The question asked by this thesis is twofold: first, what is the relevance and purpose of the generic prominence of the motif of παρθενία in the Greek novels of the first centuries A.D., and secondly, what is the broader significance of female virginity in ancient Greek literature. In order to answer this double question, the first part of the thesis examines in detail a number of literary texts from Early Greek Literature in which the theme of παρθενία is a central concern. Thus, a close reading of Homer’s Odyssey reveals the crucial role played by παρθενία in mapping imaginary spaces such as Scheria. A close reading of Sappho sheds light on the sense of continuation that exists between a girl’s premarital stage and her wedding and marriage, which will prompt a definition of Greek marriage as “the symbolic preservation of παρθενία.” In contrast, by focusing on unsuccessful, distorted weddings and marriages, Greek tragedy nonetheless upholds the necessity of a smooth, unbroken transition between virginity and the wedded state in order that a successful marriage be possible. The chapter on Aeschylus’ Suppliants focuses on the incomprehensibility of the concept of παρθενία from a non-Greek point of view, that of the pre-Greek daughters of Danaus and their suitors. The second half of the thesis moves forward five centuries and examines the generic relevance of παρθενία in the Greek novels. Most of these novels (including fragments) are interested in this theme, which appears to be associated with the double affiliation of the novels to fictional literature (generically in verse) and referential literature (generically in prose). Moreover, these novels stress the continuity between the premarital stage and marriage, as the discordant accounts of Lycaenion and the main narrator at the end of Longus’ novel about the effect of the wedding on the παρθένος imply. The final chapters devoted to Longus, Achilles Tatius, and Heliodorus highlight the complex connections between the virginity of the female protagonist, the descriptions of nature or created objects, the interest in the text as artifact and the auctorial distancing.

The question asked by this thesis is twofold: first, what is the relevance and purpose of the generic prominence of the motif of παρθενία in the Greek novels of the first centuries A.D., and secondly, what is the broader significance of female virginity in ancient Greek literature. In order to answer this double question, the first part of the thesis examines in detail a number of literary texts from Early Greek Literature in which the theme of παρθενία is a central concern. Thus, a close reading of Homer’s Odyssey reveals the crucial role played by παρθενία in mapping imaginary spaces such as Scheria. A close reading of Sappho sheds light on the sense of continuation that exists between a girl’s premarital stage and her wedding and marriage, which will prompt a definition of Greek marriage as “the symbolic preservation of παρθενία.” In contrast, by focusing on unsuccessful, distorted weddings and marriages, Greek tragedy nonetheless upholds the necessity of a smooth, unbroken transition between virginity and the wedded state in order that a successful marriage be possible. The chapter on Aeschylus’ Suppliants focuses on the incomprehensibility of the concept of παρθενία from a non-Greek point of view, that of the pre-Greek daughters of Danaus and their suitors. The second half of the thesis moves forward five centuries and examines the generic relevance of παρθενία in the Greek novels. Most of these novels (including fragments) are interested in this theme, which appears to be associated with the double affiliation of the novels to fictional literature (generically in verse) and referential literature (generically in prose). Moreover, these novels stress the continuity between the premarital stage and marriage, as the discordant accounts of Lycaenion and the main narrator at the end of Longus’ novel about the effect of the wedding on the παρθένος imply. The final chapters devoted to Longus, Achilles Tatius, and Heliodorus highlight the complex connections between the virginity of the female protagonist, the descriptions of nature or created objects, the interest in the text as artifact and the auctorial distancing.

It has long been known that sight was a crucial component of the fifth-century Athenian theatre. And while that is true, it can also be argued that aurality, the ability to hear and be heard, is an equally important aspect of Athenian drama. This dissertation strives to reclaim a place for hearing in studies on tragedy generally and on Sophokles in particular. Adopting terms from radio theory and media theory, I suggest that Athens was both an acoustic space and an aural community. In the course of an examination of four tragedies, I engage with the following question: how do the characters in these plays hear? Analyzing each play in turn, I show how hearing can occur physically, socially, publically and politically respectively. For Elektra, hearing is a physical and psychic blow; for Philoktetes, hearing is how he connects with the world around him and how he tries to reconnect with people; for Deianeira, hearing is a dangerous phenomenon capable over overturing her own predictions and capable of causing her to lose control of the final shape of her aural reputation; for Oidipous, hearing is an expression of his political status and ultimately a cause of his fall from power. The results of this study show that, in each case, the act of hearing is an invasive process in which the sonant object, mobile and semi-autonomous, can intrude upon new spaces, stage and body alike. This dissertation contributes to a growing body of literature on aurality in tragedy and enhances our understanding of the interconnections between hearing, society, politics, and the individual.

The topic of the dissertation is a study on the Ramesseum Dramatic Papyrus, a document that was discovered together with other papyri and funerary objects in a late Middle Kingdom tomb in Ramses II’s funerary temple on the West bank of Luxor. The thesis will cover an analysis of the complete find, providing information on the provenance of the collection, the circumstances of its discovery, the dating of the papyri, and the identity of the tomb owner. The focus of the dissertation, however, is the Ramesseum Dramatic Papyrus itself, which features the guideline for the performance of a ritual. The preservation and fabrication of the manuscript is described as well as the layout of the text. Based on a copy of the original text done with the help of a tablet PC, an up-dated transliteration and translation of the text is provided, accompanied by a commentary. The text has been studied by several scholars, but a convincing interpretation of the manuscript is lacking. Thus, the dissertation will analyse the previous works on the papyrus, and will compare the text of the manuscript with other attested rituals from ancient Egypt. By highlighting the differences and similarities the text has with these other ceremonies, the exact nature of the rites described in the Ramesseum Dramatic Papyrus can be identified. Finally, a new interpretation of the text is offered, suggesting that the ceremony concerns a statue ritual performed in commemoration of Senwosret I’s accomplishments at Karnak.

The topic of the dissertation is a study on the Ramesseum Dramatic Papyrus, a document that was discovered together with other papyri and funerary objects in a late Middle Kingdom tomb in Ramses II’s funerary temple on the West bank of Luxor. The thesis will cover an analysis of the complete find, providing information on the provenance of the collection, the circumstances of its discovery, the dating of the papyri, and the identity of the tomb owner. The focus of the dissertation, however, is the Ramesseum Dramatic Papyrus itself, which features the guideline for the performance of a ritual. The preservation and fabrication of the manuscript is described as well as the layout of the text. Based on a copy of the original text done with the help of a tablet PC, an up-dated transliteration and translation of the text is provided, accompanied by a commentary. The text has been studied by several scholars, but a convincing interpretation of the manuscript is lacking. Thus, the dissertation will analyse the previous works on the papyrus, and will compare the text of the manuscript with other attested rituals from ancient Egypt. By highlighting the differences and similarities the text has with these other ceremonies, the exact nature of the rites described in the Ramesseum Dramatic Papyrus can be identified. Finally, a new interpretation of the text is offered, suggesting that the ceremony concerns a statue ritual performed in commemoration of Senwosret I’s accomplishments at Karnak.

The study of Sumerian has traditionally been carried out in isolation from mainstream linguis- tics, thus limiting our ability to understand the language and to situate it in a cross-linguistic context. This dissertation shows how the tools of corpus linguistics and modern syntactic the- ory can be gainfully applied to Sumerian. Existing corpora of Sumerian texts are largely lacking in morphological annotation, with query facilities consisting only of basic string searches. Two existing corpora (one completely unannotated and one tagged for part-of-speech) are given morphological annotation using a process of query-based annotation. A query language (based on CQL and XPath) is used to query this corpus, and as queries are made, the results are tagged so that the resultant query objects can be used as the basis for subsequent queries. In this fashion a morphologically- annotated corpus is built up without having to rely on the services of a skilled annotator. This annotated corpus is then used to provide evidence for two important problems in Sumerian morphosyntax: the dimensional prefixes and the conjugation prefixes. The dimen- sional prefixes, which have previously been considered to represent concord between the verb and the associated nominal phrases, are shown instead to be a system of applicative heads which serve to introduce the verb’s arguments. The conjugation prefixes, whose purpose has been the subject of a century of debate, are shown to be the manifestation of inner aspect features which express the speaker’s perspective on the structure of the event. By using a corpus to provide the underlying data and by considering Sumerian morphosyntax in light of cross-linguistic evidence and modern syntactic theory, previously misanalysed aspects of Sumerian are shown to have analogues in other languages. The dimensional prefixes and conjugation prefixes are not oddities specific to Sumerian, but represent variations on morphological systems found elsewhere.

The study of Sumerian has traditionally been carried out in isolation from mainstream linguis- tics, thus limiting our ability to understand the language and to situate it in a cross-linguistic context. This dissertation shows how the tools of corpus linguistics and modern syntactic the- ory can be gainfully applied to Sumerian. Existing corpora of Sumerian texts are largely lacking in morphological annotation, with query facilities consisting only of basic string searches. Two existing corpora (one completely unannotated and one tagged for part-of-speech) are given morphological annotation using a process of query-based annotation. A query language (based on CQL and XPath) is used to query this corpus, and as queries are made, the results are tagged so that the resultant query objects can be used as the basis for subsequent queries. In this fashion a morphologically- annotated corpus is built up without having to rely on the services of a skilled annotator. This annotated corpus is then used to provide evidence for two important problems in Sumerian morphosyntax: the dimensional prefixes and the conjugation prefixes. The dimen- sional prefixes, which have previously been considered to represent concord between the verb and the associated nominal phrases, are shown instead to be a system of applicative heads which serve to introduce the verb’s arguments. The conjugation prefixes, whose purpose has been the subject of a century of debate, are shown to be the manifestation of inner aspect features which express the speaker’s perspective on the structure of the event. By using a corpus to provide the underlying data and by considering Sumerian morphosyntax in light of cross-linguistic evidence and modern syntactic theory, previously misanalysed aspects of Sumerian are shown to have analogues in other languages. The dimensional prefixes and conjugation prefixes are not oddities specific to Sumerian, but represent variations on morphological systems found elsewhere.

L'état du texte de l'auteur latin Properce fait l'objet de débat depuis plusieurs siècles déjà. Son état déterioré a laissé place à de nombreuses hypothèses sur sa transmission. Le présent mémoire vise à évaluer de façon macroscopique la validité de l'hypothèse voulant que dans l'archétype des manuscrits propertiens ou dans un antécédent de ce dernier, un interpolateur ait modifié les vers corrompus pour leur redonner une forme métriquement régulière. Pour ce faire, nous recensons l'état de la critique textuelle entourant Properce ainsi que l'état de la question en ce qui a trait à l'interpolation métrique plus précisément. Nous présentons ensuite un résumé des données pertinentes, relevées dans les tableaux de l'annexe, où nous trouvons d'un côté des erreurs métriques et de l'autre des corruptions identifiées unanimement par quatre éditeurs principaux du texte de Properce. Des observations sur les résultats sont par la suite présentées et soutenues par une comparaison avec la transmission du texte d'un autre auteur latin, Catulle. / The state of the text of the Latin author Propertius has been the subject of debate for several centuries now. Its deteriorated condition has given rise to numerous hypotheses about its transmission. This dissertation macroscopically evaluates the validity of the hypothesis which supposes that, in the archetype of the extant Propertius manuscripts or in an antecedent of it, an interpolator altered the corrupt verses to make them metrically regular again. To do so, the author surveys the state of textual criticism surrounding Propertius as well as the state of the question with respect to metrical interpolation specifically. She then presents a summary of the relevant data, found in the tables in the appendix, where are collected on the one hand metrical errors and on the other hand corruptions unanimously identified by four main editors of Propertius' text. Observations on the results are subsequently presented and supported by a comparison with the transmission of the text of another Latin author, Catullus.

C’est au IVe siècle que le grammairien romain Maurus Servius Honoratus compose son commentaire sur l’Énéide de Virgile. Ce recueil de commentaires, ou scholia, a notamment comme objectif l’enseignement d’une langue normative guidé par les principes de la latinitas : le latin conforme aux principes grammaticaux. Malgré la place centrale qu’occupe depuis longtemps l’Énéide dans l’éducation et la culture latine, Servius voue une grande partie de son commentaire à l’explication des tournures de langue irrégulières que présente le texte de Virgile. S’il excuse ces irrégularités en raison du langage poétique ou de l’antiquité du texte, le grammairien en proscrit toutefois l’usage à ses étudiants. La reconnaissance de l’autorité du texte entretient alors une tension constante avec les règles synthétiques qu’a établies la discipline grammaticale. Cette recherche se propose d’explorer d’abord cette tension sous deux aspects précis : le traitement de la syntaxe des prépositions et le déploiement du langage technique définissant les différentes expressions jugées irrégulières. Pour comprendre de quelle manière langage constitue aux yeux du grammairien le socle du savoir objectif sur le monde antique, un troisième chapitre est consacré à l’apport notionnel et pédagogique des étymologies savantes pour le commentaire. Servius est héritier d’une longue tradition intellectuelle, ce qu’il ne rend pas toujours apparent dans ses notices. Cette recherche s’est fait un souci de déterminer l’origine de principes sur lesquels s’appuie la composition des scholies serviennes. / In the 4th century, Roman grammarian Maurus Servius Honoratus composed his commentary on Virgil's Aeneid. One of the aims of this collection of commentaries, or scholia, was to teach a normative language guided by the principles of latinitas: Latin in accordance with grammatical principles. Despite the Aeneid's long-standing centrality in Latin education and culture, Servius devotes much of his commentary to explaining the irregular turns of language in Virgil's text. Although he excuses these irregularities on the grounds of poetic language or the antiquity of the text, the grammarian nonetheless forbids their use by his students. Recognition of the text's authority thus maintains a constant tension with the synthetic rules established by the discipline of grammar. This research will explore this tension from two specific angles: the syntactic treatment of prepositions and the deployment of technical language to define various expressions deemed irregular. To understand how the grammarian sees language as the foundation of objective knowledge about the ancient world, a third chapter is devoted to the notional and pedagogical contribution of learned etymologies to commentary. Servius is heir to a long intellectual tradition, which he does not always make apparent in his notes. The aim of this research is to determine the origin of some principles underlying the composition of Servian scholia.

Pour comprendre les différents rôles que joue la Télémachie dans l’Odyssée d’Homère, il faut explorer à fond le thème de l’identité. La structure de la Télémachie et les rôles accessoires qu’elle joue dans l’Odyssée contribuent à définir l’identité de Télémaque et celle d’Ulysse. À la fin du poème, même si Télémaque a intériorisé et accepté son origine filiale, son rôle social et l’identité qui y est associée sont laissés indéterminés au moment du retour de son père et en sont même la conséquence. Cela peut expliquer le manque de consensus chez les auteurs modernes en ce qui a trait au développement de Télémaque, ou à son statut social et héroïque (i.e. épithète, maturité, etc.). La Télémachie agit à titre d’élément déclencheur de l’initiation de Télémaque dans la vie héroïque mais le processus qui se poursuit, à la fin de l’Odyssée, y est laissé incomplet. L’étape finale, l’incorporation, durant laquelle la communauté reconnaît la nouvelle identité de Télémaque en tant que héros et adulte, prêt à assumer de plus grandes responsabilités, n’est pas présentée dans l’œuvre d’Homère. / One can understand the various functions of the Telemacheia within the Odyssey only by taking into consideration the identity theme. The structure of the Telemacheia and the accessory functions it plays within the Odyssey contribute to defining Telemachus’ own identity as well as Odysseus’. At the end of the poem, even though Telemachus has internalized and accepted his filial origin, his social role and identity are left undefined at the moment of his father’s return and as a consequence thereof. This may explain the lack of consensus among scholars with regard to Telemachus’ development, or social and heroic status (i.e. epithet, maturity, etc.). The Telemacheia triggers Telemachus’ initiation into heroic life but the process is left incomplete. The final step, incorporation, during which everyone recognizes Telemachus’ new identity as a hero and adult, ready to assume higher responsibilities, is not enacted by the poem.