The Egyptian protest movement which brought down the Egyptian regime headed by President Hosni Mubarak, not only gripped the minds and hearts of the Egyptians, but it captured the interest of the national and international media as well.   The research aims at answering questions related to the kind of frames employed in four newspapers; namely, Al-Ahram, Al-Masry Al-Youm, The Telegraph and The Washington Post, in light of the protest paradigm, in addition to the way the same four newspapers tried to explore and identify the characteristics of war and peace journalism, according to Galtung’s dichotomous model, not to mention to trace how the four newspapers in hand depicted the protesters.   To achieve this, two methods were applied in this study; notably, frame analysis, and critical discourse analysis. A sample of 60 news articles and editorial pieces was thoroughly examined and taken from the aforementioned four newspapers. The derived non-random samples were covering the events of the Egyptian Revolution from the eruption on January 25, till February 17, 2011; means one week after toppling the regime and the resignation of the Egyptian President Hosni Mubarak on February 11, 2011.    The study revealed that the national newspapers; Al-Ahram and Al-Masry Al-Youm, were more prone to accentuate protesters’ acts of violence, albeit Al-Ahram showed a propensity toward using official sources at the expenses of voicing protesters, compared to Al-Masry Al-Youm. However, The Telegraph’s and The Washington Post’s coverage was more shifting away from the protest paradigm.   Similarly, the national newspapers in hand, were leaning more towards war-reporting; resorting to victimizing language in addition to a language of good and bad dichotomous, not to mention to abstain from exposing the untruth of all parties involved. However, The Telegraph and The Washington Post were adhering to peace-reporting; using extensively people sources and exposing the black and whites of all parties in the problem, in addition to taking the side of protesters and depicting them positively. From the findings, the study may reach a conclusion that the more a newspaper’s coverage adheres to the protest paradigm, the more it inclines to war-reporting. On the other hand, the more a newspaper’s coverage shifting away from the protest paradigm, the more it conforms to peace journalism.

Thesis (Ph. D.)--University of Washington, 2001. / Includes bibliographical references (leaves 182-185).

Thesis (Ph. D.)--University of Washington, 2003. / Vita. Includes bibliographical references (leaves 291-313).

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The topic of the dissertation is a study on the Ramesseum Dramatic Papyrus, a document that was discovered together with other papyri and funerary objects in a late Middle Kingdom tomb in Ramses II’s funerary temple on the West bank of Luxor. The thesis will cover an analysis of the complete find, providing information on the provenance of the collection, the circumstances of its discovery, the dating of the papyri, and the identity of the tomb owner. The focus of the dissertation, however, is the Ramesseum Dramatic Papyrus itself, which features the guideline for the performance of a ritual. The preservation and fabrication of the manuscript is described as well as the layout of the text. Based on a copy of the original text done with the help of a tablet PC, an up-dated transliteration and translation of the text is provided, accompanied by a commentary. The text has been studied by several scholars, but a convincing interpretation of the manuscript is lacking. Thus, the dissertation will analyse the previous works on the papyrus, and will compare the text of the manuscript with other attested rituals from ancient Egypt. By highlighting the differences and similarities the text has with these other ceremonies, the exact nature of the rites described in the Ramesseum Dramatic Papyrus can be identified. Finally, a new interpretation of the text is offered, suggesting that the ceremony concerns a statue ritual performed in commemoration of Senwosret I’s accomplishments at Karnak.

The topic of the dissertation is a study on the Ramesseum Dramatic Papyrus, a document that was discovered together with other papyri and funerary objects in a late Middle Kingdom tomb in Ramses II’s funerary temple on the West bank of Luxor. The thesis will cover an analysis of the complete find, providing information on the provenance of the collection, the circumstances of its discovery, the dating of the papyri, and the identity of the tomb owner. The focus of the dissertation, however, is the Ramesseum Dramatic Papyrus itself, which features the guideline for the performance of a ritual. The preservation and fabrication of the manuscript is described as well as the layout of the text. Based on a copy of the original text done with the help of a tablet PC, an up-dated transliteration and translation of the text is provided, accompanied by a commentary. The text has been studied by several scholars, but a convincing interpretation of the manuscript is lacking. Thus, the dissertation will analyse the previous works on the papyrus, and will compare the text of the manuscript with other attested rituals from ancient Egypt. By highlighting the differences and similarities the text has with these other ceremonies, the exact nature of the rites described in the Ramesseum Dramatic Papyrus can be identified. Finally, a new interpretation of the text is offered, suggesting that the ceremony concerns a statue ritual performed in commemoration of Senwosret I’s accomplishments at Karnak.

No description available.

Thesis (Th. M.)--Dallas Theological Seminary, 2007. / Includes bibliographical references (leaves [113]-130).