Thesis (doctoral)--Universität Breslau.

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Thesis (Ph.D.)--Duquesne University, 2006. / Title from document title page. Abstract included in electronic submission form. Includes bibliographical references (p. 254-263) and index.

Thesis (Ph.D.)--Ohio University, August, 2007. / Abstract only has been uploaded to OhioLINK. Includes bibliographical references (leaves 272-289)

Since its earliest appearance, the word $ tau upsilon rho alpha nu nu acute iota varsigma$ referred to absolute rule obtained in defiance of any constitution that existed previously. In early Greek lyric poetry, tyranny is represented as a divine blessing, but one that meets with opposition against the tyrant and puzzlement at the behaviour of the gods. In Archilochus and elsewhere tyrannical ambition is termed eros. The common property that makes both tyranny and beauty objects of eros is luminosity: As the 'radiance' $ rm( lambda alpha mu pi rho acute o tau eta varsigma)$ of beauty is to the lover, so the 'splendour' $ rm( lambda alpha mu pi rho acute o tau eta varsigma)$ of tyranny is to the tyrannical "lover". The major symbol of tyrannical luminosity is gold. Conspicuous use of wealth and women contributed to the visibility of tyrannical splendour.

Thesis (Ph. D.)--University of Pennsylvania, 1943. / Bibliography: p. 143-169.

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Made available in DSpace on 2014-06-11T19:32:24Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-04-26Bitstream added on 2014-06-13T19:43:06Z : No. of bitstreams: 1 fiuza_af_dr_assis.pdf: 1176037 bytes, checksum: 646d468b1840f62156b20a2a2565402b (MD5) / Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) / Esta tese aborda a censura e a repressão aos músicos no Brasil e em Portugal durante as décadas de 1960 e 1970, período em que ambos se encontravam em ditadura. Tal pesquisa foi realizada a partir da consulta e análise do material obtido junto à antiga documentação das polícias políticas, no caso brasileiro, os arquivos do DOPS - Departamento de Ordem Política e Social dos Estados do Rio Grande do Sul, Paraná, São Paulo, Rio de Janeiro, Pernambuco e Paraíba, e, no caso português, do Arquivo da PIDE/DGS - Polícia Internacional de Defesa do Estado/ Direcção-Geral de Segurança, sediado na Torre do Tombo, em Lisboa. No campo da Censura, foram consultados documentos no Arquivo Nacional em Brasília e no Rio de Janeiro, particularmente, do Fundo DCDP - Divisão de Censura de Diversões Públicas. Além da análise do controle exercido sobre os músicos, também foi realizada a comparação entre as canções produzidas neste mesmo período, bem como examinada, ainda que brevemente, a recepção pelo público deste mesmo cancioneiro. Mediante a apreciação da bibliografia e da realização de entrevistas com músicos portugueses e brasileiros foi estabelecida uma comparação em relação à documentação oficial encontrada nos arquivos e à versão dos músicos. Além disso, a partir desta documentação dos órgãos de repressão, foram observadas as relações entre as polícias políticas dos dois países e suas atividades de vigilância de seus respectivos exilados. Por fim, houve ainda uma preocupação específica com os casos de músicos exilados e suas atividades políticas e artísticas nestes dois países. / This Doctoral thesis focuses on the censorship and repression of musicians in Brazil and in Portugal in the 60's and the 70's, when both countries were dictatorial regimes. The data analyzed was obtained in the files of the former political police forces, the Brazilian DOPS - Departamento de Ordem Política e Social in the states of Rio Grande do Sul, Paraná, São Paulo, Rio de Janeiro, Pernambuco and Paraíba, and the Portuguese PIDE/DGS - Polícia Internacional de Defesa do Estado/ Direcção-Geral de Segurança, with its headquarters at the Torre do Tombo, in Lisbon. To look into censorship matters, documents from the Arquivo Nacional in Brasília and in Rio de Janeiro, especially from the Fundo DCDP - Divisão de Censura de Diversões Públicas, were analyzed. Besides the analysis of the control exerted over the musicians, a comparison of the songs composed in the same period was produced. It was also observed, however in a brief manner, how those songs were received by the public. A comparison between the official documents found in the files and the version presented by the musicians was made by means of the review of the bibliography and interviews with Brazilian and Portuguese musicians. The analysis of the documents of the organs of repression also made it possible to observe the relations between the political police forces of both countries and their surveillance activities over each other's exiles. Finally, especial attention was given to exiled musicians and their political and artistic activities in both countries.

This thesis explores the symbolic form of a significant public building through the architectural design of an international African Criminal Court in Bloemfontein, South Africa. / Master of Architecture

Guatemala, El Salvador and Honduras have experienced a history immersed in political, economical and violent turmoil that has resulted in centuries of unsettled government, weak economies, alienation, and exploitation of the masses. This turmoil dates back to Spanish forms of dictatorial rule in the sixteenth century, and English and German control of commodities and land during the seventeenth, eighteenth and nineteenth centuries. Along with foreign influence, forms of dictatorial rule resulted in poor socioeconomic conditions, internal anarchy within Guatemala, El Salvador and Honduras and the onset of civil wars. During the Reagan Administration, the United States used these countries in Central America for strategic military, agricultural and political purposes. The poor economic and politically violent conditions continued, resulting in the formation of dangerous street gangs, youth groups violently taking control of territories and later engaging in drug trafficking. Presence of the United States military operations, the civil wars, namely the Nicaraguan Contra War throughout the Central American region, resulted in a variety of opportunities for immigrants, to migrate into the United States. Other opportunities included left over weapons by the United States military, guerillas and contras, which were used by these violent youth to intimidate the local governments of Guatemala, El Salvador and vi Honduras. However, after the Central American families migrated to avoid the poor conditions within these countries, some children became gang members due to lack of alternatives in the U.S. The U.S. authorities deported many of these youth back to their respective Central American countries because of the crimes they committed in the U.S. This deportation increased further political turmoil in Guatemala, El Salvador and Honduras such that these violent youth groups threaten procedural democracy from functioning. This thesis examines the historical evolution of first, second and third generation Central American street gangs, and the political violence they present in Guatemala, El Salvador and Honduras.