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Thesis (M.A.)--Florida State University, 2005. / Advisor: Dr. Laura Edmondson, Florida State University, School of Theatre. Title and description from dissertation home page (viewed June 13, 2005). Document formatted into pages; contains v, 67 pages. Includes bibliographical references.

The portrayal of women in Setswana literary works and in the electronic media tends to perpetuate stereotypes of women. This may result in a society that continues to degrade women. Ntsimane, the author of Motlhabane, has written a drama series that depicts women in a negative way through the creation of weak female characters who are often exploited by males, are gossips, adulterous and generally manipulative and of low morals. Feminist literature has, among other things, challenged, especially male authors who promote and perpetuate negative stereotypes of women. The view that women are weak, adulterous, possessive and have low morals emerges from traditional cultural perceptions, and thus writers who do not give a balanced view of women continue to portray this view. Women have been discriminated against in many spheres of life, such as in the work place, at home, in politics, in the economy and in society in general. This study explores the portrayal of women in the radio series Motlhabane and reveals clearly that the series fails to portray women as having an important role to play in life and in a family structure and thus need • to be afforded respect. The conclusions of this study are a warning to men about women who do not fit the traditional mould of submissive wives and are therefore looked upon as being morally corrupt and promiscuous. The author does not treat his female characters with respect. The study highlights challenges facing emerging authors who write about women, and directs them to focus on representing women in a balanced manner in their works. The challenge for the emerging generation of authors is to learn to write in a sensitive balanced manner about women. / M.A., African Languages, Potchefstroom University for Christian Higher Education, 2003

The portrayal of women in Setswana literary works and in the electronic media tends to perpetuate stereotypes of women. This may result in a society that continues to degrade women. Ntsimane, the author of Motlhabane, has written a drama series that depicts women in a negative way through the creation of weak female characters who are often exploited by males, are gossips, adulterous and generally manipulative and of low morals. Feminist literature has, among other things, challenged, especially male authors who promote and perpetuate negative stereotypes of women. The view that women are weak, adulterous, possessive and have low morals emerges from traditional cultural perceptions, and thus writers who do not give a balanced view of women continue to portray this view. Women have been discriminated against in many spheres of life, such as in the work place, at home, in politics, in the economy and in society in general. This study explores the portrayal of women in the radio series Motlhabane and reveals clearly that the series fails to portray women as having an important role to play in life and in a family structure and thus need • to be afforded respect. The conclusions of this study are a warning to men about women who do not fit the traditional mould of submissive wives and are therefore looked upon as being morally corrupt and promiscuous. The author does not treat his female characters with respect. The study highlights challenges facing emerging authors who write about women, and directs them to focus on representing women in a balanced manner in their works. The challenge for the emerging generation of authors is to learn to write in a sensitive balanced manner about women. / M.A., African Languages, Potchefstroom University for Christian Higher Education, 2003

The remarkable Lithuanian theatre director and reformer Juozas Miltinis (1907-1994) during almost forty years (1940-1979) was been the head and leader of the Panevėžys State Drama Theatre, which was founded in Lithuania at the end of 1940. Juozas Miltinis has learned acting at Independent Republic of Lithuania, two seasons (1931-1933) was rather successfully playing at the Šiauliai State Theatre, where was subtued owing to dogmas of obsolete realism. In 1933 the restless young actor Miltinis leaved Lithuania and went to Paris. An the capital of France he entered into theatre's school „Atelje“. There his teacher was well known in Europe French director Charles Dullin. Studies were very fruitful. Before II World War Miltinis has returned in Kaunas with his own theatre's idea. It must be realize as national intellectual and conseptional new forms theatre, based on earnest repertoire of XX century – plays of W. Shakespeare, H. Ibsen, A. Chekhov, A. Strindberg, L. Pirandello, B. Shaw, - once and for all decided Miltinis. Miltinis realized his idea at Panevėžys States Drama Theatre with his pupils – young actors and actresses. A few of them became famous Lithuanian actors: Donatas Banionis, Bronius Babkauskas, Stasys Petronaitis, Algimantas Masiulis have played many wonderful roles as in theatre, both in Lithuania and foreign films. Miltinis has worked out an original system of artistic education. There are organical and consistent combinations of classical and free educations'... [to full text]

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Magistro darbe, remiantis periodine spauda, mokslo darbais, archyviniais dokumentais ir kita archyvine medžiaga, išnagrinėtos pagrindinės panevėžiečių kultūrinio gyvenimo formos ir pabandyta nustatyti buvusius hitlerinės okupacijos metais Panevėžio miesto gyventojams prieinamus kultūros šaltinius, jų veiklos ypatumus bei poveikį miestiečiams. / The aim of this paper is to research the cultural sources available for Panevėžys community during the years of Hitler occupation. The focus in this paper is on enumerating sources of culture during this period in Panevėžys, describing their social activities, the emerged difficulties and their influence on local community.