The aim of this diploma thesis is the design of bearing construction of the Exhibition gallery in Olomouc. The building is of irregular shape with the biggest span of 50 m. The bearing structure in the highest point goes up to 14,6 m. The main design material is the glue-laminated timber GL24h and GL32h. The optimization of chosen parts of the structure has been made and the best option was then used in the detailed structural calculation. The bearing structure consists of circular columns to which the floor beams and roof trusses are connected. The irregular structure of the gallery comprises of three different roof types – flat trafficable roof, double-pitched glass roof formed by pitched cambered trusses and single-pitch roof spanning over the central part of a 20,7 m span. Within the thesis the design and check of the main structure members and connections has been made. The entire structure is pinned and its stiffness is secured by the system of tension rods and rigid floor and roof construction respectively.

(in English): The thesis presents overview of current state of museum libraries in Bohemia. It relies on the results of questionnaire specifically made for this purpose. Focus is also on library collections of museum libraries (acquisition, processing, accessibility and conservation), self-presentation of libraries on Internet, means of financing of such institutions and their activities. The thesis also overviews history of museum libraries on the case of four individual institutions, legal regulations pertaining to them and to their collections, as well as cooperation possibilities between other museum libraries, general libraries or other institutions. The thesis concludes with resume of strengths and weaknesses of current state of affairs in the field and anticipates future development of museum libraries. The text contains numerous charts and tables [Author's abstract].

Ausstellung kuratiert von Dr. Hans-Ulrich Lehmann / Die Ausstellungsbroschüren des „Projektraum am Weißen Hirsch. Galerie Grafikladen“ dokumentieren die Ausstellungstätigkeit eines nicht institutionellen Ausstellungsraumes in Dresden zwischen 2010 und 2016. Die Galerie widmete sich dem Werk zeitgenössischer junger Künstler, vorwiegend Meisterschüler und Absolventen, die in der Regel einen biografischen Bezug zu Dresden haben. Das Ausstellungskonzept war offen für die verschiedensten künstlerischen Ausdrucksformen – von Malerei über Fotografie bis zu performativen Ansätzen. Jährlich fanden vier bis fünf, von wechselnden Kuratoren entwickelte Ausstellungen statt. Im August 2016 eröffnete die vorerst letzte Ausstellung. / © bei den Rechteinhabern, Lizenz: Zugang frei – Rechte vorbehalten. Bitte beachten Sie unsere Hinweise zum Urheberrecht.

This study addresses the design of a new cultural center in the Moravian Square – a polyfunctional object with a great concert hall, a small multifunctional hall with operating and technical facilities, parking, customer services for visitors, and areas for employees and musicians. Also, a restaurant & cafe is a part of this proposed project. New space replaces the unsatisfactory conditions of the current residence of Brno Filharmony in Besední dům – too small, unsatisfactory acoustics, and complicated operation. The cultural center, also, serves as a congress center that is currently missing in Brno - a city of trade fairs and exhibitions. The proposition respects the existing character of the park. The capacity of the new proposed design is from three-quarters underground, and therefore makes a way (nebo „space“) for greenery and pedestrians. The designed object consists of one ground and two underground levels. It has a simple shape with a greenery roof, and is incorporated into the existing spaces of the square. The distinctive element of the design is an open outside atrium in the first underground level. The facase is covered with boards (nebo „panels“) made out of Corian® material in a white shade of Glacier White in contrast to glass windows. The supporting construction is designed from monolithic iron concrete.

Artist's book It is needed is a compilation of interviews with major graphic designers and curators of czech gallery sphere. The interviews show possible methods of this kind interdisciplinary cooperation.

The project includes a study of the urban redevelopment an urban public space, formerly a laundry service, in the central urban area. Conversion of this complex includes the revitalization and redevelopment of old buildings and surroundings, new buildings, open spaces for relaxing with a wide program of functions and services such as fitness, galleries, restaurants, office space, retail space, housing and loft living. The objects and surfaces are placed or created for an easy living for visitors and movement of pedestrians. An important part of the project is to address and transform the river embankment. The study takes into account all the specificities of contemporary architecture in the historic environment.

Les musées d’art exposent leurs œuvres selon les modalités de curation et l’architecture même du lieu. Ce mémoire en recherche-création interroge le rôle de médium de l’espace d’exposition en s’appuyant sur un double cadre théorique : les approches matérielles des études médiatiques et la muséologie (études muséales et curatoriales). Les nombreuses spécificités du musée rotond en font un cas particulier récurrent et pertinent pour analyser la manière dont ces courbes spécifiques de l’espace muséal agissent sur l’approche curatoriale d’une exposition et l’expérience qui en découle pour le visiteur. À travers la forme médiatique qu’est le guide d’exposition, il s’agit d’explorer la présentation sur une feuille rectangulaire d’un espace d’exposition circulaire. Trois espaces significatifs font l’objet d’une étude de cas et définissent le cadre de création : la galerie des Nymphéas au Musée de l’Orangerie (Paris, 1927), le Solomon R. Guggenheim Museum (New York, 1959) et la Bourse de Commerce - Pinault Collection (Paris, 2021). Ce mémoire en recherche-création expérimente la dimension médiatique de l’espace rotond par un processus de remédiation du guide d’exposition qui vise à retranscrire matériellement la circularité de ces lieux. Animée par l’analogie entre le circulaire et l’insulaire et investissant leurs modes de représentation, j’y conçois un outil de médiation qui accompagne le visiteur dans sa découverte spatiale du musée rotond et au-delà, le promène dans une itération archipélagique, d’un cercle muséal à l’autre. Chacun des trois musées rotonds de ce pèlerinage offre un fragment de l’expérience à collecter qui, au fil des visites, formera par assemblage l’itinéraire complet et accompli d’une médiation au sein de lieux à l’exposition circulaire. Navigation inédite dans l’archipel Rotonda pour composer son Museario rotondo. Par une approche non-linéaire, tant dans l’aspect théorique et conceptuel que méthodologique, je m’intéresse aux interstices du rotond interrogeant matérialités, possibilités et affordances du circulaire. De l’histoire du rond dans un carré. / Art museums exhibit artworks according to curation methods and the architecture of the building itself. This art-based research thesis questions the medium role of the exhibition space using a double theoretical framework: materialist approach in media studies and museum studies paired with curatorial studies. The numerous specificities of the circular museum convert it into a special case, recurrent and pertinent to analyze the way these specific curves of the museum space act on the curatorial approach of an exhibition and the related experience for the visitor. Threw the media object that the exhibition guide is shaping, the purpose here is to explore the presentation on a rectangular sheet of a circular exhibition space. Three indicative spaces form case studies and define the framework for the creation phase: the Water Lilies Gallery at Musée de L’Orangerie (Paris, 1927), the Solomon R. Guggenheim Museum (New York, 1959) and the Bourse de Commerce - Pinault Collection (Paris, 2021). This art-based research thesis experiments with the media dimension of the rotunda space by remediating the exhibition guide in order to transliterate materially the roundness of those places. Motivated by an analogy between circularity and insularity and investing in their representation forms, I design a mediation tool that guides the visitor in his spatial discovery of the rotunda museum and beyond, walks him threw an archipelagic iteration, from a circle museum to another. Each of the three rotunda museums of this pilgrimage offers a fragment of the experience to be collected which, over the visits, will form by assembly the complete and accomplished itinerary of a mediation within places of circular exhibition. Unprecedented navigation in the Rotonda archipelago to compose the Museario rotondo. Through a non-linear approach, as much as in the theoretical aspect as conceptual and methodological ones, I am interested in the interstices of the rotunda, questioning materialities, possibilities, and affordances of the circular. About the story of a round in a square.

The subject of the diploma thesis is the architectural study of the mix-used urban housing situated closed to the Brno city centre. The design will allow mixing of greater amount of different functions on a relatively small built-up area, which will reduce the requirements on transport and provide the inhabitant with various forms of housing, services and employment. The mass and spatial solution respects the surrounding city blocks on south and the mass increase to the north industrial zone. The mass defines the area and respect noise protection zone on housing development. The shape of object's ground plan is based on the area, which is divided by four axes of pedestrian paths. The basic matter of object is divided into four blocks linked by common internal square. The mass solution provides private, semi-private and public courtyards.

Sport Airport complex Brno-Medlánky is nestled in the undulating hilly terrain in fields just beyond populated areas in Brno-Medlánky. The history of the airport dates back to 1924 when it was built the first wooden hangar for training purposes glider flights. Current state urban of airport is orderless. The aim is to streamline the complex and give it the order, allowing easy and efficient orientation in the space. The main intervention was the creation of a new central building - Aviation Museum. The concept of the design is based on the division of the whole area into two branches - communication axes, based on the mass preserved historic wooden hangars. Between the two communication arms is inserted a central axis on which is located the heart of the complex - Aviation Museum. It is a building organic form, inspiring axially symmetric wingspan (bird, airplane, beetle). It is this symmetry axis of the building creates a view towards building on the runway. Mass of the building used by the sloping terrain and is partially sunk under the ground. Building volume follows an upward slope from the outside and blends with the surrounding terrain. The internal layout consists of three floors, one of them is completely sunk below ground level and second half. The main entrance to the gallery is located in the uppermost floors, the direction of the exhibition is therefore directed downwards into the basement. The exposition is divided into six parts: RC models exposure, gliders exposure, powered aircraft exposure, screening room, children's exposure and air trainers. Other areas consist of building technical facilities. In the basement there is a workshop with aircraft lift, with the possibility of placement unexposed aircrafts. The supporting system of the building consists of two parts: reinforced concrete tubs and arched steel structure with a span of 50m.

The subject of this diploma thesis is to continue on the previous atelier work, which was focused on elaboration of a strategic urban-architectural study of the Kraví hora area and the BUT holding located there. A multifunctional facility, which would include activities that BUT still lacks, should be designed there. In any case, it should not be an extension of the teaching, research or accommodation capacities, since there have been built enough of these by BUT recently. At the same time, the proposed activities should not be controversial with the interests of the city. The BUT area at Kraví hora is one of the most valuable areas of the city of Brno. The city, which has tried to buy it from BUT several times, has an eminent interest in this area. However BUT considers it as its "family silver", because they realize its extraordinary value. Nevertheless, due to the binding regulatory conditions, construction possibilities are very limited. The aim of this study is to find such a use of this area, which would be a compromise corresponding to both the city's expectations and the needs of BUT. The intention of the previous project, which has been continued by this diploma thesis, was the removal of unsatisfactory buildings and the reduction of the garden colonies; despite to a study created by the City of Brno but partially kept, cultivated and reorganized; and rebuilding of the BUT area, which will be opened to the public and communicate with park. The public will obtain an access to nowadays inaccessible and impermeable areas by removing inappropriate buildings and fences, as well as by the modification of the public space and creating one major spine communication realized as an extension of the existing road and which will serve only for the supply, hikers and cyclists. The newly founded BUT complex with its strategic location on the top of Kraví hora hill and next to the observatory will invite large number of people not only from the surroundings but a