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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 10 of 10 (0.031 seconds)Spelling suggestions: "subject:"obert"" "subject:"ebene""
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Friedrich Ebert, first President of the German Weimar RepublicRook, Orville Woodrow, January 1958 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1958. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [401]-[410]).
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The German Encounter with Socialism, Democracy and Nationalism: Friedrich Ebert, 1871-1925Buse, Dieter 06 May 2013 (has links)
This three-part study of one of Germany’s most important politicians of the early 20th century examines a biography in social context. It has been researched over a long period of time and the author was never satisfied with the third part.
Part one explores the rise of Friedrich Ebert in German Social Democracy, the world’s largest pre-World War I social movement. His socialization in Imperial Germany, his more moderate ideological stance by the time he became a party secretary in 1905 and party co-leader in 1913 is traced in depth as he moved from agitator to organizer and part of a collegial leadership.
Part two traces his shift in priorities from attaining socialism to establishing parliamentary government. He became by 1915/16 the decisive person in an altered Social Democracy that became ever more integrated in the German political system while still trying to reform it. In 1918/19 he headed the government during the revolutionary era at war’s end when he hindered more than aided transformation. His role remains a topic of division and debate among historians.
Part three demonstrates how the national values of the war influenced his outlook and actions on behalf of the German state which he hoped to restore to great power status. By the time of his death he had moved to the political right as he associated with industrialists, militarists and state bureaucrats from the Imperial era and mostly lost contact to the working class from which he had emerged.
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Die Macht einer Verleumdungskampagne antidemokratische Agitationen der Presse und Justiz gegen die Weimarer Republik und ihren ersten Reichspräsidenten Friedrich Ebert vom "Badebild" bis zum Magdeburger Prozeß /Albrecht, Niels H. M. Unknown Date (has links) (PDF)
Universiẗat, Diss., 2002--Bremen.
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Is It Just a Matter of Taste? : On Film Criticism and Evaluation of Film / "Du fattar ju inte film" : Om Filmkritik och VärdeomdömenSimonsson, Pierre January 2022 (has links)
This thesis aims to explore theories in aesthetics and philosophy of criticism,in order to understand why disagreement occur in film evaluations and possible reasons. Subsequently, the relationship between subjective preferences and objective properties in film evaluations will also be explored. In the first section of the thesis, a theoretical foundation will be provided for context. Malick as a director will be introduced, together with theories regarding intention, value, objectivity, and aesthetics. In the second section, three film reviews with different ratings from three film critics will be analyzed, to distill the essence of film evaluations. This thesis will show that there is reason to believe that objective properties exist in film objectsand that there are ways to evaluate these properties. The results will also show that an evaluation has several components, and that it is possible to judge one evaluation to be more or less justified than another, based on the strength of this reasoning and inclusion of the different components.
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Die Auslandsarbeit der politischen Stiftungen zwischen Entwicklungshilfe und TransformationskontextEgger, Miriam January 2007 (has links)
Berlin, Freie Univ., Diss., 2007 u.d.T.: Egger, Miriam Die Auslandsarbeit der politischen Stiftungen zwischen Entwicklungs- und Transformationskontext / Hergestellt on demand
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Sammeln – Musizieren – Forschen: 200 Jahre Musikabteilung der SLUB DresdenWiermann, Barbara 19 April 2023 (has links)
No description available.
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Vom Wissenskosmos zum Magazin: Die Entwicklung der Bibliothekswissenschaft aus den Ursprüngen der Historia literariaEgel, Nikolaus 04 July 2023 (has links)
No description available.
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Exzellente Wissenschaft – wer bestimmt den Wert der Forschung?: Fachtagung13 August 2020 (has links)
Während Wissenschaftlerinnen und Wissenschaftler an verschiedensten Themen forschen wie Nanotechnologien, Leichtbaumaterialien, Krebstherapien und andere komplexe Zusammenhänge untersuchen, ist die wissenschaftliche Qualitätssicherung noch weitgehend unerforscht. Vor diesem Hintergrund hat Staatsministerin Dr. Eva-Maria Stange mit Hochschulrektoren, Institutsleitern, Sprecherinnen und Sprechern von Exzellenzclustern, Wissenschaftsmanagern und anderen Beteiligten bei einer Fachtagung am 19.5. 2016 im Wissenschaftsministerium über das Thema der Qualitätssicherung diskutiert. Zum Nachlesen wurden alle Wortbeiträge der Tagung, die in Zusammenarbeit mit dem Landesbüro Sachsen der Friedrich-Ebert-Stiftung organisiert wurde, in dieser Broschüre dokumentiert.
Redaktionsschluss: 01.08.2016
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Confronting eternity : strange (im)mortalities, and states of undying in popular fiction.Bacon, Edwin Bruce January 2014 (has links)
When the meritless scrabble for the bauble of deity, they ironically set their human lives at the “pin’s fee” to which Shakespeare’s Hamlet refers. This thesis focuses on these undeserving individuals in premillennial and postmillennial fiction, who seek immortality at the expense of both their humanities, and their natural mortalities.
I will analyse an array of popular modern characters, paying particular attention to the precursors of immortal personages. I will inaugurate these analyses with an examination of fan favourite series
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Paul Verhoeven, media manipulation, and hyper-realityMalchiodi, Emmanuel William 01 May 2011 (has links)
Does the individual really matter in the post-modern world, brimming with countless signs and signifiers? My main objective in this writing is to demonstrate how this happens in Verhoeven's films, exploring his central themes and subtext and doing what science fiction does: hold a mirror up to the contemporary world and critique it, asking whether our species' current trajectory is beneficial or hazardous.; Dutch director Paul Verhoeven is a polarizing figure. Although many of his American made films have received considerable praise and financial success, he has been lambasted on countless occasions for his gratuitous use of sex, violence, and contentious symbolism--1995s Showgirls was overwhelmingly dubbed the worst film of all time and 1997s Starship Troopers earned him a reputation as a fascist. Regardless of the controversy surrounding him, his science fiction films are a move beyond the conventions of the big blockbuster science fiction films of the 1980s (E.T. and the Star Wars trilogy are prime examples), revealing a deeper exploration of both sociopolitical issues and the human condition. Much like the novels of Philip K. Dick (and Verhoeven's 1990 film Total Recall--an adaptation of a Dick short story), Verhoeven's science fiction work explores worlds where paranoia is a constant and determining whether an individual maintains any liberty is regularly questionable. In this thesis I am basically exploring issues regarding power. Although I barely bring up the term power in it, I feel it is central. Power is an ambiguous term; are we discussing physical power, state power, objective power, subjective power, or any of the other possible manifestations of the word? The original Anglo-French version of power means "to be able," asking whether it is possible for one to do something. In relation to Verhoeven's science fiction work each demonstrates the limitations placed upon an individual's autonomy, asking are the protagonists capable of independent agency or rather just environmental constructs reflecting the myriad influences surrounding them.
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