La presente ricerca, che si inserisce negli ambiti della pragmatica, della linguistica testuale e della linguistica applicata, analizza il fenomeno della mitigazione all’interno di un corpus di 25 articoli scientifici in italiano, con l’intento di comprendere meglio questo fenomeno pragmatico nel suo contesto di azione. Si cerca quindi di rispondere ad alcune domande riguardanti forme, funzioni e domini testuali della mitigazione. Per riuscire in ciò, si è elaborato un approccio pragmatico integrato, derivato dal modello tripartito di Caffi (2007), basato sulla nozione di scope (contenuto proposizionale, dimensione illocutiva e origine deittica dell’enunciato), e dalla lunga tradizione di studi di stampo funzionalista. Si presentano quindi i primi risultati di questa ricerca originale, sia da un punto di vista qualitativo sia qualitativo. Infine, tale ricerca investiga alcune possibili implicazioni per l’insegnamento dell’italiano LS in ambito accademico, offrendo a quanti coinvolti nell’insegnamento, sia in qualità di ricercatori che di insegnanti, alcune prime conclusioni, strumenti e risorse immediatamente utilizzabili per la progettazione di percorsi formativi volti allo sviluppo di sensibilità testuali e di genere e di abilità come quella di scrittura accademica, definibili comunicative, accademiche e transferable, , abilità cruciali per qualunque studente universitario che intenda completare con successo il proprio percorso di studi. / This research, framed into the domain of pragmatics, textual linguistics and applied linguistics, aims to analyse mitigation phenomena within a 25 Italian RA’s corpus, to contribute to a better comprehension of these phenomenon in its context of action. More in details, this work attempts to answers to some questions regarding forms, functions and text domains of mitigation. In order to do so, an integrated pragmatic approach was elaborated, derived from Caffi’s tripartite model (2007), based on the notion of scope (propositional content, illocutionary dimension and deictic origin), and on the tradition of literature in a functionalist perspective. The first results of this original investigation, both qualitative and quantitative, will be presented. Furthermore, this research investigates some possible implications in the domain of Italian as FL teaching, and some potential implementations. It provides then, to those involved in teaching Italian LS in academic context, as both teacher and researcher, some first conclusions, tools and resources immediately expendable to design language formation paths, meant to develop textual and genre sensibility as well as competences and skills, like academic writing, defined communicative, academic and transferable, which are crucial for any kind of student to achieve success in their studies.

This study of contemporary jazz discourse and gender applies the techniques of critical discourse analysis, inspired by M.A.K. Halliday's systemic functional linguistics and Norman Fairclough's qualitative critical discourse analysis, to explicate the unequal distribution of power in society as represented by the institutions of jazz and mass media, in discourse about jazz vocal artists. Specifically, the study focuses on the way the genres of jazz CD review, jazz performance review, and interviews with jazz artists – disseminated via the institutions JazzTimes and Live New Orleans – represent the artists' identities, roles, achievements and skills. Following Norman Fairclough and the feminist scholar Mary Talbot, the study assumes that institutions of mass media not only discursively construct the gender of jazz vocal artists, but also represent the performers' achievement and skills from a hegemonic standpoint, reflecting the commonsense assumptions about women and men and their roles in patriarchal society.