The aim of this research is to investigate the representation of the female gender in theTerminator franchise and to examine whether there has been an evolution in thisrepresentation throughout the years. For this purpose, the representation of the lead femalecharacter, Sarah Connor, has been examined in the films The Terminator (Cameron, 1984),Terminator 2: Judgement Day (Cameron, 1991) and Terminator Genisys (Taylor, 2015), inwhich Sarah Connor is the only main female character. The thesis begins by providing athorough presentation of the situational, specific and the theoretical background of the threefilms analysed. Then, the methodology used in the research is described and linguistic, visualand contextual data are provided. These data are then analysed and discussed in relation tothe background of the films and to the objectives set at the beginning of the research. Inparticular, the linguistic aspect of gender representation is explored based on the waylanguage is used to represent women in the Terminator films. After a thorough analysis ofdata collected and discussed, the research concluded that there has, indeed, been an evolutionin female gender representation in the Terminator films, which reflects an evolution in theperception of gender by society itself.

The purpose of this study is to compare the contents, editorials and front covers of Sweden’s oldest girl’s magazine Veckorevyn during two different years, in which the magazine had two very different chief editors. In the year 2000, Emma Hamberg got the job as editor-in-chief for Veckorevyn, with a vision of changing the way the magazine represented young females. She wanted to add a more feminist viewpoint to the magazine, since she felt that Veckorevyn didn’t live up to its claim of being “a girl’s best friend”. Six years later, the famous Swedish fashion editor Ebba von Sydow became editor-in-chief for Veckorevyn, with the intention of making the magazine better, smarter and more fun for young girls. Her ambition was also to add more features about career and affordable fashion, since she felt that those topics were important for young women of today. Since these two editor-in-chiefs wanted to do so different things with Veckorevyn, we found it interesting to try to pinpoint what their differences and similarities as editors-in-chief were and how this was reflected in the magazines. The methods used were quantitative content analysis and qualitative text analysis, together with a comparative analysis between the two annual volumes. We also did interviews with the two former editors-in-chiefs, Emma Hamberg and Ebba von Sydow to get a clearer image of what they wanted to do with the magazine and how well they thought that they reached their goals. As guidelines for the study, we used theories about the survival techniques used by female journalists, feminism, personification, the male gaze and the female gaze. We found that the two versions of Veckorevyn were similar in which subjects they chose to write about. Both versions had a content based mostly on fashion, beauty, and celebrities. However, we found a noticeable difference in how they wrote about these subjects. Other differences were found in how the editorials were written, and in the choice of what kind of people got to appear on the front covers.