Ausstellung kuratiert von Kathleen Schröter / Die Ausstellungsbroschüren des „Projektraum am Weißen Hirsch. Galerie Grafikladen“ dokumentieren die Ausstellungstätigkeit eines nicht institutionellen Ausstellungsraumes in Dresden zwischen 2010 und 2016. Die Galerie widmete sich dem Werk zeitgenössischer junger Künstler, vorwiegend Meisterschüler und Absolventen, die in der Regel einen biografischen Bezug zu Dresden haben. Das Ausstellungskonzept war offen für die verschiedensten künstlerischen Ausdrucksformen – von Malerei über Fotografie bis zu performativen Ansätzen. Jährlich fanden vier bis fünf, von wechselnden Kuratoren entwickelte Ausstellungen statt. Im August 2016 eröffnete die vorerst letzte Ausstellung. / © bei den Rechteinhabern, Lizenz: Zugang frei – Rechte vorbehalten. Bitte beachten Sie unsere Hinweise zum Urheberrecht.

Ausstellung kuratiert von Johannes Schmidt / Die Ausstellungsbroschüren des „Projektraum am Weißen Hirsch. Galerie Grafikladen“ dokumentieren die Ausstellungstätigkeit eines nicht institutionellen Ausstellungsraumes in Dresden zwischen 2010 und 2016. Die Galerie widmete sich dem Werk zeitgenössischer junger Künstler, vorwiegend Meisterschüler und Absolventen, die in der Regel einen biografischen Bezug zu Dresden haben. Das Ausstellungskonzept war offen für die verschiedensten künstlerischen Ausdrucksformen – von Malerei über Fotografie bis zu performativen Ansätzen. Jährlich fanden vier bis fünf, von wechselnden Kuratoren entwickelte Ausstellungen statt. Im August 2016 eröffnete die vorerst letzte Ausstellung. / © bei den Rechteinhabern, Lizenz: Zugang frei – Rechte vorbehalten. Bitte beachten Sie unsere Hinweise zum Urheberrecht.

The main purpose of the diploma project is to redesign an object of the Brno Grand Prix areal. The design case study is a second step after an urban project analyses created in the pre - diploma project phase. The main aim of the diploma design studio is to produce a new impulse in the whole nearby area of the Brno Grand Prix by finding a new purpose for the city's iconic areal and creating a decent and representative place for exhibition of the extensive history of Czechoslovak Motor sport.

It is necessary to ask the question of the relationship and the corresponding forms of buildings of the faculty of architecture and faculty of fine arts with the public. Due to the efforts of the faculties to open up to the public, I find it undesirable to place new objects in the courtyard and hide behind the walls of historic buildings. Much more meaningful is the use of existing buildings at the boundary of the plot. It is important to protect our history, but the protection of existing buildings should not get to the point where it will defend the presence, be on the same level, and thus ensure its quality and together to shape the future. The newly allocated creative use of the original barracks has greater demands on space, whether capacity or its generosity. Therefore, it is necessary to customize the objects for the current function. The superstructure will help keep faculties in one building. An advantage is also the connection to existing networks or vertical communications. The proposed minimalist intervention is in contrast to the historic building, making it stand out, while the verticalism of the superstructure raises the object of the original barracks to the desired institution of the Faculty of Architecture and the Faculty of Fine Arts.

The project solves transformation of the old buildings on Údolní street into the new campus for The Faculty of fine arts and the Faculty of architecture.

The aim of this work is to create arts campus for the Faculty of fine arts and Faculty of Architecture from the complex of buildings of BUT at Údolní street. Current buildings (formerly army barracks houses) don't have sufficient capacity and are not suitable for the arts departments. Inner part of the campus is nowadays without urbanistic concept and is formed of many buildings of differnt purposes. This work deals with the urbanistic solution of the campus, new use of the current buildings and creation of the new buildings, needed for teaching and exhibitions. I am adding annexes to the historical buildings that will be used by artists. There is main entrance and common gallery in the center of those buildings on the busy crossroad. In the inner part of the campus, between buildings of Faculty of Fine Arts and Faculty of Architecture, there will be the gipsoteca and drawing rooms that will be used by both faculties.

The aim of the project is to design a public building in the place, where phenomena of Pálava mountains, reflecting water surface and wine tradition meet. It is right in the area of Strachotín village. Project is trying to harness the power of these qualities to create a special attractive house. But also, the house is showing the viewer new perspective on these entities, which would not be seen without it. The location and concept of this wine house is strengthening the link between village and Pálava reflected in water. Therefore, the main part of interior is oriented exactly on the axis between these two poles. Secondarily, house contains the small museum of local history. In terms of technical aspects, we are dealing with the floating house, which is not affecting the building of dyke in no way.

Strachotín is a village on the edge, not just from geological point of view, but in the sense it´s next development too. Currently it´s main problem is, that it does not offer anything specific to become interesting for turists. There are not the best wine, architecture, accomodation, catering or public services. What it does have is undoubtedly the best view of Palava massif. It is not used at all and that was the main reason that led me to think of building at the pier so this attribute could be finally used for further development of this village. For this purpose i chose the object gallery of wine which is missing here and is also welcomed by it´s citizens.

This work deals with the elaboration of architectural and urban design of an area surrounding the historic water reservoirs in Brno – Tvrdého Street. The first part contains the urban design on the entire area, after that one specific building is processed in more detail in the form of an architectural study. The new use of the underground reservoirs is also a part of this project. The work is partly a continuation of older atelier work which was focused on an thorough analysis of the are and the possibilities of its development.

Culture building in the South Centre In my master thesis I have made a proposal of a culture building – Art Gallery. My work was based upon my previous proposal of the surrounding parc, where the gallery is placed. This location is connected with new site of planned main trainstation. Urban role of this building is to create a conection between new multifunctional estates and older industrial building - viaduct. Southern part of the parc is profilled as a riverine forest and swamps in my project as it was there naturaly before. Placement of the gallery and its entrances was quite dificult, because of complicated urban situation. My solution of this problem was a integrated volume building with a console spanning towards the new estates eastewards. This determines clearly the entrance and relations with surroundings. The first floor is composed by spatial foyer with a information desk, book shop, cloakroom, caffetery and multifunctional hall. Skyline of Petrov can be percived by windows on the north. The centre of the gallery is a vertical comunication formed by simple monolytic helical stair. The enlightment is provide by drawn up skylight. A rest space in the second floor provides atypic vertical views of old town of Brno, parc and the cathedral. Two large exhibition rooms and art workshop complete the second floor. In the basement there are 39 car slots, storage, technical and manitenance rooms. The caffetery in the first floor can be reached even directly from the parc via foot bridge over the swamp. Every spring the snowdrops and snowflakes flower there. The constuction material is armoured concrete with wall system completed with pillars.