This thesis portfolio discusses my journey as a Master of English graduate student at Southern Illinois University, Carbondale. I began as a graduate student in nineteenth-century American literature and switched concentrations halfway through my degree to Rhetoric and Composition. The decision to change programs was the result of my love for teaching beginning composition courses at SIUC. My passion for teaching drives each installment of this portfolio, focusing on my journey as a Graduate Teaching Assistant, my examination with a prominent theorist in the discipline of Rhetoric and Composition, and my interest in student engagement in the First-Year Composition classroom. My goal for this thesis portfolio is to offer a fresh perspective on Rhetoric and Composition, which allows me to explore my voice within the field.

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A variety of programs exist that provide assistance to underprepared and at-risk students at 2-year and 4-year institutions of higher education. One of these programs is Student Support Services (SSS), a federal program funded by the U. S. Department of Education. The SSS program provides opportunities for academic development, assists students with basic college requirements, and serves to motivate students toward the successful completion of their postsecondary education. The goal of SSS is to increase the college retention and graduation rates of its participants and help students make the transition from one level of higher education to the next. SSS may also provide assistance to students receiving Federal Pell Grants (84.063). Those eligible to participate in SSS programs include students from low-income families, those who are first-generation college enrollees and students with disabilities evidencing academic need. The program includes tutoring; academic counseling, personal counseling, career advising; study skills enhancement and personal development workshops. Assistance is also given to students to apply for various forms of financial aid, including state and federal grant programs and local scholarships. Most programs also provide cultural enrichment activities. This study investigates the impact of the SSS program on the retention of students at SKCTC. Participants in this study were 125 students in the SSS program and 125 non-SSS students who entered SKCTC in the fall of 2003 and ended in 2007. The study compares the demographic profile of these groups.

High school students often face foreign language requirements, either to graduate from their high school or to be accepted at a college or university of their choice (www.ncssfl.org). These requirements serve as external motivators and may decrease a student's intrinsic motivation to learn a language. Indeed, researchers have determined that extrinsic motivation greatly undermines self-motivation (Deci, et al., 2011). Without intrinsic motivation, students struggle to learn in meaningful ways and fail to implement strategies that lead to meaningful foreign language learning and proficiency. Educators must critically analyze their materials, instructional style, lesson plans and assessments and then remove from the curriculum any practice or task that does not foster learner autonomy that ultimately leads to intrinsic motivation. Further, to foster intrinsic motivation, language teaching and learning must focus on the relational aspect of language, as the use of any language is purposed to communicate needs and ideas with others This report explores how learner autonomy and interrelatedness aid the development of intrinsic motivation and provides pedagogical implications for the classroom. / text

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Many Roma children from the EU coming to Canada as refugees have been denied a consistent education and many suffer gaps in their learning or have not had the opportunity to receive any education at all. These circumstances are mainly due to discriminating and oppressive behaviours that have historically prevailed and exist in contemporary society. In considering the difficulty that Roma children have with education, when they arrive as refugees into Canadian schools, it is imperative that Roma children be given an opportunity to access and complete an education in an environment that is supportive, free of discrimination and sensitive to their needs as learners. My research examines the role of visual art as part of an arts-based education program as a means through which Roma children are more likely to experience success with school by participating in an educational model that is engaging and supportive of their cultural ways of knowing. This paper is a case study, grounded in critical theory, into “best practices” in education that engage marginalized Roma children with learning. The study is framed around three research questions: What is distinctly problematic for Roma children in traditional school settings? How can the arts, and art education in particular engage marginalized Roma children with learning? How can Romani arts and culture be integrated into a curriculum that works to dispel discrimination and oppression of marginalized Roma children? The study is informed by interviews with a teacher working within a Canadian educational program for refugee children, families and board members of the Toronto Roma Community Centre, as well as my own personal observations and experiences. While I have determined that arts-based education is engaging for Roma children, the bigger question that has emerged is, “How can we use arts-based education to enhance the curricular lives and school success of the Roma, a culture of exclusion?” The answer lies in acknowledging that factors such as trust, personal connection with the teacher, parental involvement, First language acquisition, refugee status, cultural preservation, and integration, play a critical role in the educational success of Roma children. / Graduate / 0515 / 0273 / 0727 / kfhall@uvic.ca

Many Roma children from the EU coming to Canada as refugees have been denied a consistent education and many suffer gaps in their learning or have not had the opportunity to receive any education at all. These circumstances are mainly due to discriminating and oppressive behaviours that have historically prevailed and exist in contemporary society. In considering the difficulty that Roma children have with education, when they arrive as refugees into Canadian schools, it is imperative that Roma children be given an opportunity to access and complete an education in an environment that is supportive, free of discrimination and sensitive to their needs as learners. My research examines the role of visual art as part of an arts-based education program as a means through which Roma children are more likely to experience success with school by participating in an educational model that is engaging and supportive of their cultural ways of knowing. This paper is a case study, grounded in critical theory, into “best practices” in education that engage marginalized Roma children with learning. The study is framed around three research questions: What is distinctly problematic for Roma children in traditional school settings? How can the arts, and art education in particular engage marginalized Roma children with learning? How can Romani arts and culture be integrated into a curriculum that works to dispel discrimination and oppression of marginalized Roma children? The study is informed by interviews with a teacher working within a Canadian educational program for refugee children, families and board members of the Toronto Roma Community Centre, as well as my own personal observations and experiences. While I have determined that arts-based education is engaging for Roma children, the bigger question that has emerged is, “How can we use arts-based education to enhance the curricular lives and school success of the Roma, a culture of exclusion?” The answer lies in acknowledging that factors such as trust, personal connection with the teacher, parental involvement, First language acquisition, refugee status, cultural preservation, and integration, play a critical role in the educational success of Roma children. / Graduate / 0515 / 0273 / 0727 / kfhall@uvic.ca

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As an art educator, I found student art lacking in meaning and students lacking personal engagement. I sought a way to engage students in more meaningful art-making in the classroom by exploring family heritage and personal spaces. This case study searched the family heritage and personal spaces of students in a junior high art class to engage students and find deeper meaning and context for student art-making. The research was informed through an arts-based inquiry with a/r/tographic influence. It was a qualitative inquiry, mining the familiar for development of a curriculum rich in context and personal significance for students. This inquiry examined the influences of family through art-making and research into the visual culture of student homes and heritage. We curated our personal spaces and made art that reflected our findings, keeping reflexive journals of our experiences, and exhibiting our art in a culmination of our research. The results were meaningful content in student art as well as more enthusiastic engagement in the art making process. This experience gleaned more than just student art rich in meaning, but in a deeper understanding of one another in our classroom.