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1	"Im Himmel spielt auch schon die Jazzband" : Emmerich Kálmán und die transatlantische Operette : 1928 - 1932 Clarke, Kevin January 2007 (has links) Zugl.: Berlin, Freie Univ., Diss., 2004
2	Emmerich de Vattel's concept of natural law in international law. Ray, Eleanore Margaret. January 1950 (has links) Thesis (M.A.)--University of Chicago, Department of History. / Also available on the Internet. Vattel, Emmerich de, International law.
3	Clemens Brentanos Emmerick-Erlebnis Bindung und Abenteuer. Adam, Joseph. January 1956 (has links) Diss.--Freiburg i. B. / Without thesis statement. Bibliography: p. [x]-xiv.
4	Emmerich von Pflügl (1873-1956) : Leben und Werk eines österreichischen Diplomaten / Stiedl, Silvia. January 1990 (has links) Diss.--Universität Wien, 1988.
5	Stadtbürgertum und frühneuzeitliche Sprachstandardisierung eine vergleichende Untersuchung zur Sprachentwicklung der Städte Emmerich, Geldern, Nimwegen und Wesel vom 16. bis zum 18. Jahrhundert Stichlmair, Tim January 2007 (has links) Zugl.: Univ. Kiel, Diss., 2007
6	Comparison of the Original Operetta Arizona Lady, by Emmerich Kálmán, with its 2015 Adaptation Performed by Arizona Opera January 2019 (has links) abstract: Emmerich Kálmán (1882-1953) was a leading composer during the Silver Age of Viennese operetta. His final work, Arizona Lady (1954), premiered posthumously, on Bavarian Radio, January 1, 1954. The stage premiere followed on February 14, 1954, at the Stadttheater in Bern, Switzerland. It is his only operetta that is set entirely in the United States, in Tucson, Arizona. Arizona Opera commissioned and produced a new adaptation of Arizona Lady, which was performed in October 2015, in both Tucson, Arizona, and Phoenix, Arizona. The libretto was heavily revised, as well as translated, primarily into English with some sections in Spanish and German. Through comparison of the original and adaptation, this study examines the artistic decisions regarding which materials, both musical and dramatic, were kept, removed, or added, as well as the rationale behind those decisions. The changes reflect differences between an Arizonan audience in 2015 and the European audience of the early 1950s. These differences include ideas of geographical identity from a native versus a foreign perspective; tolerance for nationalistic or racial stereotypes; cultural norms for gender and multiculturalism; and cultural or political agendas. Comparisons are made using the published piano/vocal score for the original version, the unpublished piano/vocal score for the adaptation, archival performance video of the Arizona Opera performance, and the compact disc recording of the 1954 radio broadcast premiere. / Dissertation/Thesis / Doctoral Dissertation Performance 2019 Music Theater history Arizona Lady Arizona Opera Kálmán Emmerich Kelly Kathleen operetta operetta adaptation
7	Stadtbürgertum und frühneuzeitliche Sprachstandardisierung : eine vergleichende Untersuchung zur Sprachentwicklung der Städte Emmerich, Geldern, Nimwegen und Wesel vom 16. bis zum 18. Jahrhundert / Stichlmair, Tim. January 1900 (has links) Thesis (Ph. D.)--Christian-Albrechts-Universität, Kiel, 2007. / Includes bibliographical references.
8	Arpádovští dynastičtí světci a jejich místo v deskové malbě 15. a počátku 16. století na východním Slovensku / The Saints of Arpád dynasty and their place on panel painting 15th and beginning of 16th century in Eastern Slovakia Vagaská, Veronika January 2014 (has links) This master thesis deals with Saints of Arpád dynasty and their place on panel paintings of 15th and beginning of 16th century in Eastern Slovakia. At first part of this master thesis except legends dedicated to Saints of Arpád dynasty, deals with their patrocinium and artistic situation of 15. century in Eastern Slovakia. Second part is dedicated to pictorial legends of Saints of Arpád dynasty on panel paintings in Eastern Slovakia. Except pictorial cycles of their life contains this thesis descriptions of single panel paintings, which represent personality of St. Stephen, St. Emmerich, St. Ladislaus and St. Elizabeth of Hungary. Simultaneously master thesis suggests donators of various altars. Keywords Saints of Arpád dynasty, St. Stephen, St. Emmerich, St. Ladislaus, St. Elizabeth of Hungary, Eastern Slovakia, panel paintings
9	"Fotopurismus" v díle Františka Drtikola / "Photopurism" in Art of František Drtikol Froněk, Pavel January 2011 (has links) Author's name: Pavel Froněk School: Faculty of Arts, Charles University in Prague Program: Institute of Art History Title: "Photopurism" in Art of František Drtikol Consultant: Prof. PhDr. Vojtěch Lahoda CSc. Year: 2011 The present paper aims to explore fine art photography of František Drtikol between years 1929-1935. Most of these photos were pictures of artifical figures made by autor himself. The paper also tries to tell, if all of fineart photos of 1929-1935 can be called "photopurism" and make some of more distinctive of them known to reader. Drtikol's spiritual background is also examined and possible interpretation of artworks is attempted. Key words: František Drtikol, photography, nude body, figure, photopurism, buddhism, christianity, Antonín Mattas, Lehr und Versuchsanstalt für Photographie, Antonín Mattas, Georg Heinrich Emmerich, Gordon Craig
10	The attraction of sloppy nonsense: resolving cognitive estrangement in Stargate through the technologising of mythology Whitelaw, Sandra January 2007 (has links) The thesis consists of the novel, Stargate Atlantis: Exogenesis (Whitelaw and Christensen, 2006a) and an accompanying exegesis. The novel is a stand-alone tie-in novel based on the television series Stargate Atlantis (Wright and Glassner), a spin-off series of Stargate SG-1 (Wright and Cooper) derived from the movie Stargate (Devlin and Emmerich, 1994). Set towards the end of the second season, Stargate Atlantis: Exogenesis begins with the discovery of life pods containing the original builders of Atlantis, the Ancients. The mind of one of these Ancients, Ea, escapes the pod and possesses Dr. Carson Beckett. After learning what has transpired in the 10,000 years since her confinement, the traumatised Ea releases an exogenesis machine to destroy Atlantis. Ea dies, leaving Beckett with sufficient of her memories to reveal that a second machine, on the planet Polrusso, could counter the effects of the first device. When the Atlantis team travel to Polrusso, what they discover has staggering implications not only for the future of Atlantis but for all life in the Pegasus Galaxy. The exegesis argues that both science and science fiction narrate the dissolution of ontological structures, resulting in cognitive estrangement. Fallacy writers engage in the same process and use the same themes and tools as science fiction writers to resolve cognitive estrangement: they technologise mythology. Consequently, the distinction between fact and fiction, history and myth, is blurred. The exegesis discusses cognitive estrangement, mythology, the process of technologising mythology and its function as a novum that facilitates the resolution of cognitive estrangement in both fallacy and science fiction narratives. These concepts are then considered in three Stargate tie-in novels, with particular reference to the creative work, Stargate Atlantis: Exogenesis. technologising mythology cognitive estrangement verisimilitude fallacy ontology Stargate SG-1 Stargate Atlantis media tie-ins media novels mythology science fiction television SF genre television alien gods extraterrestrial gods cults familiarisation defamiliarisation refamiliarisation Lovecraft Velikovsky Hubbard von Daniken Sitchin Campbell Devlin Emmerich

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