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An infinity of questions dramatizing science on stage /Miranker, Emily. January 1900 (has links)
Honors thesis (English)--Oberlin College, 2008. / "April 2008" Includes bibliographical references (leaves 39-41)
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A Scenic Design Process for a Production of Noises OffPorter, Corinne Allyce 03 September 2009 (has links)
No description available.
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Here Goes Nothing: Creating The Role Of Timothy Allgood In "Noises Off."Bupp, Justin G 18 December 2015 (has links)
Noises Off is the epitome of farce. Doors everywhere, mistaken identities, and unrequited love. The characters push themselves to the limit, both mentally and physically. They stop at nothing to put on their production and their stage manager, Timothy Allgood, becomes the babysitter of the group, which at times becomes comparable to herding cats.
This document describes the journey made from casting to final bows. It contains biographical research on the playwright, Michael Frayn, as well as a historical look at the genre of farce, techniques pioneered by Sanford Meisner and Konstantin Stanislavski, along with materials, including a scored script, character analysis, personal evaluation, and rehearsal reflections.
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The Full Complexity of Being Human: A Study of Science and ArtRulison, Megan January 2006 (has links)
Thesis advisor: Scott T. Cummings / This Senior Honors Thesis evolved from a personal fascination with the intersection of art and science both in drama and on a grander theoretical scale. It is a three-part investigation with each part written in different voice with a different intention. The first is a short personal introduction offering insight to the genesis of the project. This is followed by a comparative dramaturgical analysis of two science plays, Bertolt Brecht's GALILEO and Michael Frayn's COPENHAGEN, examining the role of science in drama. The final component is a philosophical dialogue on the model of Brecht's MESSINGKAUF DIALOGUES which articulates larger philosophical questions in an examination of the similarities and differences between science and art. / Thesis (BA) — Boston College, 2006. / Submitted to: Boston College. College of Arts and Sciences. / Discipline: Theater. / Discipline: College Honors Program.
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The image of physics and physicists in modern drama portraits and social implications /Pang, M. W., Petti. January 2000 (has links)
Thesis (M. Phil.)--University of Hong Kong, 2001. / Includes bibliographical references (leaves leaves 122-134).
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"El problema del perspectivismo en el arte y la realidad, a partir de la incertidumbre en Copenhagen, de Michel Frayn"Carreño Pimstein, Tomás January 2014 (has links)
No description available.
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Glimpses of World War II in Denmark: Memory and History in Frayn's Copenhagen and Sibbern's Resistance ScrapbookPinegar, Adriana 01 July 2015 (has links) (PDF)
The relationship between history and memory is long and complex. While some theorists argue that they are at odds with one another, this thesis explores the necessary relationship between the two. Using Michael Frayn's 1998 play, Copenhagen, and the scrapbook of a Danish police officer and resistance fighter during World War II, the author posits the central role of uncertainty in the negotiation of individual memory and history. The position of the observer or witness to history affects the way the past is remembered and recorded. Individual witnesses, even and perhaps especially where they stray from the accepted historical narrative, testify to something that would otherwise be lost: the nature of the event. The observer therefore plays an important role in interpreting the testimony according to its place in the flow of time.
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An Infinity of Questions: Dramatizing Science on StageMiranker, Emily January 2008 (has links)
No description available.
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