This commentary on article #19 of Gottfried Wilhelm Leibniz's Discourse on Metaphysics is for the purpose of promoting the understanding of Leibniz on the role of teleology in physics. Understanding Leibniz on final causes is crucial to understanding his overall natural philosophy. If one approaches Leibniz with a bias regarding either final causes or protestant Christian theology, such that they ignore these aspects of Leibniz, such a person is in danger of completly misunderstanding this philosopher. Leibniz is a mix of natural philosophy, mechanical physics, and protestant Christian theology. The rationale behind this study is to cause the student of philosophy to consider a somewhat ignored side of Leibniz which stems from his combination of two politically incorrect words in academics today, "intelligent" and "design". Both of these words are found in #19. Both of these terms are employed in concert with the Christian idea of God, a combination which is highly charged in academics today, and most politically incorrect. To address the political incorrectness of this combination of terms, however, is to engage in the understanding of what it mean to think and argue in seventeenth century Europe. To wrestle with these terms in article #19, therefore, is to wrestle with those positions which caused great tensions in early modern culture. The approach taken for this work is a line by line exposition of the text, unearthing the arguments involved and those philosophers who made them. Once into this particular text, article #19 turns out to be enormous in its scope of Leibnizian thought. Its subject matter mirrors the thinking of Leibniz, and is background material for other projects Leibniz was involved in at the time, such as the laws of motion in optics. The significance of this work to the discipline is that Leibniz, one of the most intellectually gifted men in human history, no less the co-discoverer of the calculus, argues that reality is an intelligent design created by a loving person who only wants to be loved by the creation in return. This puts him at odds with pure mechanists in his day, and it puts him at odds with many in philosophy today. For all those in philosophy who argue that there is no reason for reality existing, at least not as it does, Leibniz provides a very clear counter argument. Leibniz's point in #19 is that there is a place for end purposes in calculating the laws of nature, and that those who dismiss end purposes do so for insufficient reasons.

Not available / text

No description available.

No description available.

No description available.

No description available.

No description available.

In recent decades historians have documented the nature and impact of religious violence within French Catholicism during the French Wars of Religion (1562-1629). My dissertation introduces the question of religious nonviolence within French Catholicism in this era by examining the religiosity practiced and promoted by Francois de Sales (1567-1622). By interpreting the words, actions, and impact of this clergyman across three different contexts - the mission field of the Chablais, in lay spiritual counseling, and in the Order of the Visitation- this research presents a fresh perspective on the nature of Catholicism in early modern France and an important historical case study of the possibilities and limits of moderation in a society reeling from religious extremism.

This dissertation reintegrates the Mediterranean into the history of the development of the early modern British Empire. During the seventeenth century, the Mediterranean emerged as a distinct political, legal and commercial space within the wider currents of English expansion. The political and legal regimes of the sea shaped the evolution of the English presence there and the rulers of the Ottoman Empire, the North African regencies, and Italian states such as Tuscany and Genoa limited the expansion of English sovereignty. As a result, the sea offers a different perspective on the history of English expansion than that found in imperial histories set in the Atlantic and Indian Oceans. The development of the English presence in the Mediterranean highlights the relative weakness of the early modern English state and the extent to which other polities limited the expansion of its sovereign authority. However, this dissertation also aims to move beyond an imperial historiography that distinguishes the wider development of English trade and navigation from the growth of English empire. Through the latter half of the seventeenth century and first half of the eighteenth, the Crown's claims to jurisdiction over its subjects and their ships projected English authority into the Mediterranean. This dissertation examines how the English state extended its authority within a pluralistic maritime environment that lay largely beyond the reach of its claims to empire. By studying the jurisdictional contests that arose when the Crown’s claims to authority over its subjects and their ships collided with the sovereignty of Mediterranean polities, it shows how the intersection of diverse sovereign and legal authorities defined the organization of English trade and navigation. Moreover, as the English state extended its authority overseas during the early modern period, it called into question the location of sovereignty and jurisdictional authority in Mediterranean waters as well as in the Atlantic and Indian Oceans. English expansion in the Mediterranean and the political evolution of the sea were part of a global process whereby states and empires sought to establish their authority over oceanic space and networks of trade. / History

The concept of realism in visual representation has been defined and deployed largely within the domain of the Western artistic canon. In the field of art history, the term is often used in ways that depend on implicit, culturally coded assumptions about its connection with the formal markers of optical-naturalism. The Persianate tradition of pictorial representation by contrast, has been traditionally characterized in modern scholarship as stylized and decorative, with little acknowledgment of an interest in realism in its own visual language. Furthermore, normative Euro-centric attitudes have perpetuated the assumption that an engagement with realism entered Persianate artistic practices with the advent of Europeanizing modes of depiction in Safavid and Mughal spheres of production around the late sixteenth-century. This dissertation explores the topic of realism from the perspective of Persianate visual culture. In so doing, it proposes to refine our understanding of the concept in terms that accommodate the varied artistic production of cultures that laid claims to cultivating representational realism in their own primary sources. The first chapter draws on multi-disciplinary discussions to challenge art historical treatments of pictorial realism as a style, in favor of a functional definition of the concept as an emergent quality rooted in formal strategies that activate particular patterns of mirror-response in their audiences. The second and third chapters reject the principle of evaluating the realism of Persianate representations according to their degree of proximity to European models. The second chapter discusses the structural conditions of change in visual habitus in cases of inter-cultural encounter between foreign modes of representation and the resulting works of aesthetic hybridity. The third chapter presents material evidence of early modern Safavid and Mughal albums as discourses of aesthetic heterogeneity. The fourth chapter explores the local Persianate roots of realism, including the changes these realism strategies underwent in the early modern period. The fifth and final chapter develops case studies of two seventeenth-century Mughal and Safavid drawings, which cultivate representational enlivenment in depicting harrowing moments of death. The discussion delves in greater detail into the particular patterns of realism developed in the seventeenth-century Persianate visual culture. / History of Art and Architecture