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Ämnesområdet för denna uppsats är fascismen i Sverige efter andra världskriget. Uppsatsens huvudsakliga syfte är att undersöka Per Engdahls ideologi efter andra världskriget utifrån den fascitiska ideologins struktur. Uppsatens sekundära syfte är att undersöka om hans ideologi förändrades efter andra världskriget, om den gjorde det och vad det kan berott på. I uppsatsen har fyra olika politiska program från Nysvenska rörelsen undersökts, alla skrivna av Per Engdahl, mellan åren 1958 till 1979. I uppsatsen har en ideologianalys använts som metod för att dels undersöka det manifesta samt det latenta budskapet i Engdahls politiska program. Resultatet av denna uppsats visar på att Engdahl mellan åren 1958 till formulerade centrala delar av den fascistiska ideologins struktur i sina politiska program. Vidare visar denna uppsats även att Per Engdahl bl.a. förändrade sin ideologiska syn gällande nationen, individen och staten som det parlamentariska systemet efter andra världskriget.

This study attempts to assess the early education system of Italy (from 1870 to 1918) and shows what effect the early features had upon the lives of the Italian children.

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In Italy, the period directly following World War II was marked by confusion and turbulence as the people struggled to reconstruct both the ideological and physical infrastructure of the nation. While much study has been dedicated to the evolution of femininity and the figure of the woman in this particular period, comparatively little has been written on the refashioning of masculinity in the texts produced in the period between 1940 and 1955. After the fall of the Fascist Regime, Italian masculinity undergoes a drastic transformation as the generation of young men born and raised under the tutelage of Mussolini’s reign attempt to separate themselves from the now-tainted codes of conduct governing male behavior. This report analyzes the renegotiation of Italian masculinity in G. Silvano Spinetti’s non-fictional account Difesa di una generazione (scritti e appunti), Italo Calvino’s Il sentiero dei nidi di ragno, Beppe Fenoglio’s short story “Gli inizi del partigiano Raoul” and Pier Paolo Pasolini’s Ragazzi di vita. These works, written and published in the postwar period, manipulate the vi marginality and privation experienced by the Italian population during the war and postwar period into a liminal state brimming with revolutionary potentiality. The protagonists of these texts (both fictional and non-fictional), isolated from the larger social context and deprived of individual identity, property and privilege, circumvent their polluted patriarchal lines in favor of an alternative ideological patriarchy. While Spinetti, Calvino and Fenoglio’s works advance their liminal narratives as a means of creating an emblematic Italian man capable of rejoining the generative discourse, Pasolini’s text renounces such a progressive view. In Ragazzi di vita, the only possibility for a masculine identity free of Fascism resides in a maintaining a perennial liminality. / text