Thesis (Ph. D.)--University of Wisconsin--Madison, 1984. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 93-96).

Thesis (M.A.)--Ohio State University, 1947. / Includes bibliographical references. Available online via OhioLINK's ETD Center

Thesis (M.A. in apparel, merchandising, and textiles)--Washington State University, May 2006. / Includes bibliographical references (p. 47-50).

Thesis (M.S.)--University of North Carolina at Greensboro, 2007. / Title from PDF t.p. (viewed Oct. 18, 2007). Directed by Barbara Dyer and Carl L. Dyer; submitted to the School of Human Environmental Sciences. Includes bibliographical references (p. 105-112).

Thesis (Ph.D.)(Consumer Science)--University of Pretoria, 2006. / Includes summary. Includes bibliographical references. Available on the Internet via the World Wide Web.

Thesis (BTech (Fashion Design))--Cape Peninsula University of Technology, 2010 / This dissertation will focus on a security focused range of ladies clubbing apparel, adapted for the urban lifestyle. The dissertation is based on the theory of the Supermodern Condition and the Supermodern Design Aesthetic, by Marc Auge. I will investigate the topics of street and contact crime and also means of design that incorporate safety measures into contemporary fashion apparel. The aim of this dissertation was to create a range that would allow for the integration of storage for young ladies personal items into their clothing. This range would allow the wearer enhanced mobility and liberate them from cumbersome bags and purses, in an urban clubbing setting. The design inspiration is based on contemporary fashion styling and trends in order to have commercial appeal to the target group.

Thesis (BTech (Fashion Design))--Cape Peninsula University of Technology, 2010 / The main objective of the research is to unfold the necessary theory by using current and relevant information available, in the scientific and fashion department, to substantiate the exploration of dimensions and the associated human interpretation. To produce two separate collections that combined illustrate my personal design identity, but when apart they demonstrate two parallel versions of the same concept. The main collection is divided into two ranges, one commercial and another conceptual. The commercial pieces will present a more affordable ready-to-wear range to the consumer while the conceptual pieces will represent my own interpretation of the concept chosen for this research. Together these designs will formulate a vision for the overall collection, reflecting my own meaning and interpretation of what dimensions are and the various techniques of representing them. Extensive research will be done to unfold all the theory needed to substantiate my findings during this exploration into dimensions and the universe we live in.

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This paper presents a detailed analysis of Assassin’s Creed III’s character Haytham Kenway’s costume, with emphasis on the physical qualities as well as the symbolic factors used in the garments. The costume is constructed physically in order to facilitate a further comparative study between the real and the virtual qualities looking at historical and technical accuracies in order to aid game companies in constructing accurate virtual costume.