Global ETD Search

1	A good European and a sincere racist : the life and work of Professor Charles Sarolea, 1870-1953 Johnson, Samantha T. January 2001 (has links) No description available. 900
2	The influence of the "Book of Job" on the Middle English morality plays Hunt-Logan, Cameron 01 June 2006 (has links) The Book of Job was extremely popular in the Middle Ages, especially in England, because of its role in liturgy as well as lay religious devotion. I argue that the Book of Job was heavily influential in the writing of the medieval morality plays Castle of Perseverance, Mankind, Wisdom, and Everyman. In the plays, the dramatists mirrored many of Job's structural and artistic elements, creating direct parallels between the Biblical text and the morality plays. The authors also relied on Job's ideological framework to establish their own arguments, forming not only a textual but ideological linkage. Yet the most intriguing connection between Job and the morality plays is their function within the medieval religious context; the Hebrew Book of Job is used as a model for the Christian morality plays. By examining the role of Job in medieval England, I demonstrate how the figure of Job can be used as a Christian rather Jewish model. The influence of the Book of Job is central to the morality plays' structures, artistic techniques, and ideological arguments. I argue that, as other Scriptural books acted as patterns for the medieval cycle and mystery plays, the Book of Job stood as a pattern for the medieval morality plays. Castle of perseverance Mankind Wisdom Everyman Medieval drama American Studies Arts and Humanities
3	Storming the Castle: Non-Secular Subversion of the Pas D'Armes in The Castle of Perseverance Moss, John 09 May 2008 (has links) It is important to remember that the categories of medieval performance were established far removed from their period in history. As a genre, the morality play includes a wide diversity of time, geography, content and performance styles. Such disparities have made it difficult to develop a comprehensive definition, without which comparisons between works cannot be consistent. As scholarship continues to explore these works in context of their performance, it becomes increasingly important to identify which performance styles best inform their production. In examining The Castle of Perseverance within the parameters of pas d’armes, new meanings can be drawn from its text. Instead of simply incorporating the conventions of tournament staging, the play exposes the faults of the secular societies they were intended to promote. Currently it is impossible to determine definitely that The Castle of Perseverance was intended to be a subversion of the pas d’armes. There is no identified author or even record of a single performance in medieval times. Yet the circumstantial evidence within the text supports the theory of subversion. Further research is still needed on the performance of The Castle of Perseverance within the appropriate historical context in order to better understand its place within the larger canon of medieval drama. The Pride of Life Wisdom Mankind Everyman Medieval Drama Morality Play The Castle of Perseverance Tournament Pas D'Armes Arts and Humanities Theatre and Performance Studies
4	The Resurrection Of Everyman Knoell, David 01 January 2006 (has links) In March of 2005 I was a cast member in Mad Cow Theatre's production of the Morality drama Everyman. This classic tale on the condition of human dying is regarding as one of the greatest dramas of the Medieval period and is one of the first plays in the English language to be put into print. This thesis is an actor's journey into the history of Medieval theatre, the challenges of producing Everyman for a contemporary audience, and the techniques of acting implemented in the creation of allegorical characters. Medieval drama, like Everyman, is still relevant in today's world because it addresses universal themes of friendship, material wealth, and reverence towards death. It is the story of the human being, the power of beliefs, and the fear of death. This thesis reflects a group of artists' desire to give an audience the gift of insight into their common selves. Medieval drama Everyman theatre Morality play acting technique movement technique voice technique early English drama Theatre and Performance Studies
5	"Power To the People" : le déclin de la figure du superhéros dans les films américains après 2001 / « Power to the People » : The decline of the Superhero Icon in American Films since 9/11 Ducreux, Jean-Guy 26 October 2013 (has links) L'objectif de cette thèse est de montrer le déclin de la figure du superhéros dans les films américains après le 11 Septembre. Les films de superhéros n?ont jamais été si nombreux. Jamais le moral du superhéros n'a été si bas. Ce paradoxe trouve sa meilleure illustration dans l'image double de Batman relégué au ras du sol, alors que le symbole commercial de la chauve-souris brille au firmament de Gotham City. La marchandise culturelle transcenderait donc un superhéros considérablement amoindri. Ce travail se concentre sur trois domaines en particulier : la perte de masculinité du superhéros à la fin du siècle dernier, qui amène à une confrontation symbolique entre le quarterback et la majorette, ou entre Superman et un hypothétique Everyman, et la réémergence d'un monomythe réactionnaire après 2005 ; les errances d'un Surmoi freudien affaibli, et sa relation fluctuante avec un Ça très séduisant, incarné par le superméchant du vingt-et-unième siècle ; la toile de fond sociopolitique contemporaine hostile aux exploits du superhéros, pour qui l'isothymie fukuyamienne omniprésente constitue une injuste condamnation de son action salvatrice. Icône d'une démocratie libérale qui règne désormais sur notre planète, le superhéros postmoderne semble singulièrement désadapté à la culture qui l'a vu naître. / The main topic of this doctoral thesis is the study of the decline of the superhero icon in American films after 9/11. Superhero productions are at an all-time high, and yet, the superhero's morale is at an all-time low. This paradox is best illustrated with the dual image of Batman stuck at Ground Zero, staring up at the projection of his chevron looming large in the sky of Gotham City. The glowing merchandise transcends an otherwise sullied character. This dissertation focuses on three main realms: the superhero's loss of masculinity at the end of the twentieth century, leading to the formal opposition between the figures of the quarterback and the cheerleader, or between Superman and Everyman, and the reactionary, warpath revival which started in 2005; the travails of the flailing Superego and its shifting relationship to the almighty Id, represented by the twenty-first century glorified supervillain; and, finally, the inimical sociopolitical backdrop for the superhero's prowess, in which Fukuyama's prevalent isothymia eventually denies the superhero his just laurels. The postmodern superhero thus appears as a national misfit, also because this cultural commodity now reaches far beyond the traditional boundaries of the « American Way », to embrace an increasingly globalized market. 11 Septembre Batman Ca Cinéma Déclin Everyman Freudien Fukuyama Hollywood Iron Man Isothymie Mégalothymie Majorette Mythe Quarterback Spider-Man Superhéros Superméchant Superman Surmoi X-Men 9/11 Batman Cheerleader Cinema Decline Everyman Freudian Fukuyama Hollywood Id Iron Man Isothymia Megalothymia Myth-making Quarterback Spider-Man Superego Superhero Superman Supervillain X-Men

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