, sibling cordial love and harmonious interactions are extremely respected and advocated by society. This kind of sibling motif was also frequently seen in plays, fairly tales and folk tales. Moreover, prohibited not only by society but also by the one in the literary works, the theme of the sibling incest becomes a caution for those having too intimate sibling interactions. Similarly, adopting sibling motif as the structure of his two tragedies, The Duchess of Malfi and The White Devil, John Webster applies different sibling interactions from those traditional ones. Both of The Duchess of Malfi and The White Devil end with the tragic ends--their families become devastated and all brothers and sisters are dead. Applying completely different sibling interactions within his two tragedies, John Webster who abandons all the depictions of harmonious sibling interactions may have his own motivation of presenting this kind of sibling conflict and rivalry. For this reason, the main concern of this thesis is to investigate Webster's motivation of adapting the sibling motif in his two tragedies, The Duchess of Malfi and The White Devil and to comprehend his intention of writing this kind of sibling motif. The first chapter introduces a brief introduction of some critics' comments on Webster's plays, the social contexts of Webster's time and the Renaissance plays, fairy tales and folklore applying the sibling as its motif. The second chapter sketches how the family order was reinforced in the house manuals in the sixteenth century, how John Webster altered the historical events to present the sibling conflict and rivalry instead of the revenge plays. What John Webster presents is the complex sibling relationships, which are based on the marriage, the patriarchal figure and family members, property and the class system. The sibling relationship in The Duchess of Malfi obviously establishes the physical concern more than the psychological concern. The third chapter also points out how Webster elaborates the self-concerned brothers utilize his sister to confirm their social status without care as those in The Duchess of Malfi. After comprehending the sibling relationship based on the physical concern due to the social milieu, we may conclude that Webster¡¦s motivation to arrange the sibling motif not only manifest the evilness of human nature but also satirize the reinforcement of the patriarchal family and family order of Webster¡¦s time. On the whole, the morbid society Webster lived resulted in his depiction on the sibling conflict and rivalry in his two tragedies.

Masks, actions, words. These three elements provide a starting point for a study of the devil figure as represented in Middle French saint's plays (mysteres hagiographiques). / An urban, popular art, mediaeval French theatre addressed a broad public that it was considered useful to both edify---particularly in the case of the mysteres---and divert. The mysteres represented and interpreted the world. In this theatre, the devil figures embody Evil and adversity, but also alterity. Placed in opposition to the saints and the sublime inhabitants of Heaven, they appear grotesque, crude and carnivalesque. Often the mainspring of the action, they are essential to the plot of the saint's play; noisy and garrulous, they are a no less necessary element of the mysteres' discourse on the world (tangible or intangible, earthly or celestial). The devil, ever ill-intentioned, concocts evil plots and engages in infernal dialogues---which the mystere presents in order to further its edifying goals and propagate its unifying and didactic message. / This dissertation examines some of the most important aspects, in terms of the mystere's reception, of the devil figure. The first part, which deals with diabolical masks, discusses their external features (scenery, costumes, gestures, disguises) and certain of their linguistic characteristics. The second part studies the actions of the devils themselves. Their principal activities are identified and defined, and divided into three broad categories, according to whether the devils attempt to draw human beings and their activities into their sphere of influence, or commit evil deeds, or fail in their baleful plans and end up serving God despite themselves. The third part of the thesis studies diabolical discourse. More specifically, it analyses the relationship between the speech of devils (traditionally perceived as deceitful) and truth. Using the concepts of place and authority, we can read certain instances of this speech as illegitimate, while an examination of the workings of the discourse of diabolical seduction reveals the twisted nature which the mysteres attributed to devils. / A study of the devil figure thus provides an opportunity to understand in some measure the role the mysteres hagiographiques played in relation to the mediaeval public, whose perception of the other (as well as of the same) the saint's plays represented even as they helped construct it.

The pathology of a disfiguring and debilitating fatal disease affecting a high proportion of the wild population of Tasmanian Devils (Sarcophilus harrisii) that was discovered is described. The disease, named devil facial tumour disease (DFTD), has been identified in devils found across 60% of the Tasmanian landscape. The prevalence of this disease was extremely variable, possibly reflecting seasonal trapping success. Between 2001 and 2004, 91 DFTD cases were obtained for pathological description. Grossly, the tumours presented as large, solid, soft tissue masses usually with flattened, centrally ulcerated and exudative surfaces. They were typically multi-centric, appearing first in the oral, face or neck regions. Histologically, the tumours were composed of circumscribed to infiltrative nodular aggregates of round to spindle-shaped cells often within a pseudocapsule and divided into lobules by delicate fibrous septae. They were locally aggressive and metastasised in 65% of cases. There was minimal cytological differentiation amongst the tumour cell population under light and electron microscopy. The diagnostic values of a number of immunohistochemical stains were employed to further characterise up to 50 representative cases. They were negative for cytokeratin, epithelial membrane antigen, von Willebrand factor, desmin, glial fibrillary acid protein, CD16, CD57, CD3 and LSP1. DFTD cells were positive for vimentin, S-100, melan A, neuron specific enolase, chromogranin A and synaptophysin. In conclusion, the morphological and immunohistochemical characteristics together with the primary distribution of the neoplasms indicate that DFTD is an undifferentiated neoplasm of neuroendocrine histogenesis.

Thesis (D. Miss.)--Trinity Evangelical Divinity School, 1988. / Abstract. Bibliography: leaves 127-129.

Thesis (M.A.)--Florida State University, 2005. / Advisor: Dr. Daniel Vitkus, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed June 7, 2005). Document formatted into pages; contains v, 68 pages. Includes bibliographical references.

Thesis (Ph. D.)--Universiteit van Amsterdam, 1995. / eContent provider-neutral record in process. Description based on print version record.