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1	Cheerleading - metodický materiál pokročilých stunts / Cheerleading - methodical material of advanced stunts Horáková, Denisa January 2011 (has links) Title: Cheerleading - Methodical material of advanced stunts Objectives: The objective is to provide comprehensive outline of information about cheerleading and to create listing of recommendations for advanced stunts and practice of advanced stunts. Methods: Creation of chapter theoretical data was done by analyzing all available sources. The listing of recommendations for practicing advanced stunts was created by comparison of available literature concerning advanced stunts in cheerleading. Further we used the method of observation and then selected particular stunts for methodical material. Results: Comprehensive review of information about cheerleading. Complete listing of grips, load-ins and dismounts. Didactic recommendations for practice of advanced stunts formed into methodical lists and photo documentation. Keywords: Cheerleader, methodics, didactics, lifting figures
2	Starkare tillsammans? : En undersökning av gruppattraktionseffekt på förpackningsdesign / Stronger together? : A Study of the Cheerleader Effect on Packaging Design Thorwaldsson, Matilda January 2023 (has links) The cheerleader effect refers to the phenomenon that individual faces are experienced to be more attractive when presented in a group than when presented alone. The cause of this is thought to be the way the human brain stores information and summarizes individual faces of the group into an average face which in turn is perceived as more attractive than the individual face would be if examined alone. In this essay the cheerleader effect will be tested on another kind of face, the faces of packaging. In this study the cheerleader effect will be tested on food packaging to see if effect is applicable in the packaging area. The effect is tested through a survey and the result suggest that the cheerleader effec might work on packaging. However, in many cases the opposite seems to be true, packaging presented individually get higher ratings. Because of this I cannot recommend that packaging designers trust the cheerleader effect to improve the experienced attractiveness of their design. Cheerleader effect graphic design group attractiveness packaging design shelf impact visual perception Design Design
3	Den homosexuella karaktären – en analys om porträttering : Hur porträtteras kvinnlig homosexualitet jämfört med manlig homosexualitet? Söderström, Ellen January 2022 (has links) Denna uppsats analyserar och diskuterar porträtteringen av homosexuella män och homosexuella kvinnor i film. Porträtteringen diskuteras huvudsakligen genom linsen av genus och heteronormativitet i filmerna Brokeback Mountain (2005), Carol (2015),Love, Simon (2018) och But I’m a Cheerleader (1999). Meningen med uppsatsen är att se om det finns tydliga skillnader mellan porträtteringen av homosexuella män och homosexuella kvinnor. Resultatet visar att i dessa fyra filmer det finns fler likheter än skillnader när det kommer till porträttering utifrån perspektivet av genus och heteronormativitet. Slutsatsen av studien är att trots de få skillnaderna i porträttering av homosexualitet mellan män och kvinnor blir filmerna om män mer uppmärksammade i populärkulturen, vilket uppsatsen inte finner ett svar till varför. Genus Jens Eder Raewyn Connell HBTQ+ sexualitet Brokeback Mountain Carol Love Simon But I’m a Cheerleader stereotyper Studies on Film Filmvetenskap Gender Studies Genusstudier
4	"Power To the People" : le déclin de la figure du superhéros dans les films américains après 2001 / « Power to the People » : The decline of the Superhero Icon in American Films since 9/11 Ducreux, Jean-Guy 26 October 2013 (has links) L'objectif de cette thèse est de montrer le déclin de la figure du superhéros dans les films américains après le 11 Septembre. Les films de superhéros n?ont jamais été si nombreux. Jamais le moral du superhéros n'a été si bas. Ce paradoxe trouve sa meilleure illustration dans l'image double de Batman relégué au ras du sol, alors que le symbole commercial de la chauve-souris brille au firmament de Gotham City. La marchandise culturelle transcenderait donc un superhéros considérablement amoindri. Ce travail se concentre sur trois domaines en particulier : la perte de masculinité du superhéros à la fin du siècle dernier, qui amène à une confrontation symbolique entre le quarterback et la majorette, ou entre Superman et un hypothétique Everyman, et la réémergence d'un monomythe réactionnaire après 2005 ; les errances d'un Surmoi freudien affaibli, et sa relation fluctuante avec un Ça très séduisant, incarné par le superméchant du vingt-et-unième siècle ; la toile de fond sociopolitique contemporaine hostile aux exploits du superhéros, pour qui l'isothymie fukuyamienne omniprésente constitue une injuste condamnation de son action salvatrice. Icône d'une démocratie libérale qui règne désormais sur notre planète, le superhéros postmoderne semble singulièrement désadapté à la culture qui l'a vu naître. / The main topic of this doctoral thesis is the study of the decline of the superhero icon in American films after 9/11. Superhero productions are at an all-time high, and yet, the superhero's morale is at an all-time low. This paradox is best illustrated with the dual image of Batman stuck at Ground Zero, staring up at the projection of his chevron looming large in the sky of Gotham City. The glowing merchandise transcends an otherwise sullied character. This dissertation focuses on three main realms: the superhero's loss of masculinity at the end of the twentieth century, leading to the formal opposition between the figures of the quarterback and the cheerleader, or between Superman and Everyman, and the reactionary, warpath revival which started in 2005; the travails of the flailing Superego and its shifting relationship to the almighty Id, represented by the twenty-first century glorified supervillain; and, finally, the inimical sociopolitical backdrop for the superhero's prowess, in which Fukuyama's prevalent isothymia eventually denies the superhero his just laurels. The postmodern superhero thus appears as a national misfit, also because this cultural commodity now reaches far beyond the traditional boundaries of the « American Way », to embrace an increasingly globalized market. 11 Septembre Batman Ca Cinéma Déclin Everyman Freudien Fukuyama Hollywood Iron Man Isothymie Mégalothymie Majorette Mythe Quarterback Spider-Man Superhéros Superméchant Superman Surmoi X-Men 9/11 Batman Cheerleader Cinema Decline Everyman Freudian Fukuyama Hollywood Id Iron Man Isothymia Megalothymia Myth-making Quarterback Spider-Man Superego Superhero Superman Supervillain X-Men

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