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Thesis--Copenhagen. / "Es ist die absicht nachfolgender arbeit, die neuen Kopenhagenertexte (Pap. Carlsberg II, III verso, IV verso und V), die denselben inhalt wie Pap. Insinger haben, für das studium der textüberlieferung in demotischen auszunutzen. Das werk ist prinzipiell als den zweiten supplierenden band [sic] meiner ausgabe dieser texte in den 'Analecta aegyptica' (bd. I) anzusehen."--Vorwort, p. 1.

Thesis (B. A.)--University of Wisconsin -- La Crosse, 2008. / Also available online. Includes bibliographical references (leaves 64-66).

Thesis (M.A.)--University of Toronto, 2000. / Canadian theses = Thèses canadiennes. Description based on web page; title from title screen (viewed 15 Mar. 2004). Includes bibliographical references.

Thesis (Ph.D.)--Brown University, 2008. / Vita. Advisor : James P. Allen. Includes bibliographical references (leaves 462-508).

Inaug.-Diss.--Tübingen. / Leben. "Literatur": p. 5-7.

Inaug.-Diss.--Tübingen. / Leben. "Literatur": p. 5-7.

Notre thèse est une étude sur l’engagement social des poètes égyptiens au tournant des XXème et XXIème siècles dans les œuvres poétiques de Fārūq Ğuwayda, Fārūq Šūša – composant en arabe littéral et Aḥmad Fu’ād Nağm, Ṣalāḥ Ğāhīn – composant en dialecte égyptien. Les analyses sont effectuées sur plusieurs niveaux : historiques, sociales et politiques d’un côté, et littéraires avec une analyse de la langue et de la poétique, de l’autre côté. Ces différents niveaux se croisent et s’accrochent entre eux dans chaque poème : ils en forment son apparence et son contenu unique, ce qui aboutit à la création d’une œuvre engagée sur les questions politiques et sociales. Avec l’aide de la sociocritique et des études poétiques, nous étudions les œuvres choisis des quatre poètes qui constituent le cadre de notre thèse. Chaque trait dans la vie des poètes, leur origine ou leur éducation, apportent une nuance dans l’engagement exprimé dans leurs œuvres poétiques. / My thesis is a study of the social commitment of Egyptian poets in the second half of the 20th century and at the beginning of the 21st century, in the poetic works of Fārūq Ğuwayda, Fārūq Šūša – writing in literary Arabic and Aḥmad Fu’ād Nağm, Ṣalāḥ Ğāhīn – writing in Egyptian dialect. These poetic productions are analysed on several levels: historical, social, political – on the one side – and literal focused on language and poetics – on the other side. These various levels cross and influence one another in every poem, creating its unique form and content in each work involved in social issues. By the means of sociocriticism and poetic studies I have analysed the selected poems of these four poets, which constitute the framework of my thesis. Each poet has different social origins and curriculum vitae, as well as education that bring various tinctures to the commitment in their poetry.

The Nineteenth Dynasty, which ushered in the Ramesside period in ± 1308 B.C.E. is an important period in which to study the development of the Egyptian language, falling as it does between the time of the Middle Egyptian (ME) idiom and the Late Egyptian (LE) language. Regarding the Egyptian language, Gardiner (1982:1) writes" ... the idiom in which the public records of the Twentieth Dynasty are couched differs widely from that found, for example in the royal decrees of the Sixth Dynasty". There was a gradual change from a "synthetic" language in ME into an "analytical" one in LE and later Coptic. The synthetic tenses are first supplemented and then gradually replaced by "analytic" forms. And this happened during the time of the Nineteenth Dynasty. This thesis addresses the Nineteenth Dynasty texts, with respect to grammar, semantics and syntax (mainly verbal forms). It studies the occurrence of Middle Egyptian synthetic forms and Late Egyptian analytic forms in the Nineteenth Dynasty texts and makes observations on forms which appear to be unique to the Nineteenth Dynasty Egyptian (NDE) too. This study describes and analyses the language, both in a synchronic way - "frozen" in its time (as a type of grammar book), and comparing literary and non-literary uses of the time, - and in a diachronic manner, seeking to show the evolution and development of language forms, their ancestors and their successors. A study of these texts as shown in this thesis demonstrates that the written language of the Nineteenth Dynasty is a unique blend of grammatical and syntactic forms: pure ME forms, LE literary and non-literary forms, as well as forms peculiar to NDE. Thus NDE is "an independent self-sufficient system, which is neither Middle Egyptian nor Late Egyptian of the Twentieth Dynasty." (Groll 1973:70) / Classics & Modern European Languages / D. Litt. et Phil. (Semitic Languages)

This study, as the title suggests, attempts to shed some light on the Cultural Imperialism debate, paying special reference to the question of the increasing tendency in many parts of the Third World to import popular drama programmes, particularly from the United States. This increasing tendency is, in fact, one of the main factors which has led to renewed interest in this debate on an international level. The study focuses on Egypt as a study case, which represents most of the characteristics of the situation in the Third World. The study attempts to provide empirical evidence to the Cultural debate by using two approaches: The first, to obtain a detailed picture of the extent and nature of the world of drama production, foreign as well as local, portrayed on Egyptian prime-time television and radio. The second, to obtain a similar picture of the conditions which have led to the increase in the level of foreign drama import in Egypt the reaction of the audience to such programmes, how they perceive the world of the drama they watch, how they perceive the world around them and how the media relate to them generally, i.e. their values, attitudes, pattern of consumption etc. and what use if any do they make of media programmes in general and foreign production, in particular. The data, on both levels, has been collected through the application of quantitative as well as qualitative methods. While a sample of the audience was studied through the use of Survey and Discussion Group methods, a sample of drama programmes was analyzed through the use of Content as well as Structural Analysis methods. The object of this exercise is to show both the similarity and difference between local and foreign drama production. It also aims to show whether or not messages purveyed through these programmes are congruent with the cultural outlook of the audience. In so doing, this could possibly help to assess the role played by imported media programmes with regard to the question of "destruction" or otherwise of the indigenous cultures of the Third World and their role in developing and maintaining new values and ideas among the audience. In other words, it could provide the empirical basis necessary when arguing for or against the call for cultural dissociation of the Third World from the World Cultural market.